Sophie Kinsella - Twenties Girl

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Twenties Girl: краткое содержание, описание и аннотация

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Lara has always had an overactive imagination. Now she wonders if she is losing her mind. Normal twenty-something girls just don't get visited by ghosts! But inexplicably, the spirit of Lara's great aunt Sadie – in the form of a bold, demanding Charleston-dancing girl – has appeared to make one last request: Lara must track down a missing necklace Sadie simply can't rest without. Lara's got enough problems of her own. Her start-up company is floundering, her best friend and business partner has run off to Goa, and she's just been dumped by the love of her life. But as Lara spends time with Sadie, life becomes more glamorous and their treasure hunt turns into something intriguing and romantic. Could Sadie's ghost be the answer to Lara's problems and can two girls from different times end up learning something special from each other?

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“Murdered?” says the vicar at last.

“Yes,” I say forthrightly. “I have reason to believe there was foul play. So we need to keep the body for evidence.”

Slowly, the vicar walks toward me, narrowing her eyes, as though trying to gauge exactly how much of a time-waster I am. What she doesn’t know is, I used to play staring matches with Tonya, and I always won. I gaze back, perfectly matching her grave, this-is-no-laughing-matter expression.

“Murdered… how?” she says.

“I’d rather discuss that with the authorities,” I shoot back, as though I’m in an episode of CSI: Funeral Home .

“You want me to call the police?” She’s looking genuinely shocked now.

Oh God . Of course I don’t want her to call the bloody police. But I can’t backtrack now. I have to act convincing.

“Yes,” I say after a pause. “Yes, I think that would be best.”

“You can’t be taking her seriously!” Tonya explodes. “It’s obvious she’s just trying to cause a sensation!”

I can tell the vicar is getting a bit pissed off with Tonya, which is quite useful for me.

“My dear,” she says curtly, “that decision does not rest with you. Any accusation like this has to be followed up. And your sister is quite right. The body would have to be preserved for forensics.”

I think the vicar’s getting into this. She probably watches TV murder mysteries every Sunday evening. Sure enough, she comes even farther toward me and says in a low voice, “Who do you think murdered your great-aunt?”

“I’d rather not comment at this time,” I say darkly. “It’s complicated.” I shoot a significant look at Tonya. “If you know what I mean.”

“What?” Tonya’s face starts turning pink with outrage. “You’re not accusing me .”

“I’m not saying anything.” I adopt an inscrutable air. “Except to the police.”

“This is bullshit. Are we finishing this or not?” Uncle Bill puts his BlackBerry away. “Because, either way, my car’s here and we’ve given this old lady enough time already.”

“More than enough!” chimes in Aunt Trudy. “Come on, Diamanté, this is a farce!” With cross, impatient gestures, she begins to gather up her celebrity magazines.

“Lara, I don’t know what the hell you’re playing at.” Uncle Bill scowls at Dad as he passes. “She needs help, your daughter. Bloody lunatic.”

“Lara, darling.” Mum gets out of her seat and comes over, her brow crinkled in worry. “You didn’t even know your great-aunt Sadie.”

“Maybe I didn’t, maybe I did.” I fold my arms. “There’s a lot I don’t tell you.”

I’m almost starting to believe in this murder.

The vicar is looking flustered now, as though this is all getting out of her league. “I think I’d better call the police. Lara, if you wait here, I think everyone else should probably leave.”

“Lara.” Dad comes over and takes my arm. “Darling.”

“Dad… just go.” I muster a noble, misunderstood air. “I have to do what I have to do. I’ll be fine.”

Shooting me various looks of alarm, outrage, and pity, my family slowly files out of the room, followed by the vicar.

I’m left alone in the silent room. And it’s as if the spell has suddenly broken.

What the bloody hell did I just do?

Am I going mad?

Actually, it would explain a lot. Maybe I should just get admitted to some nice, peaceful mental home where you do drawing in a jumpsuit and don’t have to think about your failing business or ex-boyfriend or parking tickets.

I sink into a chair and exhale. At the front of the room, the hallucination girl has appeared in front of the notice board, staring at the photo of the little hunched old woman.

“So, were you murdered?” I can’t help saying.

“Oh, I shouldn’t think so.” She’s barely acknowledged me, let alone said thank you. Trust me to have a vision with no manners.

“Well, you’re welcome,” I say moodily. “You know. Anytime.”

The girl doesn’t even seem to hear. She’s peering around the room as if she doesn’t understand something.

“Where are all the flowers? If this is my funeral, where are the flowers?”

“Oh!” I feel a squeeze of guilt. “The flowers were… put somewhere else by mistake. There were lots, honestly. Really gorgeous.”

She’s not real, I tell myself fervently. This is just my own guilty conscience speaking.

“And what about the people?” She sounds perplexed. “Where were all the people?”

“Some of them couldn’t come.” I cross my fingers behind my back, hoping I sound convincing. “Loads wanted to, though-”

I stop as she disappears into thin air, right as I’m talking to her.

“Where’s my necklace?” I jump in fright as her voice comes urgently in my ear again.

“I don’t know where your bloody necklace is!” I exclaim. “Stop bugging me! You realize I’ll never live this down? And you haven’t even said thank you!”

There’s silence and she tilts her face away, like a caught-out child.

“Thank you,” she says at last.

“’s OK.”

The hallucination girl is fidgeting with a metal snake bracelet entwined around her wrist, and I find myself eyeing her more closely. Her hair is dark and shiny, and the tips frame her face as she tilts her head forward. She has a long white neck, and now I can see that her huge, luminous eyes are green. Her cream leather shoes are tiny, size 4 maybe, with little buttons and Cuban heels. I’d say she’s about my age. Maybe even younger.

“Uncle Bill,” she says at last, twisting the bracelet around and around. “William. One of Virginia ’s boys.”

“Yes. Virginia was my grandmother. My dad is Michael. Which makes you my great-aunt-” I break off and clutch my head. “This is crazy. How do I even know what you look like? How can I be hallucinating you?”

“You’re not hallucinating me!” She jerks her chin up, looking offended. “I’m real!”

“You can’t be real,” I say impatiently. “You’re dead! So what are you, then-a ghost?”

There’s a weird beat of silence. Then the girl looks away.

“I don’t believe in ghosts,” she says disparagingly.

“Nor do I.” I match her tone. “No way.”

The door opens and I start in shock.

“Lara.” The vicar comes in, her face pink and flustered. “I’ve spoken to the police. They’d like you to come down to the station.”

THREE

It turns out they take murder quite seriously at police stations. Which I suppose I should have guessed. They’ve put me in a little room with a table and plastic chairs and posters about locking your car. They’ve given me a cup of tea and a form to fill in, and a policewoman told me a detective would be along in a moment to talk to me.

I want to laugh hysterically. Or climb out the window.

“What am I going to say to a detective?” I exclaim, as soon as the door has closed. “I don’t know anything about you! How am I going to say you were murdered? With the candlestick in the drawing room?”

Sadie doesn’t even seem to have heard me. She’s sitting on the window ledge, swinging her legs. Although when I look more closely, I notice that she’s not actually on the ledge, she’s floating about an inch above it. Following my gaze, she sees the gap and flinches with annoyance. She adjusts her position carefully until she looks as though she’s sitting right on the ledge, then insouciantly starts swinging her legs again.

She’s all in my mind, I tell myself firmly. Let’s be rational here. If my own brain has conjured her up, then my own brain can get rid of her.

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