Boris Akunin - Murder on the Leviathan

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12.01.2024 Борис Акунин внесён Минюстом России в реестр СМИ и физлиц, выполняющих функции иностранного агента. Борис Акунин состоит в организации «Настоящая Россия»* (*организация включена Минюстом в реестр иностранных агентов).
*НАСТОЯЩИЙ МАТЕРИАЛ (ИНФОРМАЦИЯ) ПРОИЗВЕДЕН, РАСПРОСТРАНЕН И (ИЛИ) НАПРАВЛЕН ИНОСТРАННЫМ АГЕНТОМ ЧХАРТИШВИЛИ ГРИГОРИЕМ ШАЛВОВИЧЕМ, ЛИБО КАСАЕТСЯ ДЕЯТЕЛЬНОСТИ ИНОСТРАННОГО АГЕНТА ЧХАРТИШВИЛИ ГРИГОРИЯ ШАЛВОВИЧА.


### Amazon.com Review
Usually, crime writers who give birth to protagonists deserving of future series want to feature those characters as prominently as possible in subsequent installments. Not so Boris Akunin, who succeeds his celebrated first novel about daring 19th-century Russian sleuth Erast Fandorin, __, with the less inventive *Murder on the Leviathan*, in which the now former Moscow investigator competes for center stage with a swell-headed French police commissioner, a crafty adventuress boasting more than her fair share of aliases, and a luxurious steamship that appears fated for deliberate destruction in the Indian Ocean.
Following the 1878 murders of British aristocrat Lord Littleby and his servants on Paris's fashionable Rue de Grenelle, Gustave Gauche, "Investigator for Especially Important Crimes," boards the double-engined, six-masted *Leviathan* on its maiden voyage from England to India. He's on the lookout for first-class passengers missing their specially made gold whale badges--one of which Littleby had yanked from his attacker before he died. However, this trap fails: several travelers are badgeless, and still others make equally good candidates for Littleby's slayer, including a demented baronet, a dubious Japanese army officer, a pregnant and loquacious Swiss banker's wife, and a suave Russian diplomat headed for Japan. That last is of course Fandorin, still recovering two years later from the events related in *The Winter Queen*. Like a lesser Hercule Poirot, "papa" Gauche grills these suspects, all of whom harbor secrets, and occasionally lays blame for Paris's "crime of the century" before one or another of them--only to have the hyper-perceptive Fandorin deflate his arguments. It takes many leagues of ocean, several more deaths, and a superfluity of overlong recollections by the shipmates before a solution to this twisted case emerges from the facts of Littleby's killing and the concurrent theft of a valuable Indian artifact from his mansion.
Like the best Golden Age nautical mysteries, *Murder on the Leviathan* finds its drama in the escalating tensions between a small circle of too-tight-quartered passengers, and draws its humor from their over-mannered behavior and individual eccentricities. Trouble is, Akunin (the pseudonym of Russian philologist Grigory Chkhartishvili) doesn't exceed expectations of what can be done within those traditions. *--J. Kingston Pierce*
### From Publishers Weekly
Akunin writes like a hybrid of Caleb Carr, Agatha Christie and Elizabeth Peters in his second mystery to be published in the U.S., set on the maiden voyage of the British luxury ship *Leviathan*, en route to India in the spring of 1878. Akunin's young Russian detective/diplomat protagonist, Erast Fandorin, has matured considerably since his debut in last year's highly praised *The Winter Queen*, set in 1876, and proves a worthy foil to French police commissioner Gustave Gauche, who boards the *Leviathan* because a clue suggests that one of the passengers murdered a wealthy British aristocrat, seven servants and two children in his Paris home and stole priceless Indian treasures. The intuitive, methodical Fandorin, who joins the ship at Port Said, soon slyly takes over the investigation and comes up with an eclectic group of suspects, all with secrets to hide, whom Gauche assigns to the same dining room. The company recite humorous or instructive stories that slow down the action but eventually relate to the identification of the killer. Gauche offers at least four solutions to the crimes, but in each case Fandorin debates or debunks his reasoning. The atmospheric historical detail gives depth to the twisting plot, while the ruthless yet poignant arch villain makes up for a cast of mostly cardboard characters. Readers disappointed by the lack of background on Fandorin will find plenty in *The Winter Queen*.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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But now Mr Fandorin began speaking and he. told us another story in his gentle, rather ironic manner. It was an Arab fairy tale that he had read in an old book, and here is the fable as I remember it.

‘Once upon a time three Maghrib merchants set out into the depths of the Great Desert, for they had learned that far, far away among the shifting sands, where the caravans do not go, there was a great treasure, the equal of which mortal eyes had never seen. The merchants walked for forty days, tormented by great heat and weariness, until they had only one camel each left - the others had all collapsed and died. Suddenly they saw a tall mountain ahead of them, and when they grew close to it they could not believe their eyes: the entire mountain consisted of silver ingots. The merchants gave thanks to Allah, and one of them stuffed a sack full of silver and set off back the way they had come. But the others said: “We shall go further.”

They walked for another forty days, until their faces were blackened by the sun, and their eyes became red and inflamed. Then another mountain appeared ahead of them, this time of gold. The second merchant exclaimed: “Not in vain have we borne so many sufferings!

