Boris Akunin - Murder on the Leviathan

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12.01.2024 Борис Акунин внесён Минюстом России в реестр СМИ и физлиц, выполняющих функции иностранного агента. Борис Акунин состоит в организации «Настоящая Россия»* (*организация включена Минюстом в реестр иностранных агентов).
*НАСТОЯЩИЙ МАТЕРИАЛ (ИНФОРМАЦИЯ) ПРОИЗВЕДЕН, РАСПРОСТРАНЕН И (ИЛИ) НАПРАВЛЕН ИНОСТРАННЫМ АГЕНТОМ ЧХАРТИШВИЛИ ГРИГОРИЕМ ШАЛВОВИЧЕМ, ЛИБО КАСАЕТСЯ ДЕЯТЕЛЬНОСТИ ИНОСТРАННОГО АГЕНТА ЧХАРТИШВИЛИ ГРИГОРИЯ ШАЛВОВИЧА.


### Amazon.com Review
Usually, crime writers who give birth to protagonists deserving of future series want to feature those characters as prominently as possible in subsequent installments. Not so Boris Akunin, who succeeds his celebrated first novel about daring 19th-century Russian sleuth Erast Fandorin, __, with the less inventive *Murder on the Leviathan*, in which the now former Moscow investigator competes for center stage with a swell-headed French police commissioner, a crafty adventuress boasting more than her fair share of aliases, and a luxurious steamship that appears fated for deliberate destruction in the Indian Ocean.
Following the 1878 murders of British aristocrat Lord Littleby and his servants on Paris's fashionable Rue de Grenelle, Gustave Gauche, "Investigator for Especially Important Crimes," boards the double-engined, six-masted *Leviathan* on its maiden voyage from England to India. He's on the lookout for first-class passengers missing their specially made gold whale badges--one of which Littleby had yanked from his attacker before he died. However, this trap fails: several travelers are badgeless, and still others make equally good candidates for Littleby's slayer, including a demented baronet, a dubious Japanese army officer, a pregnant and loquacious Swiss banker's wife, and a suave Russian diplomat headed for Japan. That last is of course Fandorin, still recovering two years later from the events related in *The Winter Queen*. Like a lesser Hercule Poirot, "papa" Gauche grills these suspects, all of whom harbor secrets, and occasionally lays blame for Paris's "crime of the century" before one or another of them--only to have the hyper-perceptive Fandorin deflate his arguments. It takes many leagues of ocean, several more deaths, and a superfluity of overlong recollections by the shipmates before a solution to this twisted case emerges from the facts of Littleby's killing and the concurrent theft of a valuable Indian artifact from his mansion.
Like the best Golden Age nautical mysteries, *Murder on the Leviathan* finds its drama in the escalating tensions between a small circle of too-tight-quartered passengers, and draws its humor from their over-mannered behavior and individual eccentricities. Trouble is, Akunin (the pseudonym of Russian philologist Grigory Chkhartishvili) doesn't exceed expectations of what can be done within those traditions. *--J. Kingston Pierce*
### From Publishers Weekly
Akunin writes like a hybrid of Caleb Carr, Agatha Christie and Elizabeth Peters in his second mystery to be published in the U.S., set on the maiden voyage of the British luxury ship *Leviathan*, en route to India in the spring of 1878. Akunin's young Russian detective/diplomat protagonist, Erast Fandorin, has matured considerably since his debut in last year's highly praised *The Winter Queen*, set in 1876, and proves a worthy foil to French police commissioner Gustave Gauche, who boards the *Leviathan* because a clue suggests that one of the passengers murdered a wealthy British aristocrat, seven servants and two children in his Paris home and stole priceless Indian treasures. The intuitive, methodical Fandorin, who joins the ship at Port Said, soon slyly takes over the investigation and comes up with an eclectic group of suspects, all with secrets to hide, whom Gauche assigns to the same dining room. The company recite humorous or instructive stories that slow down the action but eventually relate to the identification of the killer. Gauche offers at least four solutions to the crimes, but in each case Fandorin debates or debunks his reasoning. The atmospheric historical detail gives depth to the twisting plot, while the ruthless yet poignant arch villain makes up for a cast of mostly cardboard characters. Readers disappointed by the lack of background on Fandorin will find plenty in *The Winter Queen*.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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‘Oh no,’ groaned Mrs Truffo. ‘Not again!’

‘Now I can see how it all fits together,’ said the professor, launching abruptly into an incoherent explanation. ‘After all, I was in the place, why didn’t I think of it before? I kept thinking about it, going round and round in circles, but it just didn’t add up. In Aden I received a telegram from an acquaintance of mine in the French Ministry of the Interior and he confirmed my suspicions, but I still couldn’t make any sense of the eye, and I couldn’t work out who it could be. That is, I more or less know who, but how? How was it done? And now it has suddenly dawned on me!’ He ran over to the window. A curtain fluttering in the wind enveloped him like a white shroud, and the professor impatiently pushed it aside. ‘I was standing at the window of my cabin knotting my tie and I saw the waves, crest after crest all the way to the horizon. And then suddenly it hit me! Everything fell into place - about the shawl, and about the son! It’s a piece of simple clerical work. Dig around in the registers at the Ecole Maritime and you’ll find him!’

‘I don’t understand a word,’ growled Watchdog. ‘You’re raving. What’s this about some school or other?’

