Boris Akunin - Murder on the Leviathan

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12.01.2024 Борис Акунин внесён Минюстом России в реестр СМИ и физлиц, выполняющих функции иностранного агента. Борис Акунин состоит в организации «Настоящая Россия»* (*организация включена Минюстом в реестр иностранных агентов).
*НАСТОЯЩИЙ МАТЕРИАЛ (ИНФОРМАЦИЯ) ПРОИЗВЕДЕН, РАСПРОСТРАНЕН И (ИЛИ) НАПРАВЛЕН ИНОСТРАННЫМ АГЕНТОМ ЧХАРТИШВИЛИ ГРИГОРИЕМ ШАЛВОВИЧЕМ, ЛИБО КАСАЕТСЯ ДЕЯТЕЛЬНОСТИ ИНОСТРАННОГО АГЕНТА ЧХАРТИШВИЛИ ГРИГОРИЯ ШАЛВОВИЧА.


### Amazon.com Review
Usually, crime writers who give birth to protagonists deserving of future series want to feature those characters as prominently as possible in subsequent installments. Not so Boris Akunin, who succeeds his celebrated first novel about daring 19th-century Russian sleuth Erast Fandorin, __, with the less inventive *Murder on the Leviathan*, in which the now former Moscow investigator competes for center stage with a swell-headed French police commissioner, a crafty adventuress boasting more than her fair share of aliases, and a luxurious steamship that appears fated for deliberate destruction in the Indian Ocean.
Following the 1878 murders of British aristocrat Lord Littleby and his servants on Paris's fashionable Rue de Grenelle, Gustave Gauche, "Investigator for Especially Important Crimes," boards the double-engined, six-masted *Leviathan* on its maiden voyage from England to India. He's on the lookout for first-class passengers missing their specially made gold whale badges--one of which Littleby had yanked from his attacker before he died. However, this trap fails: several travelers are badgeless, and still others make equally good candidates for Littleby's slayer, including a demented baronet, a dubious Japanese army officer, a pregnant and loquacious Swiss banker's wife, and a suave Russian diplomat headed for Japan. That last is of course Fandorin, still recovering two years later from the events related in *The Winter Queen*. Like a lesser Hercule Poirot, "papa" Gauche grills these suspects, all of whom harbor secrets, and occasionally lays blame for Paris's "crime of the century" before one or another of them--only to have the hyper-perceptive Fandorin deflate his arguments. It takes many leagues of ocean, several more deaths, and a superfluity of overlong recollections by the shipmates before a solution to this twisted case emerges from the facts of Littleby's killing and the concurrent theft of a valuable Indian artifact from his mansion.
Like the best Golden Age nautical mysteries, *Murder on the Leviathan* finds its drama in the escalating tensions between a small circle of too-tight-quartered passengers, and draws its humor from their over-mannered behavior and individual eccentricities. Trouble is, Akunin (the pseudonym of Russian philologist Grigory Chkhartishvili) doesn't exceed expectations of what can be done within those traditions. *--J. Kingston Pierce*
### From Publishers Weekly
Akunin writes like a hybrid of Caleb Carr, Agatha Christie and Elizabeth Peters in his second mystery to be published in the U.S., set on the maiden voyage of the British luxury ship *Leviathan*, en route to India in the spring of 1878. Akunin's young Russian detective/diplomat protagonist, Erast Fandorin, has matured considerably since his debut in last year's highly praised *The Winter Queen*, set in 1876, and proves a worthy foil to French police commissioner Gustave Gauche, who boards the *Leviathan* because a clue suggests that one of the passengers murdered a wealthy British aristocrat, seven servants and two children in his Paris home and stole priceless Indian treasures. The intuitive, methodical Fandorin, who joins the ship at Port Said, soon slyly takes over the investigation and comes up with an eclectic group of suspects, all with secrets to hide, whom Gauche assigns to the same dining room. The company recite humorous or instructive stories that slow down the action but eventually relate to the identification of the killer. Gauche offers at least four solutions to the crimes, but in each case Fandorin debates or debunks his reasoning. The atmospheric historical detail gives depth to the twisting plot, while the ruthless yet poignant arch villain makes up for a cast of mostly cardboard characters. Readers disappointed by the lack of background on Fandorin will find plenty in *The Winter Queen*.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Reginald Milford-Stokes.

Renate Kleber

Renate lay in wait for Watchdog (that was what she had christened Gauche once she discovered what the old fogy was really like) outside his cabin. It was clear from the commissioner’s crumpled features and tousled grey hair that he had only just risen from his slumbers - he must have collapsed into bed immediately after lunch and carried on snoozing until the evening.

Renate deftly grabbed hold of the detective’s sleeve, lifted herself up on tiptoe and blurted out:

‘Wait till you hear what I have to tell you!’

Watchdog gave her a searching look, crossed his arms and said in an unpleasant voice:

‘I shall be very interested to hear it. I’ve been meaning to have a word with you for some time, madam.’

Renate found his tone of voice slightly alarming, but she decided it didn’t really mean anything - Watchdog must be suffering from indigestion, or perhaps he’d been having a bad dream.

I’ve done your job for you,’ Renate boasted, glancing around to make sure no one was listening. ‘Let’s go into your cabin, we won’t be interrupted in there.’

Watchdog’s abode was maintained in perfect order. The familiar black file reposed impressively in the centre of the desk with a neat pile of paper and several precisely pointed pencils lying beside it. Renate surveyed the room curiously, turning her head this way and that, noting the shoe brush and tin of wax polish and the shirt collars hung up to dry on a piece of string.

The moustache man was obviously rather stingy, he polished his own shoes and did a bit of laundry to avoid having to give the servants any tips.

