Karin Slaughter - Skin Privilege

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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Once they were both inside the holding pen and the first door was locked, the guard opened the second door and they walked through.

The guard, whose name tag read, 'Applebaum,' looked to be exactly the type of man you'd find working in a place like Coastal State Prison. Tall with broad shoulders, he walked with the kind of swagger that said he wasn't afraid of anything.

Jeffrey told him, 'I think you met one of my detectives a few days ago.'

'Nope,' the guard told him. 'Just got back from vacation.' He stopped at another set of doors. These were operated from a central control station. Applebaum murmured something into his walkie-talkie and the door clicked open.

Jeffrey said, 'There was nothing in Green's jacket about drugs.'

Applebaum shook his head. 'His boys don't touch 'em. If you're down with his crew and they catch you using or selling, you'd be better off running ass-naked through the yard than having them deal with you.' He shook his head. 'Had this one skinhead, must've been seventeen, eighteen, who aligned with Green's crew when he got in. He couldn't stay off the needle, though; got caught red-handed. He knew they were after him, so he made a shank out of his comb and kiestered it in the shower.'

Jeffrey knew kiestering was prison slang for stowing something up your ass. 'What happened?'

'They got a broom and shoved the comb up higher. The doc who did the postmortem says he found bits of plastic teeth practically in the guy's tonsils when he cut him open.'

'Green did this?'

'He ordered it,' Applebaum admitted as he stopped in front of another closed door. 'Somebody that high up, they keep their hands real clean.'

'Somebody could flip.'

The guard laughed as he took out a key and opened the door, revealing the interview room. 'And J-Lo could fly down to Georgia and blow me in her private plane.' He turned all business as he escorted Jeffrey into the interview room. 'Don't touch the prisoner. Don't get within five feet of him. See this line on the table? This is as far as he'll be able to reach with the chains, but don't trust that.'

'I don't want him chained.'

'Warden's orders.'

'I'm not afraid of Ethan Green.'

Applebaum turned around. 'Listen, man, I sure as shit am, and you should be, too.'

Jeffrey nodded, taking his point. 'Bring him in.'

Applebaum left, and Jeffrey sat at the table facing the metal ring bolted to the wall. He heard talking in the hallway and stood, not wanting to give Ethan a height advantage. Then, thinking he looked like he'd come with his hat in his hand, walked over to the wall opposite the door and leaned against it, hands in his pockets.

The door opened and Ethan shuffled in with Applebaum and three other guards. He kept his eyes trained on Jeffrey as Applebaum and the others guided him toward the chair. He sat, staring a hole through Jeffrey as he was bolted to the wall.

Applebaum said, 'We'll be standing right outside the door.'

The four guards left, taking all the oxygen in the room with them. The chains around Ethan's handcuffs scraped across the edge of the table as he clasped his hands in front of him.

Ethan asked, 'You scared to sit across from me?'

'Where the panic button is? Not particularly.'

Ethan's lips curled into a sneer, but he nodded as if Jeffrey had made a point. This was what Sara was so afraid of – some stupid pissing contest that could quickly turn deadly.

Jeffrey pushed himself away from the wall and walked over to the empty chair. He pulled it out about two feet from the table and sat, legs apart, hands resting on his thighs.

Ethan snorted, leaned back in his chair. 'You just gonna stare at me all day, Chief? You got a crush on me or something?'

'I want to know what you've been doing with Lena.'

He made a jerking-off motion. 'Fucking around.'

'I know you've been making phone calls to Hank,' Jeffrey said. He'd seen them logged on Ethan's file. 'Why?'

'To get Lena here.' He clicked his tongue. 'Worked, didn't it?'

'The only problem is, a trick like that only works once.'

'I got other plans.' He held out his hands, indicating the walls around them. 'I'm gonna get out of here one day, and when I do, I'm gonna find her.'

'She'll put a bullet in your head.'

'She'll die before she gets the chance,' Ethan returned. 'You ever fuck her, Chief?'

