Boris Akunin - Murder on the Leviathan

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12.01.2024 Борис Акунин внесён Минюстом России в реестр СМИ и физлиц, выполняющих функции иностранного агента. Борис Акунин состоит в организации «Настоящая Россия»* (*организация включена Минюстом в реестр иностранных агентов).
*НАСТОЯЩИЙ МАТЕРИАЛ (ИНФОРМАЦИЯ) ПРОИЗВЕДЕН, РАСПРОСТРАНЕН И (ИЛИ) НАПРАВЛЕН ИНОСТРАННЫМ АГЕНТОМ ЧХАРТИШВИЛИ ГРИГОРИЕМ ШАЛВОВИЧЕМ, ЛИБО КАСАЕТСЯ ДЕЯТЕЛЬНОСТИ ИНОСТРАННОГО АГЕНТА ЧХАРТИШВИЛИ ГРИГОРИЯ ШАЛВОВИЧА.


### Amazon.com Review
Usually, crime writers who give birth to protagonists deserving of future series want to feature those characters as prominently as possible in subsequent installments. Not so Boris Akunin, who succeeds his celebrated first novel about daring 19th-century Russian sleuth Erast Fandorin, __, with the less inventive *Murder on the Leviathan*, in which the now former Moscow investigator competes for center stage with a swell-headed French police commissioner, a crafty adventuress boasting more than her fair share of aliases, and a luxurious steamship that appears fated for deliberate destruction in the Indian Ocean.
Following the 1878 murders of British aristocrat Lord Littleby and his servants on Paris's fashionable Rue de Grenelle, Gustave Gauche, "Investigator for Especially Important Crimes," boards the double-engined, six-masted *Leviathan* on its maiden voyage from England to India. He's on the lookout for first-class passengers missing their specially made gold whale badges--one of which Littleby had yanked from his attacker before he died. However, this trap fails: several travelers are badgeless, and still others make equally good candidates for Littleby's slayer, including a demented baronet, a dubious Japanese army officer, a pregnant and loquacious Swiss banker's wife, and a suave Russian diplomat headed for Japan. That last is of course Fandorin, still recovering two years later from the events related in *The Winter Queen*. Like a lesser Hercule Poirot, "papa" Gauche grills these suspects, all of whom harbor secrets, and occasionally lays blame for Paris's "crime of the century" before one or another of them--only to have the hyper-perceptive Fandorin deflate his arguments. It takes many leagues of ocean, several more deaths, and a superfluity of overlong recollections by the shipmates before a solution to this twisted case emerges from the facts of Littleby's killing and the concurrent theft of a valuable Indian artifact from his mansion.
Like the best Golden Age nautical mysteries, *Murder on the Leviathan* finds its drama in the escalating tensions between a small circle of too-tight-quartered passengers, and draws its humor from their over-mannered behavior and individual eccentricities. Trouble is, Akunin (the pseudonym of Russian philologist Grigory Chkhartishvili) doesn't exceed expectations of what can be done within those traditions. *--J. Kingston Pierce*
### From Publishers Weekly
Akunin writes like a hybrid of Caleb Carr, Agatha Christie and Elizabeth Peters in his second mystery to be published in the U.S., set on the maiden voyage of the British luxury ship *Leviathan*, en route to India in the spring of 1878. Akunin's young Russian detective/diplomat protagonist, Erast Fandorin, has matured considerably since his debut in last year's highly praised *The Winter Queen*, set in 1876, and proves a worthy foil to French police commissioner Gustave Gauche, who boards the *Leviathan* because a clue suggests that one of the passengers murdered a wealthy British aristocrat, seven servants and two children in his Paris home and stole priceless Indian treasures. The intuitive, methodical Fandorin, who joins the ship at Port Said, soon slyly takes over the investigation and comes up with an eclectic group of suspects, all with secrets to hide, whom Gauche assigns to the same dining room. The company recite humorous or instructive stories that slow down the action but eventually relate to the identification of the killer. Gauche offers at least four solutions to the crimes, but in each case Fandorin debates or debunks his reasoning. The atmospheric historical detail gives depth to the twisting plot, while the ruthless yet poignant arch villain makes up for a cast of mostly cardboard characters. Readers disappointed by the lack of background on Fandorin will find plenty in *The Winter Queen*.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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‘Well now,’ growled Gauche, ‘time will tell.’

Following which, to everyone’s relief, Mrs Truffo struck up a conversation about the weather.

Reginald Milford-Stokes

10 April 18 j8

22 hours 31 minutes

In the Arabian Sea

17 06 28 N 59 48 14 E

My passionately beloved Emily,

This infernal ark is controlled by the forces of evil, I can sense it in every fibre of my tormented soul. Although I am not sure that a criminal such as I can have a soul. Writing that has set me thinking. I remember that I have committed a crime, a terrible crime which can never ever be forgiven, but the strange thing is, I have completely forgotten what it was that I did. And I very much do not want to remember.

At night, in my dreams, I remember it very well - otherwise how can I explain why I wake up in such an appalling state every morning?

How I long for our separation to be over! I feel that if it lasts for even a little longer, I shall lose my mind. I sit in the cabin and stare at the minute hand of the chronometer, but it doesn’t move. Outside on the deck I heard someone say, ‘It’s the tenth of April today,’ and I couldn’t grasp how it could possibly be April and why it had to be the tenth. I unlocked the trunk and saw that the letter I wrote to you yesterday was dated 9 April and the one from the day before yesterday was dated the eighth. So it’s right. It is April. The tenth.

