Margaret Atwood - Surfacing

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Part detective novel, part psychological thriller, Surfacing is the story of a talented woman artist who goes in search of her missing father on a remote island in northern Quebec. Setting out with her lover and another young couple, she soon finds herself captivated by the isolated setting, where a marriage begins to fall apart, violence and death lurk just beneath the surface, and sex becomes a catalyst for conflict and dangerous choices. Surfacing is a work permeated with an aura of suspense, complex with layered meanings, and written in brilliant, diamond-sharp prose. Here is a rich mine of ideas from an extraordinary writer about contemporary life and nature, families and marriage, and about women fragmented…and becoming whole.

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I dressed and went down to the lake and dipped my face into it. This water was not clear like the water in the main lake: it was brownish, complicated by more kinds of life crowded more closely together, and it was colder. The rock ledge dropped straight down, lake of the edge. I woke the others.

After I'd cleaned the fish I dipped them in flour and fried them and boiled coffee. The fish flesh was white, blue-veined; it tasted like underwater and reeds. They ate, not talking much; they hadn't slept well.

Anna's face in the daylight was dried and slightly shrivelled without its cream underfilm and pink highlights; her nose was sunburned and she had prune crinkles under her eyes. She kept turned away from David, but he didn't seem to notice, he didn't say anything, except when she knocked her foot against his cup and tipped some of his coffee out onto the ground. Then all he said was "Watch it Anna, you're getting sloppy."

"Do you want to fish any more this morning?" I said to David, but he shook his head: "Let's go take that rock painting."

I burned the fish bones, the spines fragile as petals; the innards I planted in the forest. They were not seeds, in the spring no minnows would sprout up. Deer skeleton we found on the island, shreds of flesh on it still, he said the wolves had killed it in the winter because it was old, that was natural. If we dived for them and used our teeth to catch them, fighting on their own grounds, that would be fair, but hooks were substitutes and air wasn't their place.

The two of them fiddled with the movie camera, adjusting and discussing it; then we could start.

According to the map the rock painting was in a bay near the Americans' camp. They didn't seem to be up yet, there was no smoke coming from their fireplace. I thought, maybe it worked and they're dead.

I looked for a dip in the shore, a line that would fit the mapline. It was there, site of the x, unmistakable: cliff with sheer face, the kind they would have chosen to paint on, no other flat rock in sight. He had been here and long before him the original ones, the first explorers, leaving behind them their sign, word, but not its meaning. I leaned forward, scanning the cliff surface; we let the canoes drift in sideways till they scraped the stone.

"Where is it?" David said; and to Joe, "You'll have to steady the canoe, there's no way we can shoot from land."

"It might be hard to see at first," I said, "Faded. It ought to be right here somewhere." But it wasn't: no man with antlers, nothing like red paint or even a stain, the rock surface extended under my hand, coarse-grained, lunar, broken only by a pink-white vein of quartz that ran across it, a diagonal marking the slow tilt of the land; nothing human.

Either I hadn't remembered the map properly or what he'd written on the map was wrong. I'd reasoned it out, unravelled the clues in his puzzle the way he taught us and they'd led nowhere. I felt as though he'd lied to me.

"Who told you about it?" David said, cross-examining.

"I just thought it was here," I said. "Someone mentioned it. Maybe it was another lake." For a moment I knew: of course, the lake had been flooded, it would be twenty feet under water. But that was the other lake, this one was part of a separate system, the watershed divided them. The map said he'd found them on the main lake too; according to the letter he'd been taking pictures of them. But when I'd searched the cabin there had been no camera. No drawings, no camera, I'd done it wrong, I would have to look again.

They were disappointed, they'd expected something picturesque or bizarre, something they could utilize. He hadn't followed the rules, he'd cheated, I wanted to confront him, demand an explanation: You said it would be here.

We turned back. The Americans were up, they were still alive; they were setting out in their canoe, the front one had his fishing rod trailing over the bow. Joe and I were ahead, we approached them at right angles.

"Hi," the front one said, to me, bleached grin. "Any luck?" That was their armour, bland ignorance, heads empty as weather balloons: with that they could defend themselves against anything. Straight power, they mainlined it; I imagined the surge of electricity, nerve juice, as they hit it, brought it down, flapping like a crippled plane. The innocents get slaughtered because they exist, I thought, there is nothing inside the happy killers to restrain them, no conscience or piety; for them the only things worthy of life were human, their own kind of human, framed in the proper clothes and gimmicks, laminated. It would have been different in those countries where an animal is the soul of an ancestor or the child of a god, at least they would have felt guilt.

"We aren't fishing," I said, my lips clipping the words. My arm wanted to swing the paddle sideways, blade into his head: his eyes would blossom outwards, his skull shatter like an egg.

The corners of his mouth wilted. "Oh," he said. "Say, what part of the States are you all from? It's hard to tell, from your accent. Fred and me guessed Ohio."

"We're not from the States," I said, annoyed that he'd mistaken me for one of them.

"No kidding?" His face lit up, he'd seen a real native. "You from here?"

"Yes," I said. "We all are."

"So are we," said the back one unexpectedly. The front one held out his hand, though five feet of water separated us. "I'm from Sarnia and Fred here, my brother-in-law, is from Toronto. We thought you were Yanks, with the hair and all."

I was furious with them, they'd disguised themselves. "What're you doing with that flag on your boat then?" I said, my voice loud, it surprised them. The front one withdrew his hand.

"Oh that," he said with a shrug. "I'm a Mets fan, have been for years, I always root for the underdog. Bought that when I was down there for the game, the year they won the pennant." I looked more closely at the sticker: it wasn't a flag at all, it was a blue and white oblong with red printing, GO METS.

David and Anna had caught up with us. "You a Mets fan?" David said. "Out of sight." He slid his canoe in beside theirs and they shook hands.

But they'd killed the heron anyway. It doesn't matter what country they're from, my head said, they're still Americans, they're what's in store for us, what we are turning into. They spread themselves like a virus, they get into the brain and take over the cells and the cells change from inside and the ones that have the disease can't tell the difference. Like the late show sci-fi movies, creatures from outer space, body snatchers injecting themselves into you dispossessing your brain, their eyes blank eggshells behind the dark glasses. If you look like them and talk like them and think like them then you are them, I was saying, you speak their language, a language is everything you do.

But how did they evolve, where did the first one come from, they weren't an invasion from another planet, they were terrestrial. How did we get bad. For us when we were small the origin was Hitler, he was the great evil, many-tentacled, ancient and indestructible as the Devil. It didn't matter that he had shrunk to a few cinders and teeth by the time I heard about him; I was certain he was alive, he was in the comic books my brother brought home in the winters and he was in my brother's scrapbook too, he was the swastikas on the tanks, if only he could be destroyed everyone would be saved, safe. When our father made bonfires to burn the weeds we would throw sticks into the flames and chant "Hitler's house is burning down, My Fair Lady-O"; we knew it helped. All possible horrors were measured against him. But Hitler was gone and the thing remained; whatever it was, even then, moving away from them as they smirked and waved goodbye, I was asking Are the Americans worse than Hitler. It was like cutting up a tapeworm, the pieces grew.

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