Jonathan Lethem - Motherless Brooklyn

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Motherless Brooklyn: краткое содержание, описание и аннотация

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Dagger Awards
Lionel Essrog, a.k.a. the Human Freakshow, is a victim of Tourette's syndrome (an uncontrollable urge to shout out nonsense, touch every surface in reach and stroke people. Local tough guy hires Lionel and other boys and grooms them to become the Minna Men, a detective-agency-cum-limo service.
“Under the guise of a detective novel, Lethem has written a more piercing tale of investigation, one revealing how the mind drives on its own ‘wheels within wheels.’ ”
– The New York Times Book Review
“Who but Jonathan Lethem would attempt a half-satirical cross between a literary novel and a hard-boiled crime story narrated by an amateur detective with Tourette’s syndrome?… The dialogue crackles with caustic hilarity… Jonathan Lethem is a verbal performance artist.”
– The Boston Globe
“Part detective novel and part literary fantasia, [Motherless Brooklyn] superbly balances beautiful writing and an engrossing plot.”
– The Wall Street Journal
“Intricately and satisfyingly plotted… Funny and dizzying and heart-breaking.”
– Luc Sante, Village Voice Literary Supplement
“A tour de force… With one unique and well-imagined character, Jonathan Lethem has turned a genre on its ear. He doesn’t just push the envelope, he gives it a swift kick.”
– The Denver Post
“Aside from being one of the most inventive writers on the planet, Lethem is also one of the funniest.”
– San Francisco examiner Chronicle
“In Essrog… Jonathan Lethem has fashioned a lovably strange man-child and filled his cross-wired mind with a brilliant, crashing, self-referential interior monologue that is at once laugh-out-loud funny, tender and in the honest service of a terrific story.”
– The Washington Post Book World
“A true risk-taker… Lethem uses a familiar genre as the backdrop for his own artistic flourishes.”
– The Hartford Courant
“Wildly inventive… Jonathan Lethem has a knack for pushing commonplace ideas to absurdly literal ends.”
– City Pages
“Marvelous… Motherless Brooklyn is, among other things, a tale of orphans, a satire of Zen in the city and a murder mystery.”
– Time Out New York
“Finding out whodunit is interesting enough, but it’s more fun watching Lethem unravel the mysteries of his Tourettic creation.”
– Time
“Wonderfully inventive, slightly absurdist… [Motherless Brooklyn] is funny and sly, clever, compelling and endearing.”
– USA Today
“Utterly original and deeply moving.”
– Esquire
“Motherless Brooklyn is a whodunit that’s serious fiction… Lethem is a sort of Stanley Kubrick figure… stopping off in flat genres to do multidimensional work, blasting their hoary conventions to bits.”
“A pure delight.”
– The New York Observer
“A detective story, a shrewd portrait of Brooklyn, a retold Oliver Twist and a story so baroquely voiced (the hero has Tourette’s syndrome) that Philip Marlowe would blush. And tip his fedora.”
– Newsweek
“Wildly imaginative.”
– Minneapolis Star Tribune
“Funny, delightfully complicated and so outrageously inventive that no pitch could do it justice.”
– Baltimore Sun
“A multi-layered novel that’s fast-paced, witty and touching… Prose diatpunches its way down the page, every word loaded with energy and ready to explode.”
– The Oregonian
“Compulsively readable… Genuinely entertaining… Improbably hilarious… Lethem is at his peak Nabokov-meets-Woody-Allen verbal frenzy.”
– Bookforum
“Most rewarding… Delightfully oddball.”
– The New Yorker
“Motherless Brooklyn is Lethem’s finest work yet-exciting, strange, original, hilarious, human and soulful.”
– The Memphis Commercial Appeal
“A staggering piece of writing… On the edge of genius… The accents, class distinctions, highways, neighborhoods, grocery stores, flavors, scents and, yes, car services in a certain corner of [Brooklyn] are made vividly tangible, arising from these pages as if scratch-and-sniffs were embedded in the margins.”
– San Jose Mercury News
“Imagine the opportunities to explore language that arise when the narrator of a novel has Tourette’s syndrome… Unforgettable.”
– Los Angeles Times

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Motherless Brooklyn - изображение 122

The huff of my own exhausted breath, pounding of blood in my ears, squall of a gull and shush of the surf below-all were overtaken by the squeal of the giant’s wheels: His Contour scaped into the restaurant lot just as I got my key into the ignition. His car barreled toward mine. The cliff was near enough that he might push me off. I revved into reverse and jerked my car backward out of his path and he skidded sideways to stop, nearly slamming into the nearest of the parked pickup trucks. I floored it and beat him back out of the lot, down onto Route 1, pointed south. The giant fell in right behind me. In my rearview I saw him bearing down, one hand on the wheel, the other gripping a gun.

Motherless Brooklyn - изображение 123

Minna and Tony-I’d let them both be gently escorted to their quiet murderings. Mine looked to be a little noisier.

Motherless Brooklyn - изображение 124

I screwed the steering wheel to the left, twitching myself off the highway toward the ferry dock. The giant wasn’t fooled. He hung right on my bumper, as if the red compact were as correspondingly huge as his body and could climb over or engulf my Tracer. I veered right and left, contacting the ragged edges of the paved road to the dock in some half-symbolic finger-wagging or shooing maneuver, trying to dislodge the giant from my tail, but he matched my every vehicular gesture, Contour on Tracer now. Pavement gave way to gravel and I ground braking and sliding to the right to avoid riding straight up onto the dock and into the water. Instead I steered for the ferry’s parking area, where Tony’s Pontiac still sat, where the gun he hadn’t gotten to use on the giant still waited under the driver’s seat.