For several days now I have been keeping a close eye on Professor Sweetchild (if he really is a professor). He is a very popular man with our group in Windsor, an inveterate old windbag who loves to flaunt his knowledge of history and oriental matters. Every day he comes up with new, fantastic stories of hidden treasure, each more improbable than the last. And he has nasty, shifty, piggy little eyes. Sometimes there is an insane gleam in them. If only you could hear how volupturous his voice sounds when he talks about precious stones. He has a positive mania for diamonds and emeralds.

Today at breakfast Dr Truffo suddenly stood up, clapped his hands loudly and announced in a solemn voice that it was Mrs Truffo’s birthday. Everybody oohed and aahed and began congratulating her, and the doctor himself publicly presented his plain-faced spouse with a gift for the occasion, a pair of topaz earrings in exceptionally bad taste.

What terrible vulgarity, to make a spectacle of giving a present to one’s own wife! Mrs Truffo, however, did not seem to think so. She became unusually lively and appeared perfectly happy, and her dismal features turned the colour of grated carrot. The lieutenant said: ‘Oh, madam, if we had known about this happy event in advance, we would certainly have prepared some surprise for you. You have only your own modesty to blame.’ The empty-headed woman turned an even more luminous shade and muttered bashfully: ‘Would you really like to make me happy?’ The response was a general lazy mumble of goodwill. ‘Well then,’ she said, ‘let’s play my favourite game of lotto. In our family we always used to take out the cards and the bag of counters on Sundays and church holidays. It’s such wonderful fun! Gentlemen, it will really make me very happy if you will play!’ It was the first time I had heard the doctor’s wife speak at such great length. For an instant I thought she was making fun of us, but no, Mrs Truffo was entirely serious.

There was nothing to be done. Only Renier managed to slip out, supposedly because it was time for him to go on watch. The churlish commissioner also attempted to cite some urgent business or other as an excuse, but everyone stared at him so reproachfully that he gave in with a bad grace and stayed.

Mr Truffo went to fetch the equipment for this idiotic game and the torment began. Everyone dejectedly set out their cards, glancing longingly at the sunlit deck. The windows of the saloon were wide open, but we sat there playing out a scene from the nursery. We set up a prize fund to which everyone contributed a guinea - ‘to make things more interesting’, as the elated birthday girl said. Our leading lady should have had the best chance of winning, since she was the only one who was watching eagerly as the numbers were drawn. I had the impression that the commissioner would have liked to win the jackpot too, but he had difficulty understanding the childish little jingles that Mrs Truffo kept spouting (for her sake, on this occasion we spoke English).

The pitiful topaz earrings, which are worth ten pounds at the most, prompted Sweetchild to mount his high horse again. ‘An excellent present, sir!’ he declared to the doctor, who beamed in delight, but then Sweetchild spoiled everything with what he said next. ‘Of course, topazes are cheap nowadays, but who knows, perhaps their price will shoot up in a hundred years or so. Precious stones are so unpredictable!

They are a genuine miracle of nature, unlike those boring metals gold and silver. Metal has no soul or form, it can be melted down, while each stone has a unique personality. But it is not just anyone who can find them, only those who stop at nothing and are willing to follow their magical radiance to the ends of the earth, or even beyond if necessary.’ These bombastic sentiments were accompanied by Mrs Truffo calling out the numbers on the counters in her squeaky voice.

While Sweetchild was declaiming: I shall tell you the legend of the great and mighty conqueror Mahmud Gaznevi, who was bewitched by the brilliant lustre of diamonds and put half of India to fire and the sword in his search for these magical crystals,’ Mrs Truffo said: ‘Eleven, gentlemen. Drumsticks!’ And so it went on.

But I shall tell you Sweetchild’s legend of Mahmud Gaznevi anyway. It will give you a better understanding of this storyteller. I can even attempt to convey his distinctive manner of speech.

Tn the year (I don’t remember which) of our Lord Jesus Christ, which according to the Moslem chronology was (and of course I don’t remember that), the mighty Gaznevi learned that in Sumnat on the peninsula of Guzzarat (I think that was it) there was a holy shrine which contained an immense idol that was worshipped by hundreds of thousands of people. The idol jealously guarded the borders of that land against foreign invasions and anyone who stepped across those borders with a sword in his hand was doomed. This shrine belonged to a powerful Brahmin community, the richest in the whole of India. And these Brahmins of Sumnat also possessed an immense number of precious stones. But unafraid of the power of the idol, the intrepid conqueror gathered his forces together and launched his campaign.

Mahmud hewed off fifty thousand heads, reduced fifty fortresses to ruins and finally burst into the Sumnat shrine. His soldiers defiled the holv site and ransacked it from top to bottom, but they could not find the treasure. Then Gaznevi himself approached the idol, swung his great mace and smote its copper head. The Brahmins fell to the floor before their conqueror and offered him a million pieces of silver if only he would not touch their god. Mahmud laughed and smote the idol again. It cracked. The Brahmins began wailing more loudly than ever and promised this terrible ruler ten million pieces of gold. But the heavy mace was raised once again and it struck for a third time. The idol split in half and the diamonds and precious stones that had been concealed within it spilled out onto the floor in a gleaming torrent. The value of that treasure was beyond all calculation.’

At this point Mr Fandorin announced with a slightly embarrassed expression that he had a full card. Everyone except Mrs Truffo was absolutely delighted and was on the point of leaving when she begged us so insistently to play another round that we had to stay. It started up again: ‘Thirty-nine - pig and swine! Twenty-seven - I’m in heaven!’ and more drivel of the same kind.

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