Boris Akunin - Murder on the Leviathan

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12.01.2024 Борис Акунин внесён Минюстом России в реестр СМИ и физлиц, выполняющих функции иностранного агента. Борис Акунин состоит в организации «Настоящая Россия»* (*организация включена Минюстом в реестр иностранных агентов).
*НАСТОЯЩИЙ МАТЕРИАЛ (ИНФОРМАЦИЯ) ПРОИЗВЕДЕН, РАСПРОСТРАНЕН И (ИЛИ) НАПРАВЛЕН ИНОСТРАННЫМ АГЕНТОМ ЧХАРТИШВИЛИ ГРИГОРИЕМ ШАЛВОВИЧЕМ, ЛИБО КАСАЕТСЯ ДЕЯТЕЛЬНОСТИ ИНОСТРАННОГО АГЕНТА ЧХАРТИШВИЛИ ГРИГОРИЯ ШАЛВОВИЧА.


### Amazon.com Review
Usually, crime writers who give birth to protagonists deserving of future series want to feature those characters as prominently as possible in subsequent installments. Not so Boris Akunin, who succeeds his celebrated first novel about daring 19th-century Russian sleuth Erast Fandorin, __, with the less inventive *Murder on the Leviathan*, in which the now former Moscow investigator competes for center stage with a swell-headed French police commissioner, a crafty adventuress boasting more than her fair share of aliases, and a luxurious steamship that appears fated for deliberate destruction in the Indian Ocean.
Following the 1878 murders of British aristocrat Lord Littleby and his servants on Paris's fashionable Rue de Grenelle, Gustave Gauche, "Investigator for Especially Important Crimes," boards the double-engined, six-masted *Leviathan* on its maiden voyage from England to India. He's on the lookout for first-class passengers missing their specially made gold whale badges--one of which Littleby had yanked from his attacker before he died. However, this trap fails: several travelers are badgeless, and still others make equally good candidates for Littleby's slayer, including a demented baronet, a dubious Japanese army officer, a pregnant and loquacious Swiss banker's wife, and a suave Russian diplomat headed for Japan. That last is of course Fandorin, still recovering two years later from the events related in *The Winter Queen*. Like a lesser Hercule Poirot, "papa" Gauche grills these suspects, all of whom harbor secrets, and occasionally lays blame for Paris's "crime of the century" before one or another of them--only to have the hyper-perceptive Fandorin deflate his arguments. It takes many leagues of ocean, several more deaths, and a superfluity of overlong recollections by the shipmates before a solution to this twisted case emerges from the facts of Littleby's killing and the concurrent theft of a valuable Indian artifact from his mansion.
Like the best Golden Age nautical mysteries, *Murder on the Leviathan* finds its drama in the escalating tensions between a small circle of too-tight-quartered passengers, and draws its humor from their over-mannered behavior and individual eccentricities. Trouble is, Akunin (the pseudonym of Russian philologist Grigory Chkhartishvili) doesn't exceed expectations of what can be done within those traditions. *--J. Kingston Pierce*
### From Publishers Weekly
Akunin writes like a hybrid of Caleb Carr, Agatha Christie and Elizabeth Peters in his second mystery to be published in the U.S., set on the maiden voyage of the British luxury ship *Leviathan*, en route to India in the spring of 1878. Akunin's young Russian detective/diplomat protagonist, Erast Fandorin, has matured considerably since his debut in last year's highly praised *The Winter Queen*, set in 1876, and proves a worthy foil to French police commissioner Gustave Gauche, who boards the *Leviathan* because a clue suggests that one of the passengers murdered a wealthy British aristocrat, seven servants and two children in his Paris home and stole priceless Indian treasures. The intuitive, methodical Fandorin, who joins the ship at Port Said, soon slyly takes over the investigation and comes up with an eclectic group of suspects, all with secrets to hide, whom Gauche assigns to the same dining room. The company recite humorous or instructive stories that slow down the action but eventually relate to the identification of the killer. Gauche offers at least four solutions to the crimes, but in each case Fandorin debates or debunks his reasoning. The atmospheric historical detail gives depth to the twisting plot, while the ruthless yet poignant arch villain makes up for a cast of mostly cardboard characters. Readers disappointed by the lack of background on Fandorin will find plenty in *The Winter Queen*.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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‘This is the Indian Ocean, madam, you would hardly have frozen to death,’ Renier said with a serious expression, and the stupid goat nodded her head imbecilically.

The Japanese appeared holding a pathetic, bright-coloured bundle … what could he have in there, a travelling hara-kiri kit?

The Lunatic came in looking dishevelled, clutching a small box, the kind normally used for holding writing instruments.

‘Who were you planning to write to, Mr Milford-Stokes? Ah, I understand! When Miss Stamp had drunk her orangeade, we could have stuck a letter in the bottle and sent it floating off across the ocean waves,’ suggested the lieutenant, who was obviously acting so jovially out of a sense of relief.

Now everyone was there except the professor and the diplomat.

‘M. Sweetchild is no doubt packing his scholarly works, and monsieur le russe is putting on the samovar for a final cup of tea,’ said Renate, infected by the lieutenant’s jolly mood.

And there was the Russian, speak of the devil. He stood by the door, with his handsome face as dark as a storm cloud.

‘Well, M. Fandorin, have you decided to take your prize with you in the boat?’ Renate inquired provocatively.

Everyone roared with laughter, but the Russian (even though it was rather witty) failed to appreciate the joke.