Jeffrey didn't answer.

'I know you wanted to. I saw the way you looked at her sometimes.'

Jeffrey did not respond.

'Let me tell you something,' Ethan said, leaning forward. 'She may look hard, but she's so sweet underneath all that. You know what I mean?' He smiled, satisfied. 'Good stuff.'

Jeffrey remained impassive. Ethan obviously thought he was pushing a button, but Jeffrey had never been attracted to Lena. He'd never had a sister, but he imagined the feelings he had for Lena were about the same.

'What you gotta do is slap her around a little bit,' Ethan continued. 'Bend her over and-' He thrust into the table, made a loud grunting sound.

'Bend her over, huh?' Jeffrey shook his head sadly. 'I think you've been hanging out with the wrong men in here, little buddy.'

He cupped his nuts, shook them. 'I've got your little buddy right here, cocksucker.'

'Fight or fuck,' Jeffrey said. 'That's what they call it in here, right? You either have to fight or fuck.' He glanced at Ethan, looked at his hands. 'You don't look to me like you've been fighting.'

Ethan laughed. 'You see these tats, bitch?' He meant the swastikas, the scenes of violence that he'd carved into his skin. 'Ain't nobody gonna touch me in here, man.'

'That's right,' Jeffrey said. 'I heard you and your little girlfriends started your own cheerleading squad in here. What's that mean, exactly? I mean, I know you wear the same uniforms, but I don't guess y'all can sit around braiding each other's hair. Do you do your nails together? Maybe give each other enemas and talk about how the white man's gonna rule the world?'

'You watch yourself, son.'

'Watch what? A bunch of punk kids whose daddies never loved them? Jesus Christ, you're a fucking Oprah episode. Give me a break.'

'Fuck that black bitch.'

'Fuck this, fuck that,' Jeffrey mocked, standing. ' Lena was right. This is such a waste of time.'

'What?' Ethan's eyes narrowed. 'What did Lena say?'

'She sent me here,' Jeffrey said. 'She wanted me to see what a pathetic little girl you've turned into.'

Ethan stared at him, obviously trying to make out the truth. Slowly, he sat back in his chair. 'Nah, man. She didn't send you.'

'Yeah,' Jeffrey said. He was standing by the door and he leaned his shoulder against it. 'She said you were hooked up with this Brotherhood.'

Ethan's lips curled in distaste. 'What?'

'Brotherhood of the True White Skin,' Jeffrey clarified. 'She said you hooked up with them in here to save your own ass.'

'Shit,' he said, practically spitting out the word. 'Those pussies? They run meth.'

Jeffrey shrugged. 'And?'

'Meth is the white man's devil.' Ethan leaned forward, vehement. 'You don't give that shit to your own people. Fucks with your mind, makes you a slave. It's part of Darkie's conspiracy to take over America.'

'You really think that?' Jeffrey asked, walking back to the table. He put his palms down on the metal surface, leaned close to the red line. 'See, I've met some of those Brotherhood assholes, and they don't strike me as all that different from you.'

Ethan laughed. 'You stupid waste of fucking air. You think I'm up with those motherfuckers? I told you, they sell meth to their own people. They smoke that shit like the niggers with their crack. Let them all fucking kill themselves. Wipe them off the face of the fucking planet so the true race can take over.'

Jeffrey kept eye contact with him, still leaning over the table. Ethan said he'd been calling Hank so Lena would come see him. If that was his plan, it had certainly worked. What connection did he have with Elawah, though? How did Ethan fit into the meth ring that the Fitzpatrick brothers were running through south Georgia and up the coast? Jeffrey knew Ethan's arrest jacket backward and forward. The other man had never been up on drug charges. All of his piss tests had come back clean from the time he was in juvenile detention to the time he'd been on parole in Grant County. Applebaum, the guard, had even said Ethan wasn't involved in drugs. Had Lena been telling the truth? Did Ethan just happen to be making the wrong phone calls at the right time?

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