Margaret Atwood - Surfacing

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Surfacing: краткое содержание, описание и аннотация

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Part detective novel, part psychological thriller, Surfacing is the story of a talented woman artist who goes in search of her missing father on a remote island in northern Quebec. Setting out with her lover and another young couple, she soon finds herself captivated by the isolated setting, where a marriage begins to fall apart, violence and death lurk just beneath the surface, and sex becomes a catalyst for conflict and dangerous choices. Surfacing is a work permeated with an aura of suspense, complex with layered meanings, and written in brilliant, diamond-sharp prose. Here is a rich mine of ideas from an extraordinary writer about contemporary life and nature, families and marriage, and about women fragmented…and becoming whole.

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I saw a beetle on it, blueblack and oval; when the camera whirred it burrowed in under the feathers. Carrion beetle, death beetle. Why had they strung it up like a lynch victim, why didn't they just throw it away like the trash? To prove they could do it, they had the power to kill. Otherwise it was valueless: beautiful from a distance but it couldn't be tamed or cooked or trained to talk, the only relation they could have to a thing like that was to destroy it. Food, slave or corpse, limited choices; horned and fanged heads sawed off and mounted on the billiard room wall, stuffed fish, trophies. It must have been the Americans; they were in there now, we would meet them.

The second portage was shorter but more thickly overgrown: leaves brushed, branches pushed into the corridor of air over the trail as though preventing. Newly broken stubs, wood and pith exposed like splintered bones, ferns trampled, they'd been here, their tractor-tread footsteps dinting the mud path in front of me like excavations, craters. The slope descended, slits of the lake gleamed through the trees. I wondered what I would say to them, what could be said, if I asked them why it would mean nothing. But when we reached the end of the portage they were nowhere in sight.

The lake was a narrow crescent, the far end was hidden. Lac des verges blanches, the white birch grew in clumps by the shore edge, doomed eventually by the disease, tree cancer, but not yet. The wind swayed the tops of them; it was blowing crossways over the lake. The surface corrugated, water flapping against the shore.

We got into the canoes again and paddled towards the bend; I remembered there was an open space where we could camp. On the way there were several abandoned beaver lodges shaped like dilapidated beehives or wooden haystacks; I memorized them, the bass liked underwater tangle.

We were later than I had planned, the sun was red and weakening. David wanted to fish right away but I said we had to pitch the tents and collect wood first. There was garbage at this site too but it was ancient garbage, the labels on the beer bottles illegible, the cans corroded. I gathered it up and took it with me when I went back among the trees to dig the toilet hole.

Layer of leaves and needles, layer of roots, damp sand. That was what used to bother me most about the cities, the white zero-mouthed toilets in their clean tiled cubicles. Flush toilets and vacuum cleaners, they roared and made things vanish, at that time I was afraid there was a machine that could make people vanish like that too, go nowhere, like a camera that could steal not only your soul but your body also. Levers and buttons, triggers, the machines sent them up as roots sent up flowers; tiny circles and oblongs, logic become visible, you couldn't tell in advance what would happen if you pressed them.

I showed the three of them where I had dug the hole. "Where do you sit?" Anna asked, squeamish.

"On the ground," David said, "good for you, toughen you up. You could use an ass job." Anna poked him on the belt buckle and said "Flab," imitating him.

I opened more tins and heated them, baked beans and peas, and we ate them with smokey tea. From the rock where I washed the dishes I could see part of a tent, in among the cedars at the distant end of the lake: their bunker. Binoculars trained on me, I could feel the eye rays, cross of the rifle sight on my forehead, in case I made a false move.

David was impatient, he wanted his money's worth, what he'd come for. Anna said she'd stay at the campsite: fishing didn't interest her. We left her the insect spray and the three of us got into the green canoe with the fishing rods. I put the frog jar in the stern where I could reach it. David was facing me this time; Joe sat in the bow, he was going to fish too, though he didn't have a licence.