Glory be to the Most High!” He stuffed a sack full of gold and asked his comrade: “Why are you just standing there?” The third merchant replied: “How much gold can you carry away on one camel?” The second said: “Enough to make me the richest man in our city.” “That is not enough for me,” said the third, “I shall go further and find a mountain of diamonds. And when I return home, I shall be the richest man in the entire world.” He walked on, and his journey lasted another forty days. His camel lay down and rose no more, but the merchant did not stop, for he was stubborn and he believed in the mountain of diamonds, and everyone knows that a single handful of diamonds is more valuable than a mountain of silver or a hill of gold.

Then the third merchant beheld a wondrous sight ahead of him: a man standing there doubled over in the middle of the desert, bearing a throne made of diamonds on his shoulders, and squatting on the throne was a monster with a black face and burning eyes. “Joyous greetings to you, O worthy traveller,” croaked the crooked man. “Allow me to introduce the demon of avarice, Marduf. Now you will bear him on your shoulders until another as avaricious as you and I comes to take your place.

The story was broken off at that point, because once again Mr Fandorin had a full card, so our hostess failed to win the second jackpot too. Five seconds later Mrs Truffo was the only person left at the table - everyone else had disappeared in a flash.

I keep thinking about Mr Fandorin’s story. It is not as simple as it seems.

That third merchant is Sweetchild. Yes, when I heard the end of the story, I suddenly realized that he is a dangerous madman! There is an uncontrollable passion raging in his soul, and if anyone should know what that means, it is me. I have been gliding around after him like an invisible shadow ever since we left Aden.

I have already told you, my precious Emily, that I spent the time we were moored there very profitably. I’m sure you must have thought I meant I had bought a new navigational instrument to replace the one that was stolen. Yes, I do have a new sextant now and I am checking the ship’s course regularly once again, but what I meant was some fixing quite different. I was simply afraid to commit my secret to paper.

What if someone were to read it? After all, I am surrounded by enemies on every side. But I have a resourceful mind, and I have invented a fine stratagem: starting from today I am writing in milk. To the eye of a stranger it will seem like a clean sheet of paper, quite uninteresting, but my quick-witted Emily will warm the sheets on the lampshade to make the writing appear! What a spiffing wheeze, eh?

Well then, about Aden. While I was still on the steamer, before they let us go ashore, I noticed that Sweetchild was nervous, and more than simply nervous, he was positively jumping up and down in excitement.

It began soon after Fandorin announced that the shawl stolen from Lord Littleby was the key to the mythical treasure of the Emerald Rajah. The professor became terribly agitated, started muttering to himself and kept repeating: ‘Ah, 1 must get ashore soon.’ But what for, that was the question!

I decided to find out.

Pulling my black hat with the wide brim well down over my eyes, I set off to follow Sweetchild. Everything could not have gone better at first: he didn’t glance round once and I had no trouble in trailing him to the square located behind the little custom house. But there I was in for an unpleasant surprise. Sweetchild called one of the local cabbies and drove off with him. His barouche was moving rather slowly, but I coidd not go running after it, that would have been unseemly. Of course, there were other barouches on the square, I could easily have got into any of them, but you know, my dearest, how heartily I detest open carriages. They are the devil’s own invention and only reckless fools ride in them. Some people (I have seen it with my own eyes more than once) even take their wives and innocent children with them.

How long can it be before disaster strikes? The two-wheelers which are so popular at home in Britain are especially dangerous. Someone once told me (I can’t recall who it was fust at the moment) that a certain young man from a very decent family, with a good position in society, was rash enough to take his young wife for a ride in one of those two wheelers when she was eight months pregnant. It ended badly, of course: the mad fool lost control of the horses, they bolted and the carriage overturned. The young man was all right, but his wife went into premature labour. They were unable to save her or the child. And all because of his thoughtlessness. They could have gone for a walk, or taken a ride in a boat. If it comes to that, one can take a ride on a train, in a separate carriage. In Venice they take rides in gondolas. We were there, do you remember? Do you recall how the water lapped at the steps of the hotel?

I am finding it hard to concentrate, I am constantly digressing. And so, Sweetchild rode off in a carriage, and I was left standing beside the custom house. But do you think I lost my head? Not a bit of it. I thought of something that calmed my nerves almost instantly. While I was waiting for Sweetchild, I went into a sailors’ shop and bought a new sextant, even better than the old one, and a splendid navigational almanac with astronomical formulae. Now I can calculate the ship’s position much faster and more precisely. See what a cunning customer I am!

I waited for six hours and 38 minutes. I sat on a rock and looked at the sea, thinking about you.

When Sweetchild returned, I pretended to be dozing and he slipped past me, certain that I had not seen him.

The moment he disappeared round the corner of the custom house, I dashed across to his cabby. For sixpence the Bengali told me where our dear professor had been. You must admit, my sweet Emily, that I handled this business most adroitly.

The information I received only served to corroborate my initial suspicions. Sweetchild had asked to be taken from the port directly to the telegraph office. He spent half an hour there, and then went back to the post office building another four times. The cabby said: ‘Sahib very very worried. Run backwards and forwards. Sometimes say: take me to bazaar, then tap me on back: take me back, post office, quick-quick.’

It seems quite clear that Sweetchild first sent off an urgent message to someone and then waited impatiently for an answer. The Bengali said that the last time he came out of the post office he was ‘not like himself, he wave paper’ and told the cabby to drive him back to the ship. The reply must have arrived.

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