Margaret Atwood - Surfacing

We landed at the campsite and rolled up the sleeping bags and struck the tents and packed them. I covered the toilet hole and smoothed it, camouflaging it with sticks and needles. Leave no traces.

David wanted to stay and have lunch with the Americans and talk about baseball scores, but I said the wind was against us, we would need the time. I hurried them, I wanted to get away, from my own anger as well as from the friendly metal killers.

We reached the first portage at eleven. My feet moved over the rocks and mud, stepping in my own day-old footprints, backtracking; in my brain the filaments, trails reconnected and branched, we killed other people besides Hitler, before my brother went to school and learned about him and the games became war games. Earlier we would play we were animals; our parents were the humans, the enemies who might shoot us or catch us, we would hide from them. But sometimes the animals had power too: one time we were a swarm of bees, we gnawed the fingers, feet and nose off our least favourite doll, ripped her cloth body open and pulled out the stuffing, it was grey and fluffy like the insides of mattresses; then we threw her into the lake. She floated and they found the body and asked us how she got lost, and we lied and said we didn't know. Killing was wrong, we had been told that: only enemies and food could be killed. Of course the doll wasn't hurt, it wasn't alive; though children think everything is alive.

At the midway pond the heron was still there, hanging in the hot sunlight like something in a butcher's window, desecrated, unredeemed. It smelled worse. Around its head the flies vibrated, laying their eggs. The king who learned to speak with animals, in the story he ate a magic leaf and they revealed a treasure, a conspiracy, they saved his life; what would they really say? Accusation, lament, an outcry of rage; but they had no spokesman.

I felt a sickening complicity, sticky as glue, blood on my hands, as though I had been there and watched without saying No or doing anything to stop it: one of the silent guarded faces in the crowd. The trouble some people have being German, I thought, I have being human. In a way it was stupid to be more disturbed by a dead bird than by those other things, the wars and riots and the massacres in the newspapers. But for the wars and riots there was always an explanation, people wrote books about them saying why they happened: the death of the heron was causeless, undiluted.

The laboratory, he was older then. He never caught birds, they were too quick for him, what he caught was the slower things. He kept them in jars and tin cans on a board shelf back in the forest, near the swamp; to reach them he made a secret path, marked only by small notches on the trees, a code. Sometimes he forgot to feed them or perhaps it was too cold at night, because when I went there by myself that day one of the snakes was dead and several of the frogs, their skin dry and their yellow stomachs puffed up, and the crayfish was floating in the clouded water with its legs uppermost like a spider's. I emptied those bottles into the swamp. The other things, the ones still alive, I let out. I rinsed the jars and tins and left them in a row on the board.

After lunch I hid but I had to come out finally for dinner. He couldn't say anything in front of them but he knew it was me, there was no one else. He was so angry he was pale, his eyes twisted as though they couldn't see me. "They were mine," he said. Afterwards he trapped other things and changed the place; this time he wouldn't tell me. I found it anyway but I was afraid to let them out again. Because of my fear they were killed.

I didn't want there to be wars and death, I wanted them not to exist; only rabbits with their coloured egg houses, sun and moon orderly above the flat earth, summer always, I wanted everyone to be happy. But his pictures were more accurate, the weapons, the disintegrating soldiers: he was a realist, that protected him. He almost drowned once but he would never allow that to happen again, by the time he left he was ready.

The leeches were there again in the tepid pond water, clumps of young ones hanging from the lily pad stems like fingers, larger ones swimming, flat and soft as noodles. I didn't like them but distaste excused nothing. In the other lake they never bothered us when we were swimming but we would catch the mottled kind, the bad kind he called them, and throw them on the campfire when our mother wasn't watching, she prohibited cruelty. I didn't mind that so much, if only they would die; but they would writhe out and crawl painfully, coated with ashes and pine needles, back towards the lake, seeming to be able to smell where the water was. Then he would pick them up with two sticks and put them back in the flames again.

It wasn't the city that was wrong, the inquisitors in the schoolyard, we weren't better than they were; we just had different victims. To become like a little child again, a barbarian, a vandal: it was in us too, it was innate. A thing closed in my head, hand, synapse, cutting off my escape: that was the wrong way, the entrance, redemption was elsewhere, I must have overlooked it.

We reached the main lake and re-loaded the canoes and shoved them out over the snarl of logs. In the bay the felled trees and numbered posts showed where the surveyors had been, power company. My country, sold or drowned, a reservoir; the people were sold along with the land and the animals, a bargain, sale, _solde._ Les soldes they called them, sellouts, the flood would depend on who got elected, not here but somewhere else.

It was the sixth day, I had to find out; it would be my last chance, tomorrow Evans was coming to take us back. My brain was rushing, covering over the bad things and filling the empty spaces with an embroidery of calculations and numbers, I needed to finish, I had never finished anything. To be exact, to condense myself to a pinpoint, impaling a fact, a certainty.

As soon as I could I re-checked the map. The x was where it should have been, I hadn't made a mistake. There was only one theory I could retreat to: some of the crosses might be places he thought suitable for paintings but hadn't examined yet. I ran my finger around the shore, looking for the nearest marked site; it was the cliff where we had been fishing the first evening, it would be underwater, I would have to dive. If I found something it would vindicate him, I would know he'd been right; if not I could try the next x, near the heron island, and then the next one.

I had my bathing suit on already; we'd been washing the clothes down on the dock, rubbing them on the ribbed washboard with the worn-down bar of yellow soap, standing in the lake to rinse them. They were pegged out to dry now on the line behind the cabin, shirts, jeans, socks, Anna's coloured lingerie, our cast skins. Anna had seemed more relaxed, she hummed from behind her fresh facade of makeup. She had stayed down by the lake to shampoo the smoke out of her hair. I pulled on a sweat shirt in case there were Americans. Before leaving I searched once more for his camera, the one he must have used to take the photographs, but it wasn't there; he must have had it with him. At the time, the last time.

I had started down the steps before I saw them. The three of them were on the dock, split into parts by the treetrunk bars. Anna was kneeling in her orange bikini, with a towel draped over her head like a nun; David was standing over her, hands on hips. Joe was further back with the movie camera, sitting on the dock with his legs dangling, head averted as if waiting politely for them to be through. When I heard what they were saying I stood still. The canoes were there and I needed one of them but it was too dangerous. It was a calm day, the sound carried.