Karin Slaughter - Skin Privilege

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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'He's barely coherent,' Sara reminded her. 'I'm sure his electric bill is the last thing on his mind.'

Lena started up the front walk. 'I'm going to check.'

'Hold on, lady.' Valentine trotted up ahead of her, hand on his gun so it wouldn't slap his leg. 'Let me just run in there and check things out, okay?'

Lena didn't wait with Sara. Instead, she walked around Hank's Mercedes, looking inside the windows, checking underneath, an air of paranoia surrounding her every move.

Sara followed her, asking, 'What's going on?'

'We had a deal,' Lena said, almost to herself.

'What deal?'

Lena stood on the far side of the car, watching Jake Valentine pull at the tape around the front door, trying to pick it open.

'What were you looking for under the car?' Sara asked, all of her senses telling her something was wrong. 'Who did you make a deal with, Lena?'

'Hey,' Valentine called. 'Anything happens' – he gave a little chuckle – 'y'all know the number for nine-one-one, right?' He didn't give them a chance to respond as he shouldered open the door.

Lena inhaled sharply as if to brace herself.

Valentine waved back at them. 'It's okay,' he said, holding his hand to his side. 'I'm okay.'

Blood seeped into the material of his shirt where the metal flashing on the doorjamb had sliced open his side. Valentine kept putting his hand to the wound then looking at the blood on his palm. Sara could tell from the bleeding that the cut was deep, but he assured them, 'I'm fine. Y'all just stay here while I poke around inside.'

Lena waited until the sheriff disappeared, then opened the back door of Hank's car. She reached under the driver's seat with her hand, keeping her eyes on the house the entire time.

Sara asked, 'What are you doing?'

Lena closed the door quietly, locked the car. She had obviously been checking for something under the seat, but she told Sara, 'That cut looked pretty bad.'

The rain started up again. Sara raised her hand to shield her eyes. 'You wanna tell me what the hell is going on here?'

Lena grinned, as if Sara was being foolish. 'I think I just didn't notice that the lights were on this morning,' she said. 'There should be a first-aid kit in Jake's cruiser.' She went to Valentine's car and pulled the trunk release. The lid popped open, and Sara saw a rifle bolted to the floor. Beside it was the blue metal box Charlotte Gibson's husband had brought into the station.

Sara remembered the birth certificate applications hidden under the lining, where Angela Adams had listed her brother as the father of her children. It took all Sara's effort not to push Lena aside as the other woman reached into the trunk and picked up the box.

Still, Sara tried, 'That's evidence.'

Lena snapped open the lid before Sara could think of a way to stop her.

Sara suppressed a sigh of relief. The box was empty. Even the liner was gone. Rain splattered the metal bottom.

Lena asked, 'Where did he get this?'

'It was brought in by Charlotte Gibson's husband.'

Lena shook her head. 'That doesn't make sense.'

'All clear,' Valentine shouted from the house. He made his way down the porch, holding his side, obviously in pain. He saw the metal box, and asked Lena, 'Have you ever seen that before?'

Lena shook her head and gently closed the lid.

Valentine holstered his weapon as he asked, 'Any particular reason y'all are poking around in my trunk?'

The first-aid kit was strapped inside. Sara retrieved the kit, saying, 'We thought you might need this.'

He took his hand away from his side, showing her where the flashing had ripped the shirt, sliced apart the flesh. 'I think I need more than a Band-Aid, Doc. This thing is bleeding like a mofo.'

Reluctantly, Sara asked, 'When was your last tetanus shot?'

'I stepped on a nail when I was twelve.'

She looked at the house, dreading the thought of going inside. She didn't want to go back to the jail, either, but she couldn't very well make him stand out in the rain.

Sara headed toward the front steps, telling Valentine, 'You're going to need another tetanus shot. I'll get you patched up as best as I can and then you can drive yourself to the hospital.'

'Drive myself?' He seemed alarmed.

'It's two minutes away,' she said, knowing she should offer to drive him.

Valentine scowled. I hate hospitals.'

'Everyone does,' she said, leading him back to the kitchen. Sara was a plumber's daughter and had been exposed to her fair share of sewage, but she had never smelled anything as bad as this. 'I'll clean it up and get a good look at it.'

'Is it going to hurt?'

'Probably,' she admitted, pushing open the swinging door to the kitchen. Trash was strewn everywhere, but the sink was empty and the light was good. Sara put the first-aid kit on top of a stack of pamphlets on the counter and asked Lena, 'Can you find some clean rags?'

Lena frowned. 'How clean do they have to be?' She didn't wait for an answer. She put the metal box on the table and went back into the hall, the swinging door swishing closed behind her.

Sara lowered her voice, asking Valentine, 'Is there any reason I should be worried about not having gloves?'

'What?' he asked, then blushed and laughed at the same time. 'Oh, no, ma'am. I'm clean as a whistle.'

'Okay,' she said, hoping she could trust him. Sara turned on the faucet and used the soap in the tub of Orange Glo to wash her hands. 'Go ahead and take off your shirt. I can at least get the bleeding under control.'

He put his gunbelt on the table and started unbuttoning his shirt. 'Is this as bad as I think it is?'

'We'll have to see.' Sara opened up the first-aid kit, glad when she saw large gauze pads and surgical tape instead of the usual Band-Aids.

'I hate needles,' Valentine continued. Lena came in, a couple of rags in her hand. He warned them both, 'Y'all don't let it get around, now, but I've been known to faint when I see a needle.'

'Me, too,' Sara told him. She ripped open the gauze pad and he flinched like a child. She was always amazed by how nervous cops got around anything that questioned their invincibility. The man could barely unbutton his shirt.

She asked, 'Do you need help with that?'

'Aw, hell.' Valentine gave up on the buttons and slipped his shirt off over his head, wincing as he stretched, the wound gaping open.

'Careful,' Sara warned, a moment too late.

He looked at the blood dripping down the waist of his pants and joked, 'I'm not gonna need a transfusion or anything, right?'

'Oh, I don't think so,' Sara said, pressing the gauze pad to his wound. 'If you do, I'm sure we can find some donors at the jail.'

'I don't know about that,' Valentine said. 'I've got a rare blood type.'

The blood was already seeping through the gauze. Sara held out her hand for the rags, but Lena did not offer them. She was just standing there, frozen in place.

'AB-negative,' Lena said, her voice barely above a whisper. 'His blood type is AB-negative.'

TWENTY-FIVE

Jeffrey passed his gun to the guard behind the metal cage at Coastal State Prison. Ever since he'd been caught unarmed with Jake Valentine in the woods, Jeffrey had kept the weapon close. He'd even slept with it on the nightstand last night instead of tucking it under the mattress like he normally did. He suddenly realized that when the adoption went through, he'd have to get a gun safe, figure out a better place to store all of his guns. The thought made him smile.

'Anything else?' the guard asked, ejecting the clip in Jeffrey's Glock and checking the chamber.

'That's it.'

The man nodded, writing down the serial number from the gun and passing a claim check to Jeffrey.

Another guard opened the first of two gates, saying, 'Through here.'

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