Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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But Barley was pushing forward, too, and he had caught up my father’s lantern. A large man lay on the flagstones, his dagger beside him. “Oh, Elsie,” said a broken English voice. His head oozed a little dark blood, and even as we watched in paralyzing horror, his eyes grew still.

Barley threw himself into the dust next to that shattered form. He seemed to be actually strangling with surprise and grief. “Master James?”

Chapter 79

The hotel in Les Bains boasted a high-ceilinged parlor with a fireplace, and the maître d‘ had lit a fire there and stubbornly closed the parlor doors against other guests. “Your trip to the monastery has tired you” was all he had said, setting a bottle of cognac near my father, and glasses-five glasses, I noted, as if our missing companion were still there to drink with us-but I saw from the look that my father exchanged with him that much more than that had passed between them.

The maître d‘ had been on the phone all evening, and he had somehow made things right with the police, who had questioned us only in the hotel and released us under his benevolent eye. I suspected he’d also taken care of calling a morgue or a funeral parlor, whatever one used in a French village. Now that everyone official was gone, I sat on the uncomfortable damask sofa with Helen, who reached over to stroke my hair every few minutes, and tried not to imagine Master James’s kind face and solid form inert under a sheet. My father sat in a deep chair by the fire and gazed at her, at us. Barley had put his long legs up on an ottoman and was trying, I thought, not to stare at the cognac, until my father recollected himself and poured us each a glass. Barley’s eyes were red with silent weeping, but he seemed to want to be left alone. When I looked at him, my own eyes filled with tears for a moment, uncontrollably.

My father looked across at Barley, and I thought for a moment that he was going to cry, too. “He was very brave,” my father said quietly. “You know that his attack made it possible for Helen to shoot as she did. She would not have been able to shoot through the heart like that if the monster had not been distracted. I think James must have known in the last moments what a difference he had made. And he avenged the person he had loved best-and many others.” Barley nodded, still unable to speak, and there was a little silence among us.

“I promised I would tell you everything when we could sit quietly,” Helen said at last, setting down her glass.

“You’re sure you wouldn’t like me to leave you alone?” Barley spoke reluctantly.

Helen laughed, and I was surprised by the melody of her laugh, so different from her speaking voice. Even in that room half full of grief, her laugh did not seem out of place. “No, no, my dear,” she said to Barley. “We can’t do without you.” I loved her accent, that harsh yet sweet English of hers that I thought I already knew from so long ago I couldn’t remember the time. She was a tall, spare woman in a black dress, an outdated sort of dress, with a coil of graying hair around her head. Her face was striking-lined, worn, her eyes youthful. The sight of her shocked me every time I turned my head-not only because she was there, real, but because I had always imagined only the young Helen. I had never included in my imagination all her years away from us.

“Telling will take a long, long time,” she said softly, “but I can say a few things now, at least. First, that I am sorry. I have caused you such pain, Paul, I know.” She looked at my father across the firelight. Barley stirred, embarrassed, but she stopped him with a firm gesture. “I caused myself an even greater pain. Second, I should have told you this already, but now our daughter”-her smile was sweet and tears gleamed in her eyes-“our daughter and our friends can be my witnesses. I am alive, not undead. He never reached me a third time.”

I wanted to look at my father, but I couldn’t bring myself even to turn my head. It was his private moment. I heard, though, that he did not sob aloud.

She stopped and seemed to draw a breath. “Paul, when we visited Saint-Matthieu and I learned about their traditions-the abbot who had risen from the dead and Brother Kiril, who guarded him-I was filled with despair, and also with a terrible curiosity. I felt that it could not be coincidence that I had wanted to see the place, had longed for it. Before we went to France, I had been doing more research in New York-without telling you, Paul-hoping to find Dracula’s second hiding place and to avenge my father’s death. But I had never seen anything about Saint-Matthieu. My longing to go there began only when I read about it in your guidebook. It was just a longing, with no scholarly basis.”

She looked around at us, her beautiful profile drooping. “I had taken up my research again in New York because I felt that I had been the cause of my father’s death-through my desire to outshine him, to reveal his betrayal of my mother-and I could not bear the thought. Then I began to feel that it was my evil blood-Dracula’s blood-that had caused me to do this, and I realized that I had passed this blood to my baby, even if I seemed to have healed from the touch of the undead myself.”

She paused to stroke my cheek and to take my hand in hers. I quivered under her touch, the closeness of this strange, familiar woman leaning against my shoulder on the divan. “I felt more and more unworthy, and when I heard Brother Kiril’s explanation of the legend at Saint-Matthieu, I felt that I would never be able to rest until I knew more. I believed that if I could find Dracula and exterminate him I might be completely well again, a good mother, a person with a new life.

“After you fell asleep, Paul, I went out to the cloisters. I had considered going into the crypt again with my gun, trying to open the sarcophagus, but I thought I could not do it alone. While I was trying to decide whether or not to wake you, to beg you to help me, I sat on the cloister bench, looking over the cliff. I knew I should not be there alone, but I was drawn to the place. There was beautiful moonlight, and mist creeping along the walls of the mountains.”

Helen’s eyes had grown strangely wide. “As I sat there, I felt the crawling of the skin on my back, as if something stood just behind me. I turned quickly, and on the other side of the cloister, where the moonlight could not fall, I seemed to see a dark figure. His face was in shadow, but I could feel, rather than see, burning eyes upon me. It was only the work of a moment more before he would spread his wings and reach me, and I was completely alone on the parapet. Suddenly I seemed to hear voices, agonizing voices in my own head that told me I could never overcome Dracula, that this was his world, not mine. They told me to jump while I was still myself, and I stood up like a person in a dream and jumped.”

She sat very straight now, looking into the fire, and my father drew his hand over his face. “I wanted to fall free, like Lucifer, like an angel, but I had not seen those rocks. I fell on them instead and cut my head and arms, but there was a large cushion of grass there, too, and the fall did not kill me or break my bones. After some hours, I think, I woke to the cold night, and felt blood seeping around my face and neck, and saw the moon setting and the drop below. My God, if I had rolled instead of fainting -” She paused. “I knew I could not explain to you what I had tried to do, and the shame of it came over me like a kind of madness. I felt I could never be worthy, after that, of you or our daughter. When I could stand, I got up, and I found that I had not bled so much. And although I was very sore, I had not broken anything and I could feel that he had not swooped down upon me-he must have given me up for lost, too, when I jumped. I was terribly weak and it was hard for me to walk, but I went around the monastery walls and down the road, in the dark.”

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