Karin Slaughter - Skin Privilege

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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No, it wouldn't. Once the ingredients got too hot, the ceramic would break. The liquid would explode the second it touched the open flame, burning chemicals sticking like hot wax to everything they landed on – walls, carpets, skin. Cooking meth was so dangerous that only meth-addled junkies attempted it, and the ensuing explosions could cause massive damage not just to people but to property. Most states considered meth labs weapons of mass destruction and had asked for funding to clean them up under the Homeland Security act.

'Is that the business you were doing at the motel?' Lena asked. 'Hank saw you cooking meth?'

'I told you we were meeting with some associates,' Valentine answered, taking small cans of Coleman fuel out of the cardboard box. 'Some very important associates.'

'What associates?' she pressed. 'Mexicans? Skinheads?'

Valentine stopped unloading the box, annoyed. 'You wanna know the story? You wanna know what happened?'

Now that she had the answer within her grasp, Lena wasn't sure whether or not she wanted to hear it.

Valentine started to turn back around, but she stopped him. 'Yes. I want to know what happened.'

He leaned against the counter, propping his gun hand up at the elbow. 'Hank tried to go around me, hook up with some boys at the state.'

'The GBI?' she asked. Why had Hank gone to the GBI instead of asking Lena for help? He hadn't wanted to get her involved, of course. He'd tried all his life to keep Lena out of the thick of things, just as she'd worked steadily to keep herself right in the middle.

Valentine said, 'Fortunately, he went to somebody who was a friend of ours – somebody ready to move up north and take a long vacation.' He smiled at the simplicity. 'It wasn't too hard getting Hank hooked again. You know meth's only got a twenty-two percent recovery rate? And most of them never stop wanting it. Mind over matter, I guess. Clint had a couple conversations with him, shot him up a few times. Pretty soon he was paying for it.'

'Did you know that I was a cop?' Lena asked. 'Did you know that I would come looking for Hank?'

'Of course we knew about you,' he told her. 'How do you think we controlled him in the beginning? He was terrified you'd come down and get hurt. Honestly' – he shrugged – 'I can't believe the dumb coot's still alive. The shit Clint was feeding him was pure enough to kill a horse – grade A Ya Ba. He should've been dead weeks ago. We figured by the time you made it down here, it'd be for his funeral.'

'How can you-' Sara began, but the back door opened. Fred Bart looked just as surprised to see Sara and Lena as they were to see him. It had taken a while, but Lena had finally placed who Charlotte 's killer was. Bart had been practicing in Reece since Lena was a kid. It was hard to forget a dentist who had freakishly small teeth.

'No way,' Bart said, backing up. 'I didn't sign up for this.'

'Get your ass in here,' Valentine ordered, using the gun to wave him in.

Bart said, 'I only brought enough for one. Clint didn't say-'

Clint swung around aggressively. 'What did I say, you stupid cocksucker?'

Valentine ignored them, asking Lena, 'You got any more questions?'

She opened her mouth to answer and he slammed his gun into the side of her head. Lena saw stars as she fell. The only thing that kept her from hitting the floor was the fact that she was handcuffed to Sara.

' Lena!' Sara struggled to pull her back into the chair.

Lena 's ears were ringing. She heard Valentine say, 'Do the doc. I owe it to her husband.'

'No!' Sara screamed, rearing back, taking Lena with her. Clint stepped in, bear-hugging Sara from behind. Lena was dragged across the floor as Sara struggled against the man, fighting for her life. Valentine's hand clamped down on Sara's handcuffed right wrist and Lena saw Fred Bart jam a needle into her arm.

Two or three seconds later, Sara stopped struggling. She crumpled to the floor beside Lena, her eyes glassy. Lena put her fingers to Sara's neck, tried to feel for a pulse.

Bart said, 'It's just a mild sedative, darlin' -something to take the edge off. She'll be fine.'

Valentine fished the keys to the handcuffs out of his pocket. 'Yeah, she'll be fine until she dies.' He gave Bart the gun, saying, 'Shoot her in the head if she moves.'

Bart took the weapon, showing the same easy familiarity as that night he'd sat by Charlotte in the back of the Escalade. 'What are you going to do, Jake? I didn't sign on for any of this. I don't hurt innocent people.'

'You do if you have to.' Valentine twisted the key in Sara's cuff and her hand fell to the ground. He told Clint, 'Take her into the hall so I don't have to look at her anymore.'

Clint's lips twisted up in a smile.

'Get right back in here,' Valentine ordered. 'Don't fiddle with her or I'll cut your goddamn cock off.'

Bart had taken his eyes off Lena. She edged toward the door and he snapped the gun at her head. 'Don't try it, sugar. We both know what I am capable of.'

Lena sat back in the chair. The cuff was still dangling from her hand and she worked her fingers along the chain, thinking she could use it as some kind of weapon. She grabbed the cold, curved metal in her hand, fashioning it into brass knuckles. If Bart or Valentine got close enough, she would hit them as hard as she could no matter who had a gun pointed at her face. Better to die from a bullet than burn to death like Charlotte.

Clint came back, the door swinging behind him. Lena caught a glimpse of Sara lying in the hallway before the door swung closed.

Bart asked, 'Jake, what are we doing here?'

Valentine reached into the cardboard box and threw out a handful of empty blister packs from a box of cold medicine. 'We're making meth.' He tossed more of the empty packets onto the counter, scattered some matchbooks on the kitchen table. The box had everything he needed: medical tubing, beakers, filters. He dumped the box on the table, too.

Bart asked, 'Why are these girls here, Jake? I told you after Charlotte that I was finished with this kind of shit.'

'You're not finished with anything until I say you are.'

Bart kept the gun on Lena, but he said, 'I don't want to be a part of this.'

Valentine chuckled as he opened the cabinet under the sink. Years of cleaning products were stuck to the bottom but he swept them aside with his hand, saying, 'Shit we could've just used this.'

Bart said, 'This is wrong, Jake. This is just wrong. Al never did things like this. Innocent people never got hurt.'

'Al was bringing in pocket change. We got us a real organization here, Fred. We can't let our people down.' Valentine reached under the sink and grabbed the drainpipe, putting his weight into his heels as he pulled on it. 'That ain't moving.'

Clint was just standing there. 'What do you want me to do now?'

Valentine indicated the cans of solvents on the counter. 'Mix ' em up. Get everything ready.'

Clint started opening bottles and pouring them into Hank's ceramic mugs.

Bart tried again, 'Jake-'

'Shut up your whining, Fred.' Valentine groaned as he stood up, cursing, 'Motherfucker, that hurts,' as he held his hand to his side. 'You're not even worried about me, Fred.' Valentine gripped the counter, his hand leaving a bloody print. 'Lookit my damn side. I ripped it open on that stupid door.'

Bart glanced at the bloody bandage. 'You'll live.'

'Thanks for your concern.' Valentine wiped his mouth with the back of his hand. He was sweating. He picked up the jug of bleach that had been under the counter and set it on the kitchen table with a thump.

Bart said, 'This is crazy, man. What are you going to do?'

'What we're gonna do is handcuff her to the sink, then blow this place to hell.'

Bart shook his head. 'They'll find the cuffs in the-'

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