Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“‘And this is why someone sits guard on him?’ I asked wildly.

“The abbot shrugged. ‘That is simply our tradition, to honor his memory.’

“I turned to the old monk, stifling a desire to throttle him and see his gentle face turn blue. ‘Is this the story you told my wife?’

“‘She asked me about our history, monsieur. I did not see anything wrong with answering her questions.’

“‘And what did she say to you in response?’

“He smiled. ‘She thanked me in her sweet voice and asked me my name, and I told her, Frère Kiril.’ He folded his hands over his waist.

“It took me a moment to make sense of these sounds, the name made unfamiliar by a Francophone stress on the second syllable, by that innocentfrère. Then I tightened my arms around you so I wouldn’t drop you. ‘Did you say your name is Kiril? Is that what you said? Spell it.’

“The astonished monk obliged.

“‘Where did this name come from?’ I demanded. I couldn’t keep my voice from shaking. ‘Is it your real name? Who are you?’

“The abbot stepped in, perhaps because the old man seemed genuinely perplexed. ‘It is not his given name,’ he explained. ‘We all take names when we take our vows. There has always been a Kiril-someone always has this name-and a Frère Michel-this one, here -’

“‘Do you mean to tell me,’ I said, holding you fast, ‘that there was a Brother Kiril before this one, and one before him?’

“‘Oh, yes,’ said the abbot, clearly puzzled now by my fierce questioning. ‘As long in our history as anyone knows. We are proud of our traditions here-we do not like the new ways.’

“‘Where did this tradition come from?’ I was nearly shouting now.

“‘We don’t know that, monsieur,’ the abbot said patiently. ‘It has always been our way here.’

“I stepped close to him and put my nose almost against his. ‘I want you to open the sarcophagus in the crypt,’ I said.

“He stepped back, aghast. ‘What are you saying? We can’t do that.’

“‘Come with me. Here -’ I gave you quickly to the young monk who’d shown us around the day before. ‘Please hold my daughter.’ He took you, not as awkwardly as one might have expected, and held you in his arms. You began to cry. ‘Come,’ I said to the abbot. I drew him toward the crypt and he gestured for the other monks to stay behind. We went quickly down the steps. In the chill hole, where Brother Kiril had left two candles burning, I turned to the abbot. ‘You don’t have to tell anyone about this, but I must see inside that sarcophagus.’ I paused for emphasis. ‘If you don’t help me I will bring the whole weight of the law down on your monastery.’

“He flashed me a look-fear? resentment? pity?-and went without speaking to one end of the sarcophagus. Together, we slid aside the heavy cover, just far enough to see inside. I held up one of the candles. The sarcophagus was empty. The abbot’s eyes were huge, and he slid the lid back with a mighty shove. We regarded each other. He had a fine, shrewd, Gallic face that I might have liked immensely in another situation. ‘Please do not tell the brothers about this,’ he said in a low voice, and then he turned and climbed out of the crypt.

“I followed him, struggling to think what I should do next. I would take you and go back to Les Bains immediately, I decided, and make sure the police had actually been alerted. Maybe Helen had decided to return to Paris ahead of us-why, I couldn’t imagine-or even to fly home. I could feel a terrible pounding in my ears, my heart in my throat, blood rising in my mouth.

“By the time I stepped into the cloisters again, where the sun was now flooding the fountain and the birds were singing and lighting on the ancient paving, I knew what had happened. I had tried hard for an hour not to think it, but now I almost didn’t need the news, the sight of two monks running toward the abbot, calling out. I remembered that these two had been dispatched to search outside the monastery walls, in the orchard, the vegetable gardens, the groves of dry trees, the outcroppings of rock. They had just come from the steep side-one of them pointed to the edge of the cloister where Helen and I had sat with you between us on a bench the day before, looking down into that measureless chasm. ‘Lord Abbot!’ one of them cried, as if he could not even begin to address me directly. ‘Lord Abbot, there is blood on the rocks! Down there, below!’

“There are no words for such moments. I ran to the edge of the cloisters, clinging to you, feeling your petal-smooth cheek against my neck. The first of my tears was welling in my eyes, and it was hot and bitter beyond anything I’d ever known. I looked over the low wall. On an outcropping of rock fifteen feet below, there was a scarlet splash-not large, but distinct in the morning sun. Below that the gulf yawned, the mists rose, the eagles hunted, the mountains fell to their very roots. I ran for the main gate, stumbled around the outer walls. The precipice was so steep that even if I hadn’t been holding you I could not have climbed down safely to that first outcropping. I stood watching a wave of loss come through the celestial air toward me, through that beautiful morning. Then my grief reached me, an unspeakable fire.”

Chapter 77

“Istayed there three weeks, at Les Bains and the monastery, searching the cliffs and forests with the local police and with a team called in from Paris. My mother and father flew to France and spent hours playing with you, feeding you, pushing your carriage around the town-I think that was what they were doing. I filled out forms in slow little offices. I made useless phone calls, searching for French words to express the urgency of my loss. Day after day I scoured the woods at the foot of the cliff, sometimes in the company of a cold-faced detective and his team, sometimes alone with my tears.

“At first I wanted only to see Helen alive, walking toward me with her customary dry smile, but eventually I was reduced to a bitter half longing for her broken form, hoping to stumble on it somewhere in the rocks and brush. If I could take her body home-or to Hungary, I sometimes thought, although how I would get into Soviet-controlled Hungary was a conundrum-I would have something of her to honor, to bury, some way to finish this and be alone with my grief. I almost couldn’t admit to myself that I wanted her body for another purpose, as well-to ascertain whether her death had been completely natural, or if she needed me to fulfill the bitter duty I had carried out for Rossi. Why could I not find her body? Sometimes, especially in the mornings, I felt she had simply fallen, that she would never have left us on purpose. I could believe then that she had an innocent, elemental grave somewhere in the woods, even if I would never find it. But by afternoon I was remembering only her depressions, her strange moods.

“I knew that I would grieve for the rest of my life, but this utter lack of even her body tormented me. The local doctor gave me a sedative, which I took at night so that I could sleep and build up strength to search the woods again the next day. When the police grew busy with other matters, I searched alone. Sometimes I turned up other relics in the underbrush: stones, crumbling chimneys, and once part of a shattered gargoyle-had it fallen as far as Helen? There were few gargoyles on the monastery walls now.

“At last my mother and father persuaded me that I could not do this forever, that I should take you back to New York for a while, that I could always come back and look again. Police all over Europe had been alerted, through the French network; if Helen were alive-they said it soothingly-someone would find her. In the end, I gave up not because of these reassurances but because of the forest itself, the meteoric steepness of the cliffs, the denseness of the undergrowth, which tore my trousers and jacket as I pushed through it, the terrible size and height of the trees, the silence that surrounded me there whenever I stopped moving and groping and stood still for a few minutes.

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