Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“Of course not.” My father snorted softly, but I thought his eyes shone with affection.

“Well, as we were getting off the train in Paris, I saw an old man on the platform, a Muslim, I guess, in a dark red hat with a long tassel, and a long robe, like an Ottoman pasha, and I suddenly remembered that letter. Then your father’s story hit me again-you know, the name of the Turkish professor”-he gave me a somber look-“and I went to the phone. I realized Master James must still be in on this hunt, in some way.”

“Where was I?” I asked jealously.

“In the bathroom, I suppose. Girls are always in the bathroom.” He might as well have blown me a kiss, but not in front of the others. “Master James was livid with me on the phone, but when I told him what was going on, he said I was in his good graces forever.” Barley’s red lips trembled a little. “I didn’t dare ask him what he meant to do, but now we know.”

“Yes, we do,” my father echoed sadly. “He must have done the calculation from that old book, too, and figured out that it was sixteen years to the week since Dracula’s last visit to Saint-Matthieu. Then he’d certainly have realized where I was going. In fact, he was probably checking up on me when he went up to the rare-book niche-he was after me several times in Oxford to tell him what was wrong, worried about my health and spirits. I didn’t want to drag him into it, knowing what a risk was involved.”

Helen nodded. “Yes. I think I must have been there just before he was. I found the open book and did the calculation for myself, and then I heard someone on the stairs and slipped out in the other direction. Like our friend, I saw that you would go to Saint-Matthieu, Paul, to try to find me and to find that fiend, and I traveled as fast as I could. But I didn’t know which train you would take, and I certainly didn’t know our daughter would try to follow you, too.”

“I saw you,” I said in wonder. She gazed at me, and we let it drop for the moment. There would be so much time to talk. I could see she was tired, that we were all tired to the bone, that we could not even begin to say to one another tonight what a triumph this had been. Was the world safer because we were all together, or because he was finally gone from it? I looked into a future I had never known about before. Helen would live with us and blow out the candles in the dining room. She would come to my graduation from high school and my first day at university and help me dress for my wedding, if I ever married. She would read aloud to us in the front room after dinner, she would rejoin the world and teach again, she would take me to buy shoes and blouses, she would walk with her arm around my waist.

I could not know then that she would also drift from us at times, not speaking for hours, fingering her neck, or that a wasting illness would take her away for good nine years later-long before we had gotten used to having her back, although we might never have gotten used to that, might never have tired of the reprieve of her presence. I couldn’t foresee that our last gift would be knowing that she rested in peace, when it could have been otherwise, and that this certainty would be both heartbreaking and curative for us. If I had been able to foresee these things at all, I might have known that my father would disappear for a day after her funeral, and that the little dagger in our parlor cabinet would go with him, and that I would never, never ask him about it.

But at that fireside in Les Bains, the years we would have with her stretched ahead of us in endless benediction. They began a few minutes later when my father rose and kissed me, shook Barley’s hand with momentary fervor, and drew Helen from the divan. “Come,” he said, and she leaned on him, her story spent for now, her face weary, joyful. He was gathering her hands in his. “Come up to bed.”

Epilogue

Acouple of years ago, a strange opportunity presented itself to me while I was in Philadelphia for a conference, an international gathering of medieval historians. I had never been to Philadelphia before and I was intrigued by the contrast between our meetings, which delved into a feudal and monastic past, and the lively metropolis around us, with its more recent history of Enlightenment republicanism and revolution. The view from my fourteenth-floor hotel room downtown showed an odd mix of skyscrapers and blocks of seventeenth- or eighteenth-century houses, which looked like miniatures next to them.

During our few hours of leisure, I slipped away from the endless talk of Byzantine artifacts to see some real ones in the magnificent art museum. There I picked up a pamphlet for a small literary museum and library downtown, whose name I’d heard years before from my father, and whose collection I had reason to know about. It was as important a site for Dracula scholars-whose numbers, of course, have swelled considerably since my father’s first investigations-as many archives in Europe. There, I recalled, a researcher might see Bram Stoker’s notes forDracula, culled from sources at the British Museum Library, and an important medieval pamphlet, as well. The opportunity was irresistible. My father had always wanted to visit this collection; I would spend an hour there for his sake. He had been killed by a land mine in Sarajevo more than ten years before, working to mediate Europe’s worst conflagration in decades. I hadn’t known for nearly a week; the news, when it found me, had left me marooned in silence for a year. I still missed him every day, sometimes every hour.

That was how I came to find myself in a small, climate-controlled room in one of the city’s nineteenth-century brownstones, handling documents that breathed not only a distant past but also the urgency of my father’s researches. The windows looked out on a couple of feathery street trees and across to more brownstones, their elegant facades unsullied by any modern additions. There was only one other scholar in the small library that morning, an Italian woman who whispered into her cell phone for a few minutes before opening someone’s handwritten diaries-I tried not to crane at them-and beginning to read. When I had settled myself with a notebook and a light sweater against the air-conditioning, the librarian brought me first Stoker’s papers and then a small cardboard box bound with ribbon.

Stoker’s notes were a pleasant diversion, a study in chaotic note taking. Some were written in a cramped hand, some typed on ancient onionskin. Among them lay newspaper clippings about mysterious events and leaves from his personal calendar. I thought how my father would have enjoyed this, how he would have smiled over Stoker’s innocent dabbling in the occult. But after half an hour I put them carefully aside and turned to the other box. It held one slim volume, bound in a neat, probably nineteenth-century cover-forty pages printed on nearly unblemished fifteenth-century parchment, a medieval treasure, a miracle of movable type. The frontispiece was a woodcut, a face I knew from my long travail, its great eyes, wide and yet somehow sly, looking piercingly out at me, the heavy mustache drooping over a square jaw, the long nose fine and yet menacing, the sensual lips just visible.

It was a pamphlet from Nuremberg, printed in 1491, and it told of Dracole Waida’s crimes, his cruelty, his bloodthirsty feasts. I could make out, from their familiarity to me, the first lines of the medieval German: “In the Year of Our Lord 1456, Drakula did many terrible and curious things.” The library had provided a translation sheet, in fact, and there I reread with a shudder some of Dracula’s crimes against humanity. He had had people roasted alive, he had flayed them, he had buried them up to their necks, he had impaled infants on their mothers’ breasts. My father had examined other such pamphlets, of course, but he would have valued this one for its astounding freshness, the crispness of its parchment, its nearly perfect condition. After five centuries, it looked newly printed. Its very purity unnerved me, and after a while I was glad to put it away and tie the ribbon again, wondering a little why I’d wanted to see the thing in person. That arrogant stare fixed me until I shut the book on it.

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