The wind had dwindled, the lake was pink and orange. We went along the shore, birches cool, overhanging us, ice pillars. I was dizzy, too much water and sun glare, the skin of my face was shimmering as though burned, afterglow. In my head when I closed my eyes the shape of the heron dangled, upside down. I should have buried it.

The canoe steered over to the nearest beaver lodge and they tied up to it. I opened the tackle box and clipped a lure onto David's line. He was happy, whistling under his breath.

"Hey, maybe I'll hook a beaver," he said. "The national emblem. That's what they should've put on the flag instead of a maple leaf, a split beaver; I'd salute that."

"Why should it be split?" I said. It was like skinning the cat, I didn't get it.

He looked exasperated. "It's a joke," he said; and when I still didn't laugh, "Where've you been living? It's slang for cunt. The Maple Beaver for Ever, that would be neat." He lowered his line into the water and began to sing, off-key:

In days of yore, from Britains shor

Wolfe, the gallant hero, came:

It spread all o'er the hooerhouse floor

On Canada 's fair domain…

They sing that at your school?"

"The fish will hear you," I said, and he stopped.

A part of the body, a dead animal. I wondered what part of them the heron was, that they needed so much to kill it.

Into my head the tugboat floated, the one that was on the lake before, logboom trailing it, men waving from the cabin, sunlight and blue sky, the perfect way. But it didn't last. One spring when we got to the village it was beached near the government dock, abandoned. I wanted to see what the little house was like, how they had lived; I was sure there would be a miniature table and chairs, beds that folded down out of the walls, flowered window curtains. We climbed up; the door was open but inside it was bare wood, not even painted; there was no furniture at all and the stove was gone. The only things we could find were two rusted razor blades on the windowsill and some pictures drawn on the walls in pencil.

I thought they were plants or fish, some of them were shaped like clams, but my brother laughed, which meant he knew something I didn't; I nagged at him until he explained. I was shocked, not by those parts of the body, we'd been told about those, but that they should be cut off like that from the bodies that ought to have gone with them, as though they could detach themselves and crawl around on their own like snails.

I'd forgotten about that; but of course they were magic drawings like the ones in caves. You draw on the wall what's important to you, what you're hunting. They had enough food, no need to draw tinned peas and Argentine corned beef, and that's what they wanted instead during those monotonous and not at all idyllic trips up and down the lake, nothing to do but play cards, they must have detested it, back and forth chained to the logs. All of them dead now or old, they probably hated each other.

The bass struck on both lines at once. They fought hard, the rods doubled over. David landed one but Joe let his escape into the labyrinth of sticks, where it wound the line around a branch and snapped it.

"Hey," David was saying, "kill it for me." The bass was fierce, it was flipping around the inside of the canoe. It spat water from its undershot jaw with a hissing sound; it was either terrified or enraged, I couldn't tell which.

"You do it," I said, handing him the knife. "I showed you how, remember?"

Thud of metal on fishbone, skull, neckless headbody, the fish is whole, I couldn't any more, I had no right to. We didn't need it, our proper food was tin cans. We were committing this act, violation, for sport or amusement or pleasure, recreation they call it, these were no longer the right reasons. That's an explanation but no excuse my father used to say, a favourite maxim.

While they admired David's murder, cadaver, I took the bottle with the frogs in it out of the tackle box and unscrewed the top; they slipped into the water, green with black leopard spots and gold eyes, rescued. Highschool, each desk with a tray on it and a frog, exhaling ether, spread and pinned flat as a doily and slit open, the organs explored and clipped out, the detached heart still gulping slowly like an adam's apple, no martyr's letters on it, the intestines messy string. Pickled cat pumped full of plastic, red for the arteries, blue for the veins, at the hospital, the undertaker's. Find the brain of the worm, donate your body to science. Anything we could do to the animals we could do to each other: we practised on them first.

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