Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“Helen’s second miscarriage was more dramatic than the first, and more dangerous; I came home one day to a pattern of bloody footsteps on the parquet floor in the hall. She had managed to call the ambulance herself and was nearly out of danger by the time I reached the hospital. Afterward, the memory of those footprints woke me over and over in the middle of the night. I began to fear we would never have a healthy child and to wonder how this would affect Helen’s life, in particular. Then she became pregnant again, and month after cautious month passed without incident. Helen grew as soft-eyed as a Madonna, her form round under her blue wool dress, her walk a little unsteady. She was always smiling; this one, she said, was the one we would keep.

“You were born in a hospital overlooking the Hudson. When I saw that you were dark and fine-browed like your mother, and as perfect as a new coin, and that Helen’s eyes were overflowing with tears of pleasure and pain, I held you up in your tight cocoon to give you a glimpse of the ships below. That was partly to hide my own tears. We named you for Helen’s mother.

“Helen was enthralled by you; I would like you to know that fact more than almost anything else about our lives. She had left her teaching during the pregnancy and seemed content to spend hours at home playing with your fingers and feet, which she said with a wicked smile were completely Transylvanian, or rocking you in the big chair I bought her. You smiled early and your eyes followed us everywhere. I left my office on impulse sometimes to come home and make sure the two of you-my dark-haired women-were still lying drowsily on the sofa together.

“One day, I arrived home early, at four, bringing some little boxes of Chinese food and some flowers for you to stare at. No one was in the living room, and I found Helen leaning over your crib while you took a nap. Your face was exquisitely tranquil in sleep, but Helen’s was smeared with tears, and for a second she didn’t seem to register my presence. I took her into my arms and felt, with a chill, that something in her returned only slowly to my embrace. She would not tell me what had been troubling her, and after a few futile rounds I didn’t dare question her further. That evening she was playful over the carried-in food and the carnations, but the next week I found her in tears again, silent again, looking through one of Rossi’s books, which he had signed for me when we’d first begun our work together. It was his huge volume on the Minoan civilization, and it lay across her lap, open to one of Rossi’s own photographs of a sacrificial altar on Crete. ‘Where’s the baby?’ I said.

“She raised her head slowly and stared at me, as if reminding herself what year it was. ‘She’s asleep.’

“I found myself, strangely, resisting the urge to go into the bedroom and check on you. ‘Darling, what’s the matter?’ I put the book away and held her, but she shook her head and said nothing. When I finally went in to see you, you were just waking in your crib, with your lovely smile, flipping over on your stomach, pushing yourself up to look at me.

“Soon Helen was silent almost every morning and cried for no apparent reason every evening. Since she wouldn’t talk to me, I insisted she see a doctor, and then a psychoanalyst. The doctor said he could find nothing wrong with her, that women were sometimes blue during the first months of motherhood, that she would be fine once she got used to it. I discovered too late, when a friend of ours ran into Helen at the New York Public Library, that she had not been going to the analyst at all. When I confronted her with this, she said she’d decided that some research would cheer her up more, and had been using the babysitter’s time for that instead. But her mood was so low some evenings that I concluded she desperately needed a change of scene. I took a little money from our hoard and bought airline tickets to France for early spring.

“Helen had never been to France, although she’d read about it all her life and spoke an excellent schoolgirl French. She looked cheerful on Montmartre, commenting with some of her old wryness thatle Sacré Coeur was even more monumentally ugly than she’d ever dreamed. She liked pushing your carriage in the flower markets, and along the Seine, where we lingered, turning through the wares of the booksellers while you sat looking at the water in your soft red hood. You were an excellent traveler at nine months and Helen told you it was only the beginning.

“The concierge at our pension turned out to be the grandmother of many, and we left you sleeping under her care while we toasted each other at a brass-railed bar or drank coffee outside with our gloves on. Above all, Helen-and you, with your bright eyes-loved the echoing vault of Notre Dame, and eventually we wandered farther south to see other cavernous beauties-Chartres and its radiant glass; Albi with its peculiar red fortress-church, home of heresies; the halls of Carcassone.

“Helen wanted to visit the ancient monastery of Saint-Matthieu-des-Pyrénées-Orientales, and we decided to go there for a day or two before returning for Paris and the flight home. I thought her face had brightened considerably on the trip, and I liked the way she lay sprawled across our hotel bed in Perpignan, flipping through a history of French architecture that I’d bought in Paris. The monastery had been built in the year 1000, she told me, although she knew I’d already read that whole section. It was the oldest surviving example of Romanesque architecture in Europe. ‘Almost as old as theLife of Saint George, ’ I mused, but at this she closed the book and her face and lay staring at you hungrily where you played on the bed beside her.

“Helen insisted that we approach the monastery on foot, like pilgrims. We climbed the road from Les Bains on a cool spring morning, our sweaters tied around our waists as we grew warmer. Helen carried you in a corduroy pack on her chest, and when she got tired I carried you in my arms. The road was empty at this season, except for one silent, dark-haired peasant who passed us on his horse, going up. I told Helen we should have asked him for a ride, but she didn’t answer; her low mood had returned this morning, and I noted with anxiety and frustration that her eyes filled with tears from time to time. I knew already that if I asked her what was wrong she would shake her head, shake me off, so I tried to content myself with holding you tenderly as we climbed, pointing out the views to you when we turned a bend in the road, long vistas of dusty fields and villages below. At the summit of the mountain the road broke into a wide estuary of dust, with an old car or two parked there, and the peasant’s horse-apparently-tied to a tree, although the man himself was nowhere in sight. The monastery rose above this area, heavy stone walls climbing the very summit, and we went up through the entrance and into the care of the monks.

“In those days, Saint-Matthieu was much more a working monastery than it is now, and it must have had a community of twelve or thirteen, leading the lives their predecessors had for a thousand years, with the exception of the fact that they gave the occasional tour to visitors and kept an automobile parked for their own use outside the gates. Two monks showed us around the exquisite cloisters-I remember how surprised I was when I went to the open end of the courtyard and saw that sheer drop over outcroppings of rock, the vertical cliff, the plains below. The mountains around the monastery are even higher than the summit where it perches, and on their distant flanks we could see veils of white that I realized after a moment were waterfalls.

“We sat a while on a bench near this precipice, with you balanced between us, looking out at the enormous noon sky and listening to the bubbling water in the monastery cistern at the center, carved of red marble-heaven only knew how they’d hauled that up here, centuries before. Helen seemed more cheerful again, and I noted with pleasure the peace in her face. Even if she was still sad at times, this trip had been well worthwhile.

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