‘Commissioner Gauche,’ he said quietly. ‘Would you be so kind as to step out into the corridor. As quickly as you can.’

It was strange, but when he spoke these words the diplomat did not stammer once. Perhaps the nervous shock had cured him? Such things did happen.

Renate was on the point of joking about that too, but she bit her tongue. That would probably have been going too far.

‘What’s all the hurry?’ Watchdog asked gruffly. ‘Another teller of tales. Later, young man, later. First I want to hear the rest of what the professor has to say. Where has he got to?’

Fandorin looked at the commissioner expectantly, but when he realized that the old man was feeling obstinate and had no intention of going out into the corridor, he shrugged and said: ‘The professor will not be joining us.’

Gauche scowled.

‘And why would that be?’

‘What do you mean, he won’t be joining us?’ Renate put in.

‘He stopped just when it was getting interesting! That’s not fair!’

‘Professor Sweetchild has just been murdered,’ the diplomat announced coolly.

‘What’s that?’ Watchdog roared. ‘Murdered? What do you mean, murdered?’

‘I believe it was done with a surgical scalpel,’ the Russian replied with remarkable composure. ‘His throat was cut very precisely.’

Commissioner Gauche

‘Are they ever going to let us go ashore?’ Mme Kleber asked plaintively. ‘Everyone else is out strolling round Bombay, and we’re just sitting here doing nothing …’

The curtains were pulled across the windows to keep out the searing rays of the sun that scorched the deck and made the air sticky and suffocating. But although it was hot and stuffy in the Windsor saloon, everyone sat there patiently, waiting for the truth to be revealed.

Gauche took out his watch - a presentation piece with a profile portrait of Napoleon III - and replied vaguely: ‘Soon, ladies and gentlemen. I’ll let you out soon. But not all of you.’

At least he knew what he was waiting for: Inspector Jackson and his men were conducting a search. The murder weapon itself was probably lying at the bottom of the ocean, but some clues might have been left. They must have been left. Of course, there was plenty of circumstantial evidence anyway, but hard evidence always made a case look more respectable. It was about time Jackson put in an appearance …

The Leviathan had reached Bombay at dawn. Since the evening of the previous day all the Windsorites had been confined to their cabins under house arrest, and immediately the ship arrived in port Gauche had contacted the authorities, informed them of his own conclusions and requested their assistance.

They had sent Jackson and a team of constables. Come on, Jackson, get a move on, thought Gauche, wishing the inspector would stop dragging his feet. After a sleepless night the commissioner’s head felt as heavy as lead and his liver had started playing up, but despite everything he was feeling rather pleased with himself. He had finally unravelled the knots in the tangled thread, and now he could see where it led.

At half past eight, after finalizing his arrangements with the local police and spending some time at the telegraph office, Gauche had ordered the detainees to be assembled in the Windsor saloon - it would be more convenient for the search. He hadn’t even made an exception for Renate, who had been sitting beside him at the time of the murder and could not possibly have cut the professor’s throat. The commissioner had been watching over his prisoners for more than three hours now, occupying a strategic position in the deep armchair opposite his client, and there were two armed policemen standing outside the door of the saloon, where they could not be seen from inside.

The detainees were all too sweaty and nervous to make conversation. Renier dropped in from time to time, nodded sympathetically to Renate and went off again about his business.

The captain looked in twice, but he didn’t say anything, just gave the commissioner a savage glance - as if this whole mess was papa Gauche’s fault!

The professor’s deserted chair was like the gap left by a missing tooth. The Indologist himself was lying ashore, in the chilly vaults of the Bombay municipal morgue. The thought of the dark shadows and the blocks of ice almost made Gauche envy the dead man. Lying there, with all his troubles behind him, with no sweat-drenched collar cutting into his neck …

The commissioner looked at Dr Truffo, who did not seem very comfortable either: the sweat was streaming down his olive-skinned face and his English Fury kept whispering in his ear.

‘Why are you looking at me like that, monsieur!’ Truffo exploded when he caught the policeman’s glance. ‘Why do you keep staring at me? It’s absolutely outrageous! What right do you have? I’ve been a respectable medical practitioner for fifteen years …’ he almost sobbed. ‘What difference does it make if a scalpel was used? Anyone could have done it!’

‘Was it really done with a scalpel?’ Mile Stamp asked timidly.

It was the first time anyone in the saloon had mentioned what had happened.

‘Yes, only a very good quality scalpel produces such a clean incision,’ Truffo replied angrily. ‘I inspected the body. Someone obviously grabbed Sweetchild from behind, put one hand over his mouth and slit his throat with the other. The wall of the corridor is splattered with blood, just above the height of a man.

That’s because his head was pulled back …’

‘No great strength would have been required, then?’ asked the Russian. ‘The element of surprise would have b-been enough?’

The doctor gave a despondent shrug.

‘I don’t know, monsieur. I’ve never tried it.’

Aha, at last! The door half-opened and the inspector’s bony features appeared in the gap. The inspector beckoned to the commissioner, who grunted with the effort of hoisting himself out of the armchair.

There was a pleasant surprise waiting for the commissioner in the corridor. Everything had worked out quite splendidly! A thorough job, efficient and elegant. Solid enough to bring the jury in straight away, no lawyer would ever demolish evidence like that. Good old papa Gauche, he could still give any young whippersnapper a hundred points’ start. And well done Jackson for his hard work!

The four of them went back into the saloon together: the captain, Renier and Jackson, with Gauche bringing up the rear.

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