Karin Slaughter - Skin Privilege

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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Jeffrey pushed away from the table. 'We're done here.'

Ethan would not let him have the last word. 'You think you're a big man carrying a gun, Tolliver, but you know what you are? You're shit on my shoe. You know Lena planted that gun in my bag. You know she set me up for a fall. You think you're Mr. Law and Order but you broke the law, man. You're just as bad as those faggots over in Iraq, those Abu Ghraib motherfuckers thinking they can toss out the Geneva Conventions because they got a hard-on to paint some Arab motherfucker in his own shit. You're just as bad as them, man, maybe worse because you're not ten thousand miles from home, eating meals out of a tin can and burying your shit in the desert. You just jammed me up in the morning and tucked right back up in your bed that same night, probably titty-fucked your wife and slept the sleep of the righteous, but you know what, motherfucker? You're just as bad as all of them.'

Jeffrey did not respond because, for the most part, Ethan was right. Jeffrey had known that Lena planted that gun the minute he'd pulled it out of

Ethan's backpack. The Nazi knew his way around firearms. Even the most inexperienced jackass would not throw a loaded weapon into his backpack and jog to work.

Still, knowing that, Jeffrey had arrested him, and he'd certainly slept the sleep of the just that night because Jeffrey knew – he knew - that Ethan Green belonged behind bars. Ethan had systematically beaten and tortured. Lena wasn't strong enough to stop him, but Jeffrey sure as hell was. He became a cop exactly because there were people like Ethan Green and Lena Adams out there in the world. It was his job to protect the weak from the strong, and he had never been more certain of anything than the moment he slapped the cuffs on Ethan's wrists.

Jeffrey raised his hand to knock on the door. 'Thanks for the speech, Ethan. It's been real fun, but I need to get back home to my wife now.'

'I'm gonna get you,' Ethan said, his voice a low threat. 'You just wait.'

'When I least expect it, right?'

'I'm not going to ever leave her alone.'

'You don't have much of a choice.'

'I'm gonna get out of here. You wait for that, big man. I'm gonna get out of here and Lena 's gonna welcome me with open arms.'

'I think you're in for a big shock if you're expecting that.'

'She can't live without me,' Ethan said, standing as much as the chains would allow. 'A part of me is inside of her.'

Jeffrey smiled, then said one of the crudest things that had ever crossed his lips. 'Didn't she tell you? I thought that was why she came, Ethan. To tell you about that part of you that she had cut out.' Jeffrey had been expecting surprise, more hatred, but all he saw on the Nazi's face was sadness. Slowly, Ethan sat down in the chair. When he spoke, Jeffrey had to strain to hear him. 'We're gonna go away together,' he insisted. ' Lena and me – we're gonna find a beach somewhere. Lay out in the sun all day, fuck all night. We're gonna be together for the rest of our lives.'

'Yeah.' Jeffrey knocked on the door again. 'Send me a postcard, buddy.'

Ethan's head jerked up. 'Watch your mailbox.' Jeffrey cupped his nuts, duplicated Ethan's earlier gesture. 'Watch this, you stupid asshole.'

The con did not offer a parting shot. He sat at the table with his hands clasped in front of him, head down, probably dreaming of his fantasy life on a beach somewhere with Lena.

TWENTY-SIX

Lena had seen the tattoo on the underside of Jake Valentine's left arm when he'd lifted his shirt over his head. Just at the base of the bicep was an AB followed by a dash. AB-negative. She remembered the explanation written on the back of a photo in Ethan's arrest jacket: Symbolizes rank of general in white power movement. Her mouth moved; words came out that she couldn't control.

'AB-negative,' she said. 'His blood type is AB-negative.'

Sara asked, 'What?'

Lena 's brain had frozen, but she felt her adrenaline kick in. She lunged for Valentine's gunbelt on the table, but his reach was longer and he easily beat her to it.

Sara held up her hands as she backed toward the door.

'Stop right there,' Valentine ordered, pointing the gun at her. ' Lena, come around here so I can see both of you.'

Lena didn't move. How had this happened? She had never seen Jake Valentine at the warehouse. He wasn't in any of her logs or photos.

'I said get over here.' He grabbed Lena by the arm and shoved her toward Sara. He reached around for his belt and found his handcuffs, tossed them to Lena.

'Put one on your wrist, one on hers,' he ordered.

'Make ' em tight. I'm not as stupid as I look.'

'No,' she told him, her heart pounding in her throat. 'This isn't right. Call your boss.'

'Who's my boss?'

'Clint.'

He laughed at the name. 'That piece of shit? Clint couldn't boss a one-man army.'

'I talked to him this morning. He said we had a deal.'

'You're right,' Valentine agreed. 'Had a deal. You keep your mouth shut and everybody just walks away clean. But, that was before you opened your big fucking mouth and brought her into it.' He meant Sara. 'Now put on the handcuffs like I said while I figure out what we're gonna do here.'

Lena did as she was instructed, ratcheting the cuffs down on her left wrist and Sara's right. She left only a finger's width between the metal and their skin, knowing Valentine was watching.

He pulled out a chair and told Lena, 'Sit down.' When she did, he told Sara, 'Finish up with my side so I don't bleed to death.'

'No,' Sara told him. 'I'm not going to help you.'

'You saw what happened to Charlotte,' Valentine reminded her. 'You want the same thing to happen to your friend here? You can watch her burn while you wait your turn.'

'Go ahead,' Lena told Sara. 'Stop the bleeding.'

Reluctantly, Sara continued attending to the wound in his side. The cut was deep, but the bleeding had slowed to an ooze. Lena was no expert, but even she could tell what a sloppy job Sara was doing. If Lena had been able to figure out a way past the gun at her head, she would have dug her fingers into his side until she felt his organs.

'Ow,' Valentine said, flinching as Sara jabbed her finger into the gauze pads. 'You did that on purpose.'

Sara asked, 'What are you going to do to us, Jake? Are you going to hurt us? You need to think very carefully about who exactly you're trying to cross.'

The flash in his eyes revealed that Sara's words had hit a nerve. Lena imagined that over the course of the last few days, the sheriff had figured out that Jeffrey wasn't someone you fucked around with. If Valentine was smart enough to pick up on that, then he certainly knew what Jeffrey would do to anyone who threatened Sara.

'Jeffrey will kill you,' Sara told him. 'It doesn't matter what you do, where you try to hide. He will kill you.'

Valentine took his cell phone out of his pocket and dialed a number with his thumb. 'I don't hurt people,' he explained, putting the phone to his ear. 'Clint, it's me. You know that stuff you were gonna set up for me over at the place?' He paused. 'Yeah, I'm at the other place now. We're gonna do it here instead.' Valentine nodded. 'No, something's changed. We'll figure out another way to make that happen. I'll tell you when you get here.' He looked down at Sara, almost with regret. 'And tell our little buddy that his presence is required to take the edge off.' He closed the phone against his leg and dropped it back into his front pocket.

'What are you going to do with us?' Sara demanded.

'Right now, I'm going to have you sit down,' Valentine told her, kicking over another chair. 'Go on.'

Sara hesitated, but she clearly knew there was no easy way out of this. She sat in the chair, her hand on the table so that Lena 's rested beside her. Her other hand was fisted in her lap, and Lena saw that she had underestimated the other woman. If Sara saw her chance, she was going to fight her way out of this or die trying.

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