‘Right then, out with it, what have you got for me?’ Watchdog growled irritably, clearly displeased by Renate’s inquisitiveness.

‘I know who the criminal is,’ she announced proudly.

This news failed to produce the anticipated effect on the detective. He sighed and asked:

‘Who is it?’

‘Need you ask? It’s so obvious a blind man could see it,’

Renate said with an agitated flutter of her hands as she seated herself in an armchair. ‘All the newspapers said that the murder was committed by a loony. No normal person could possibly do anything so insane, could they? And now just think about the people we have sitting round our table. It’s a choice bunch of course, perfectly matching blooms, bores and freaks every last one of them, but there’s only one loony.’

‘Are you hinting at the baronet?’ asked Watchdog.

‘Now you’ve got it at last!’ said Renate with a pitying nod.

‘Why, it’s as clear as day. Have you seen his eyes when he looks at me? He’s a wild beast, a monster! I’m afraid to walk down the corridors. Yesterday I ran into him on the stairs when there wasn’t a soul around. It gave me such a twinge here inside!’

She put one hand over her belly. ‘I’ve been watching him for a long time. At night he keeps the light on in his cabin and the curtains are tightly closed. But yesterday they were open just a tiny little crack, so I peeped in. He was standing there in the middle of the cabin waving his arms about and making ghastly faces and wagging his finger at somebody. It was so frightening!

Later on, in the middle of the night, my migraine started up again, so I went out for a breath of fresh air, and there I saw the loony standing on the forecastle looking up at the moon through some kind of metal contraption. That was when it dawned on me. He’s one of those maniacs whose bloodlust rises at full moon. I’ve read about them! Why are you looking at me as if I were some kind of idiot? Have you taken a look at the calendar recently?’ Renate produced a pocket calendar from her purse with a triumphant air. ‘Look at this, I’ve checked it.

On the fifteenth of March, when ten people were killed on the rue de Grenelle, it was a full moon. See, it’s written here in black and white: pleine lune.’

Watchdog looked all right, but he didn’t seem very interested.

‘Why are you goggling at it like a dozy owl?’ Renate asked angrily- ‘Don’t you understand that today is a full moon too?

While you’re sitting around doing nothing, he’ll go crazy again and brain somebody else. And I know who it will be - me. He hates me.’ Her voice trembled hysterically. ‘Everyone on this loathsome steamer wants to kill me! That African attacked me, and that Oriental of ours keeps glaring and grinding his teeth at me and now it’s this crazy baronet!’

Watchdog carried on gazing at her with his dull, unblinking eyes, and Renate waved her hand in front of his nose. Coo-ee! M. Gauche! Not fallen asleep have you, by any chance?’

The old grandpa grabbed her wrist in a firm grip. He moved her hand aside and said sternly:

‘I’ll tell you what, my dear. You stop playing the fool. I’ll deal with our redheaded baronet, but I want you to tell me about your syringe. And no fairy tales, I want the truth!’ He growled so fiercely that she shrank back in alarm.

At supper she sat there staring down into her plate. She always ate with such an excellent appetite, but today she had hardly even touched her sauteed eels. Her eyes were red and swollen and every now and then her lips gave a slight tremor.

But Watchdog was in a genial, even magnanimous mood. He looked at Renate frequently with some severity, but his glance was fatherly rather than hostile. Commissioner Gauche was not as formidable as he would like to appear.

A very impressive piece,’ he said with an envious glance at the Big Ben clock standing in the corner of the saloon. ‘Some People have all the luck.’

The monumental prize was too big to fit in Fandorin’s cabin ana so it had been installed temporarily in Windsor. The oak tower continually ticked, jangled and wheezed deafeningly, and on the hour it boomed out a chime that caught everyone by surprise and made them gasp. At breakfast, when Big Ben informed everyone (with a ten minute delay) that it was nine o’clock, the doctor’s wife had almost swallowed a teaspoon.

And in addition to all of this, the base of the tower was obviously a bit too narrow and every strong wave set it swaying menacingly. Now, for instance, when the wind had freshened and the white curtains at the windows had begun fluttering in surrender, Big Ben’s squeaking had become positively alarming.

The Russian seemed to take the commissioner’s genuine admiration for irony and began making apologetic excuses.

‘I t-told them to give the clock to fallen women too, but M. Driet was adamant. I swear by Christ, Allah and Buddha that when we g-get to Calcutta I shall leave this monster on the steamer. I won’t allow anyone to foist this nightmare on me!’

He squinted anxiously at Lieutenant Renier, who remained diplomatically silent. Then the diplomat turned to Renate for sympathy, but all she gave him in reply was a stern, sullen glance. In the first place, she was in a terribly bad mood, and in the second, Fandorin had been out of favour with her for some time.

There was a story to that.

It all started when Renate noticed that the sickly Mrs Truffo positively blossomed whenever she was near the darling little diplomat. And Mr Fandorin himself seemed to belong to that common variety of handsome males who manage to discover something fascinating in every dull woman they meet and never neglect a single one. In principle, Renate regarded this subspecies of men with respect and actually found them quite attractive. It would be terribly interesting to know what precious ore the blue-eyed, brown-haired Russian had managed to unearth in the dismal doctor’s wife. There certainly could be no doubt that he felt a distinct interest in her.

A few days earlier Renate had witnessed an amusing little scene played out by those two actors: Mrs Truffo (in the role of female vamp) and Mr Fandorin (in the role of perfidious seducer). The audience had consisted of one young lady (quite exceptionally attractive, despite being in a certain delicate condition) concealed behind the tall back of a deckchair and following the action in her make-up mirror. The scene of the action was set at the stern of the ship. The time was a romantic sunset.

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