Gottagettagun , screamed my brain, and my lips moved trying to keep up with the chant: Gottagettagun gottagettagun .

Gun Gun Gun Shoot!

I’d never fired a gun.

I broke through the entrance, snapping the flimsy gate back on its post. The giant’s car chewed on my bumper, the metal squeaking and sighing. Exactly how I would find breathing room enough to get out of my car and into Tony’s to lay hands on the gun remained to be seen. I curled past Tony’s car, to the left, opening a moment’s gap between me and my pursuer, and rode for the rock barrier. Shreds of the torn file still fluttered here and there in the wind. Maybe the giant would do me the favor of plummeting into the sea. Maybe he hadn’t gotten around to noticing it-since it was only the Atlantic it might not have been big enough to make an impression.

He caught me again as I turned the other way to avoid a swim myself, and veered with me around the outer perimeter of the lot. DON’T BACK UP! SEVERE TIRE DAMAGE! shouted the signs at the exit, warning of the one-way spikes meant to prevent free use of the lot. Well, I’d gotten around that one. The giant’s car made contact again, rammed me so we both slid off to the left, toward the exit, away from Tony’s car.

Suddenly inspired, I darted for the exit.

I hit the brake as hard as I could as I passed over the flexible spikes, came shrieking and skidding to a halt about a car’s length past the grate. The giant’s car smashed against my rear end so that my car was driven another couple of yards forward and I was slapped back against the seat, hard. I felt something in my neck click and tasted blood in my mouth.

The first blast was the giant’s air bag inflating. In my rearview I saw a white satin blob now filling the interior of the Contour.

The second blast was the giant’s gun firing as he panicked or his fingers clenched around the trigger in traumatic reflex. The glass of his windshield splintered. I don’t know where the shot went, but it found some target other than my body. I shifted into reverse and floored the gas pedal.

And plowed the giant’s car backward toward the spikes.

I heard his rear tires pop, then hiss. The giant’s rear end slumped, his tires lanced on the spikes.

For a moment I heard only the hiss of escaping air, then a gull screamed, and I made a sound to answer it, a scream of pain in the form of a birdcall.

I shook my head, glanced in the mirror. The giant’s air bag was sagging slowly, silently. Perhaps it had been pierced by the bullet. There wasn’t any sign of motion underneath.

I shifted into first, swerved forward and left, then reversed into the giant’s car again, crumpling the metal along the driver’s-side door, deforming the contour of the Contour, wrinkling it like foil, hearing it creak and groan at being reshaped.

I might have stopped then. I believed the giant was unconscious under the air bag. He was at least silent and still, not firing his gun, not struggling to free himself.

But I felt the wild call of symmetry: His car ought to be crumpled on both sides. I needed to maul both of the Contour’s shoulders. I rolled forward and into position, then backed and crashed against his car once more, wrecking it on the passenger side as I had on the driver’s.

It’s a Tourette’s thing-you wouldn’t understand.

Motherless Brooklyn - изображение 125

I moved the map and cell phone to Tony’s Pontiac. The keys were still in the ignition. I drove it out of the lot through the smashed entrance gate, and steered past the vacant ferry landing, up to Route 1. Apparently no one had heard the collisions or gunshot in the lot by the sea. Foible hadn’t even poked out of his shack.

Friendship Head was an outcropping on the coast twelve miles north of Musconguspoint Station. The lighthouse was painted red and white, no atrocity of Buddhist earth tones like the restaurant. I trusted that the Scientologists hadn’t gotten to it either. I parked the Pontiac as close to the water as I could and sat staring out for a while, feeling the place where I’d bitten my tongue slowly seal and testing out the damage to my neck. Free movement of my neck was crucial to my Tourettic career. I was like an athlete in that regard. But it felt like whiplash, nothing worse. I was chilled and tired, the replenishing effects of the lemongrass broth long since gone, and I could still feel my head throb in the place the giant had clubbed it twenty-four hours and a million years ago. But I was alive, and the water looked pretty good as the angle of the light grew steeper. I was half an hour early for my date with Julia.

I dialed the local police and told them about the sleeping giant they’d find back at the Muscongus Island ferry.

“He might be in bad shape but I think he’s still alive,” I told them. “You’ll probably need the Jaws of Life to pull him out.”

“Can you give us your name, sir?”

“No, I really can’t,” I said. They’d never know how true it was. “My name doesn’t matter. You’ll find the wallet of the man he killed in the water near the ferry. The body’s more likely to wash up on the island.”

Motherless Brooklyn - изображение 126

Is guilt a species of Tourette’s? Maybe. It has a touchy quality, I think, a hint of sweaty fingers. Guilt wants to cover all the bases, be everywhere at once, reach into the past to tweak, neaten, and repair. Guilt like Tourettic utterance flows uselessly, inelegantly from one helpless human to another, contemptuous of perimeters, doomed to be mistaken or refused on delivery.

Guilt, like Tourette’s, tries again, learns nothing.

And the guilty soul, like the Tourettic, wears a kind of clown face-the Smokey Robinson kind, with tear tracks underneath.

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