Karin Slaughter - Skin Privilege

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Skin Privilege: краткое содержание, описание и аннотация

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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Lena could still go to the hospital and try to track down her mother's birth certificate. If that didn't work, she would go back to Hank's and find the information on her own. She shuddered at the prospect of going up into that attic again, the smell of Deacon Simms. She had no choice, though. Hank was consistent in one respect: he never threw away anything, whether it was an electric bill from 1973 or a newspaper covering the Challenger explosion. Somewhere in that house under all the self-help pamphlets and dirty clothes and boxes of crap, there had to be information about her mother.

Lena followed the car in front of her, turning off the highway and going toward downtown Reece. She passed the motel but did not turn in, the thought of the dark, lonely room too much to handle. Without realizing it, she had made the decision to go through Hank's things tonight. She would get some big trash bags and throw out the trash as she went along.

Maybe she could find a way to dispose of Deacon's body.

As she passed the high school, the car ahead of her slammed on the brakes and Lena turned the steering wheel hard, trying to avoid an accident. Her head slammed into the steering wheel as she skidded into the oncoming lane. The Celica stopped just short of rolling into the ditch. Her heart was in her throat as her brain processed what had happened. She could feel blood trickling down the side of her head and she wiped it away as she pushed open the door.

Up ahead was a white Escalade.

Lena reached under the seat and grabbed her folding knife. She flipped the blade open and got out of the car.

The streetlights nearly blinded her, or maybe the crash had jostled her brain. She felt dizzy and sick, her head pounding like a drum. Lena squinted, trying to see inside the SUV. The rear window slid down with a mechanical whirl. Charlotte Warren sat in the backseat. Duct tape covered her mouth. Her eyes were wide with terror.

Hank's dealer got out from behind the wheel, leaving the door open. Lena clenched her fist around the pearl-handled knife, ready to use it, but the man simply grabbed her by her hair and threw her toward the Cadillac like a sack of flour.

'Get in,' he said. Her knife was in his hand. She must have dropped it. He folded down the blade and tucked it into his back pocket while she was watching.

Lena pushed away from the car, but he threw her back toward the open driver's door. Charlotte gave a muffled yell and Lena saw that another man was sitting beside her. This one wore a black ski mask. Surgical gloves covered his hands. He held a gun to Charlotte 's head. His smile sent a cold shiver through her body.

He said, 'Get in.'

Lena didn't move.

He pressed the muzzle of the gun to Charlotte 's temple. 'Get in or I'll kill her right now.'

Lena got in.

THURSDAY EVENING

NINETEEN

Jeffrey sat on the front steps of Hank Norton's house as he studied the street map of downtown Reece. Sara had ridden in the ambulance with Hank so that she could manage his care on the ride to the hospital. Jeffrey knew without asking that she would want to stay with him until his condition was stabilized. Sara had cut her teeth as an ER doc. She wouldn't leave Hank's side until she was sure he was in capable hands.

That left Jeffrey with plenty of time to search the man's house. First, he had opened every window that would budge in the hopes that the place would air out. While he was waiting for this miracle to occur, he checked the shed in the backyard. Other than rat shit and about a hundred boxes full of paper so old it was starting to pulp, he found nothing. The old Chevy pickup was empty, the cab floor so rusted that the bench seat had fallen through.

The clothes Hank had worn were by the fence. Jeffrey guessed from the way the pants, shirt, and underwear trailed along the lawn that the old man had taken them off as he walked into the backyard. After the paramedics had shifted Hank to the gurney, Jeffrey had checked the grass underneath the man's body. Jeffrey took comfort in the discovery. When he'd first seen Hank lying in the grass, he'd thought Lena 's uncle had lain there for days, waiting for someone to discover him. The ground underneath his emaciated frame would have been dry if he'd been therfe overnight.

Jeffrey was biding his time, pacing around the backyard, when his foot found the soft, wet earth over the septic tank. Obviously, the system had backed up into the house. Whoever had taken a sledgehammer to the toilet bowl had broken the natural seal and allowed raw sewage to spew out into the house. A plumber would have to suck out the septic tank, then some poor bastard would have to get a shovel and take care of the rest of it. As far as Jeffrey was concerned, the easiest thing to do would be to rent a bulldozer and push the whole damn house down.

After waiting half an hour for the odor to dissipate, he was able to go back inside without dry-heaving. Even with the windows open, rotting food and the various insects it attracted made Jeffrey gag so many times that bile had made his throat raw. He'd felt odd looking through Lena 's girlhood bedroom. Like most parents, Hank had not changed much when the girls left and like most children, Lena and Sibyl had left behind the crap they didn't want to take with them. When Jeffrey found himself faced with Lena 's underwear drawer, he decided to move on to Hank's room.

As he went through the man's things, Jeffrey got the distinct impression that this wasn't the first time the house had been searched. He didn't know if this was Lena 's doing or someone else's. He did know that when he pulled back the duct tape from around the front door, the splintered wood around the jamb looked newly damaged..

Lena knew how to kick in a door. She also knew how to perform a thorough search. Knowing she could have done either of these things to her uncle's house did not come as a consolation. Jeffrey knew she was hiding out, sleeping at the school, or at least she had been until now, but what had she been doing in the daytime? Why was she still in Reece?

Jeffrey gave up wondering what Lena was up to as his search finally ended up in the kitchen. He supposed the stacks of Alcoholics Anonymous pamphlets on the table and the empty syringe he found under the chair was what you'd call irony, but Jeffrey wasn't in the mood to play word games with himself. He'd wiped the chair opposite Hank's and sat down at the table, wondering what would make a man do this to himself. It was suicide, plain and simple.

Finding nothing in the house but an overwhelming sadness, Jeffrey had shut the window in the kitchen and gone around the rest of the house to make sure everything was pretty much as he'd found it. He grabbed a roll of duct tape he'd seen in the kitchen and taped the bathroom door shut, sealing the edges as best he could. The window inside was wide open, but he doubted even the most desperate thief would brave the disgusting bathroom to get into the house.

For the next half hour, he wrestled with the front door. No matter how many different ways he tried, the metal flashing sticking out from the jamb kept the door from closing. Jeffrey tried to hold it down with his fingers, but all that did was end up giving him the equivalent of a metal paper cut on the tips of his fingers. Finally, he found a screwdriver in the kitchen and used the flat end to hold the metal strip flush to the door so he could close it.

His plan had been to leave the house through the kitchen door, but Jeffrey had a strange feeling as he started to pull the back door shut. He had the feeling he had missed something. Once more, he walked through the house, turning on all the lights, checking each room to see if anything jumped out at him. All that hit him was the odor. Hank must have moved from room to room, trying to outrun the decay, and finally ended up in the kitchen. Jeffrey went back to the living room. He was breathing through his mouth, trying not to gag again from the smell, when he saw the painting over the couch.

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