Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“Eventually Helen said she wanted to see more of the place. We put you back in your sack and went around to the kitchens and the long refectory where the monks still ate, and the hostel where pilgrims could still sleep on cots, and the scriptorium, one of the oldest parts of the complex, where so many great manuscripts had been copied and illuminated. There was a sample of one under glass there, a Matthew open to a page bordered with tiny demons goading one another downward. Helen actually smiled over it. The chapel was next-it was small, like everything else in the monastery, but its proportions were melody in stone; I’d never seen the Romanesque like this, so intimate and lovely. Our guidebook claimed that the rounding outward of the apse was the first moment of the Romanesque, a sudden gesture that brought in light across the altar. There was some fourteenth-century glass in the narrow windows, and the altar itself was perfectly arrayed for mass in red and white, with golden candlesticks. We left quietly.

“At last the young monk who was our guide said we’d seen everything but the crypt, and we followed him down there. It was a small dank hole off the cloisters, architecturally interesting for an early Romanesque vault held up by a few squat columns, and for a grimly ornamented stone sarcophagus dating from the earliest century of the monastery’s existence-the resting place of their first abbot, said our guide. Next to the sarcophagus sat an elderly monk lost in his meditations; he looked up, kind and confused, when we entered, and bowed to us without rising from his chair. ‘We have had a tradition here for centuries that one of us sits with the abbot,’ explained our guide. ‘Usually it is an older monk who has held this honor for his lifetime.’

“‘How unusual,’ I said, but something about the place, perhaps the chill, made you whimper and struggle on Helen’s chest, and seeing that she was tired I offered to take you up to the fresh air. I stepped out of that dank hole with a sense of relief myself and went to show you the fountain in the cloisters.

“I’d expected Helen to follow me at once, but she lingered underground, and when she came up again her face was so changed that I felt a rush of alarm. She looked animated-yes, more lively than I’d seen her in months-but also pale and wide-eyed, intent on something I couldn’t see. I moved toward her as casually as I could; I asked her if there’d been anything else of interest down there. ‘Maybe,’ she said, but as if she couldn’t quite hear me for the roar of thoughts inside. Then she turned to you, suddenly, and took you from me, hugging you and kissing your head and cheeks. ‘Is she all right? Was she frightened?’

“‘She’s fine,’ I said. ‘A little hungry, maybe.’ Helen sat down on a bench, fished out a jar of baby food, and began to feed you, singing you one of those little songs I couldn’t understand-Hungarian or Romanian-while you ate. ‘This is a beautiful place,’ she said after a minute. ‘Let’s stay for a couple of days.’

“‘We have to get back to Paris by Thursday night,’ I objected.

“‘Well, there is not much difference between staying here for a night and staying in Les Bains,’ she said calmly. ‘We can walk down tomorrow and catch the bus, if you think we need to go so soon.’

“I agreed, because she seemed so strange, but I felt some reluctance even as I went to discuss this with the tour-guide monk. He applied to his superior, who said that the hostel was empty and we were welcome. Between the simple lunch and simpler supper they gave us in a room off the kitchen, we wandered the rose gardens, walked in the steep orchard outside the walls, and sat in the back of the chapel to hear the monks sing mass while you slept on Helen’s lap. A monk made up our cots with clean, coarse sheets. After you fell asleep on one of them, with ours pushed up close on either side so that you couldn’t roll out, I lay reading and pretending not to watch Helen. She sat in her black cotton dress on the edge of her cot, looking out toward the night. I was thankful the curtains were closed, but eventually she got up and lifted them and stood gazing out. ‘It must be dark,’ I said, ‘with no town near.’

“She nodded. ‘It is very dark, but that is the way it has always been here, don’t you think?’

“‘Why don’t you come to bed?’ I reached over you and patted her cot.

“‘All right,’ she said, without any sign of protest. In fact, she smiled at me and bent over to kiss me before she lay down. I caught her in my arms for a moment, feeling the strength in her shoulders, the smooth skin of her neck. Then she stretched out and covered herself, and appeared to drift off long before I’d finished my chapter and blown out the lantern.

“I woke at dawn, feeling a sort of breeze go through the room. It was very quiet; you breathed next to me under your wool baby blanket, but Helen’s cot was empty. I got up soundlessly and put on my shoes and jacket. The cloisters outside were dim, the courtyard gray, the fountain a shadowy mass. It occurred to me that it would take some time for the sun to reach this place, since it first had to climb above those huge eastern peaks. I looked all around for Helen without calling out, because I knew she liked to rise early and might be sitting deep in thought on one of the benches, waiting for dawn. There was no sign of her, however, and as the sky lightened a little I began to search more rapidly, going once to the bench where we’d sat the day before and once into the motionless chapel, with its ghostly smell of smoke.

“At last I began to call her name, quietly, and then louder, and then in alarm. After a few minutes, one of the monks came out of the refectory, where they must have been eating the first silent meal of the day, and asked if he could help me, if I needed something. I explained that my wife was missing, and he began to search with me. ‘Perhaps madame went for a walk?’ But there was no sign of her in the orchard or the parking area or the dark crypt. We looked everywhere as the sun came over the peaks, and then he went for some other monks, and one of them said he would take the car down to Les Bains to make inquiries. I asked him, on impulse, to bring the police back with him. Then I heard you crying in the hostel; I hurried to you, afraid you’d rolled off the cots, but you were just waking. I fed you quickly and kept you in my arms while we looked in the same places again.

“Finally I asked that all the monks be gathered and questioned. The abbot gave his consent readily and brought them into the cloisters. No one had seen Helen after we’d left the kitchens for the hostel the night before. Everyone was worried-‘La pauvre,’said one old monk, which sent a wave of irritation through me. I asked if anyone had spoken with her the day before, or noticed anything strange. ‘We do not speak with women, as a general rule,’ the abbot told me gently.

“But one monk stepped forward, and I recognized at once the old man whose job it was to sit in the crypt. His face was as tranquil and kind as it had been by lantern light in the crypt the day before, with that mild confusion I had noted then. ‘Madame stopped to speak to me,’ he said. ‘I did not like to break our rule, but she was such a quiet, polite lady that I answered her questions.’

“‘What did she ask you?’ My heart had already been pounding, but now it began to race painfully.

“‘She asked me who was buried there, and I explained that it was one of our first abbots, and that we revere his memory. Then she asked what great things he had done and I explained that we have a legend’-here he glanced at the abbot, who nodded for him to continue-‘we have a legend that he had a saintly life but was the unfortunate recipient of a curse in death, so that he rose from his coffin to do harm to the monks, and his body had to be purified. When it was purified, a white rose grew out of his heart to signify the Holy Mother’s forgiveness.’

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