‘Oh no, this is very, very interesting,’ exclaimed Renate. “I simply adore trying to solve mysteries. But my dear professor, this will never do. Sit down at the table, have some wine, catch your breath and tell us everything from the beginning, calmly and clearly. After all, you have such a wonderful way with a story. But first someone must bring me my shawl, so that I don’t catch a chill from this draught.’

Let me close the windows on the windward side, and the draught will stop immediately,’ Sweetchild suggested. ‘You are right, madam, I should tell you the whole thing starting from the beginning.

‘No, don’t close the windows, it will be too stuffy. Well, gentlemen?’ Renate inquired capriciously. ‘Who will fetch my shawl from my cabin? Here is the key! Monsieur baronet?’

Of course, the Ginger Lunatic did not stir, but Renier jumped to his feet.

‘Professor, I implore you, do not start without me!’ he said. ‘I shall be back in a moment.’

‘And I’ll go and get my knitting,’ sighed the doctor’s wife.

She got back first and began deftly clacking away with her needles. She waved her hand at her husband to tell him there was no need to translate.

Meanwhile Sweetchild was readying himself for his moment of triumph. Having taken Renate’s advice to heart, he seemed determined to expound his discoveries as spectacularly as possible.

There was absolute silence at the table, with everyone watching the speaker and following every movement he made.

Sweetchild took a sip of red wine and began walking backwards and forwards across the room. Then he halted, picturesquely posed in profile to his audience, and began:

‘I have already told you about that unforgettable day when Rajah Bagdassar invited me into his palace in Brahmapur. It was a quarter of a century ago, but I remember everything quite clearly, down to the smallest detail. The first thing that struck me was the appearance of the palace. Knowing that Bagdassar was one of the richest men in the world, I had been expecting to see oriental luxury on a grand scale. But there was nothing of the kind. The palace buildings were rather modest, without any ornamental refinements. And the thought came to me that the passion for precious stones that was hereditary in this family, handed down from father to son, must have displaced every other vainglorious ambition. Why spend money on walls of marble if you could buy another sapphire or diamond? The Brahmapur palace was squat and plain, essentially the same kind of clay casket as that in which that indescribable distillation of magical luminescence was kept. No marble and alabaster could ever have rivalled the blinding radiance of those stones.’

The professor took another sip of wine and adopted a thoughtful pose.

Renier arrived, puffing and panting, respectfully laid Renate’s shawl across her shoulders and remained standing beside her.

‘What was that about marble and alabaster?’ he asked in a whisper.

‘It’s about the Brahmapur palace, let me listen,’ said Renate with an impatient jerk of her chin.

‘The interior decor of the palace was also very simple,’ Sweetchild continued. ‘Over the centuries the halls and rooms had changed their appearance many times, and the only part of the palace that seemed interesting to me from a historical point of view was the upper level, consisting of four halls, each of which faced one of the points of the compass. At one time the halls had been open galleries, but during the last century they were glassed in. At the same time the walls were decorated with quite fascinating frescos depicting the mountains that surround the valley on all sides. The landscape is reproduced with astonishing realism, so that the mountains seem to be reflected in a mirror.

From the philosophical point of view, this mirror imaging must surely represent the duality of existence and …’

Somewhere nearby a ship’s bell began clanging loudly. They heard people shouting and a woman screaming.

‘My God, it’s the fire alarm!’ shouted the lieutenant, dashing for the door. ‘That’s all we needed!’

They all dashed after him in a tight bunch.

‘What’s happening?’ the startled Mrs Truffo inquired in English. ‘Have we been boarded by pirates?’

Renate sat there for a moment with her mouth open, then let out a blood-curdling squeal. She grabbed the tail of the commissioner’s coat and stopped him running out after the others.

Monsieur Gauche, don’t leave me!’ she begged him. ‘I know what a fire on board ship means, I’ve read about it! Now everyone will dash to the lifeboats and people will be crushed to death, and I’m a weak pregnant woman, I’ll just be swept aside! Promise you will look after me!

‘What’s that about lifeboats?’ the old grandpa mumbled anxiously. ‘What kind of nonsense is that! I’ve been told the fire-fighting arrangements on the Leviathan are exemplary. Why, the ship even has its own fire officer. Stop shaking will you, everything will be all right.’ He tried to free himself, but Renate was clutching his coat-tail in a grip of iron. Her teeth were chattering loudly.

‘Let go of me, little girl,’ Watchdog said in a soothing voice. ‘I won’t go anywhere. I’ll just take a look at the deck through the window.’

But no, Renate’s fingers didn’t release their grip.

The commissioner was proved right. After two or three minutes there was the sound of leisurely footsteps and loud voices in the corridor and one by one the Windsorites began to return.

They had still not recovered from their shock, so they were laughing a lot and talking more loudly than usual.

The first to come in were Clarissa Stamp, the Truffos and Renier, whose face was flushed.

‘It was nothing at all,’ the lieutenant announced. ‘Someone threw a burning cigar into a litter bin with an old newspaper in it. The fire spread to a door curtain, but the sailors were alert and they put the flames out in a moment … But I see that you were all prepared for a shipwreck,’ he said with a laugh, glancing significantly at Clarissa.

She was clutching her purse and a bottle of orangeade.

‘Well, orangeade, in order not to die of thirst in the middle of the ocean,’ Renier guessed. ‘But what is the purse for? You wouldn’t have much use for it in the lifeboat.’

Renate giggled hysterically and Miss Old Maid, embarrassed, put the bottle back on the table. The Truffos were also well equipped: the doctor had managed to grab his bag of medical instruments and his wife was clutching a blanket against her breast.

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