Jonathan Lethem - Motherless Brooklyn

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Motherless Brooklyn: краткое содержание, описание и аннотация

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Dagger Awards
Lionel Essrog, a.k.a. the Human Freakshow, is a victim of Tourette's syndrome (an uncontrollable urge to shout out nonsense, touch every surface in reach and stroke people. Local tough guy hires Lionel and other boys and grooms them to become the Minna Men, a detective-agency-cum-limo service.
“Under the guise of a detective novel, Lethem has written a more piercing tale of investigation, one revealing how the mind drives on its own ‘wheels within wheels.’ ”
– The New York Times Book Review
“Who but Jonathan Lethem would attempt a half-satirical cross between a literary novel and a hard-boiled crime story narrated by an amateur detective with Tourette’s syndrome?… The dialogue crackles with caustic hilarity… Jonathan Lethem is a verbal performance artist.”
– The Boston Globe
“Part detective novel and part literary fantasia, [Motherless Brooklyn] superbly balances beautiful writing and an engrossing plot.”
– The Wall Street Journal
“Intricately and satisfyingly plotted… Funny and dizzying and heart-breaking.”
– Luc Sante, Village Voice Literary Supplement
“A tour de force… With one unique and well-imagined character, Jonathan Lethem has turned a genre on its ear. He doesn’t just push the envelope, he gives it a swift kick.”
– The Denver Post
“Aside from being one of the most inventive writers on the planet, Lethem is also one of the funniest.”
– San Francisco examiner Chronicle
“In Essrog… Jonathan Lethem has fashioned a lovably strange man-child and filled his cross-wired mind with a brilliant, crashing, self-referential interior monologue that is at once laugh-out-loud funny, tender and in the honest service of a terrific story.”
– The Washington Post Book World
“A true risk-taker… Lethem uses a familiar genre as the backdrop for his own artistic flourishes.”
– The Hartford Courant
“Wildly inventive… Jonathan Lethem has a knack for pushing commonplace ideas to absurdly literal ends.”
– City Pages
“Marvelous… Motherless Brooklyn is, among other things, a tale of orphans, a satire of Zen in the city and a murder mystery.”
– Time Out New York
“Finding out whodunit is interesting enough, but it’s more fun watching Lethem unravel the mysteries of his Tourettic creation.”
– Time
“Wonderfully inventive, slightly absurdist… [Motherless Brooklyn] is funny and sly, clever, compelling and endearing.”
– USA Today
“Utterly original and deeply moving.”
– Esquire
“Motherless Brooklyn is a whodunit that’s serious fiction… Lethem is a sort of Stanley Kubrick figure… stopping off in flat genres to do multidimensional work, blasting their hoary conventions to bits.”
“A pure delight.”
– The New York Observer
“A detective story, a shrewd portrait of Brooklyn, a retold Oliver Twist and a story so baroquely voiced (the hero has Tourette’s syndrome) that Philip Marlowe would blush. And tip his fedora.”
– Newsweek
“Wildly imaginative.”
– Minneapolis Star Tribune
“Funny, delightfully complicated and so outrageously inventive that no pitch could do it justice.”
– Baltimore Sun
“A multi-layered novel that’s fast-paced, witty and touching… Prose diatpunches its way down the page, every word loaded with energy and ready to explode.”
– The Oregonian
“Compulsively readable… Genuinely entertaining… Improbably hilarious… Lethem is at his peak Nabokov-meets-Woody-Allen verbal frenzy.”
– Bookforum
“Most rewarding… Delightfully oddball.”
– The New Yorker
“Motherless Brooklyn is Lethem’s finest work yet-exciting, strange, original, hilarious, human and soulful.”
– The Memphis Commercial Appeal
“A staggering piece of writing… On the edge of genius… The accents, class distinctions, highways, neighborhoods, grocery stores, flavors, scents and, yes, car services in a certain corner of [Brooklyn] are made vividly tangible, arising from these pages as if scratch-and-sniffs were embedded in the margins.”
– San Jose Mercury News
“Imagine the opportunities to explore language that arise when the narrator of a novel has Tourette’s syndrome… Unforgettable.”
– Los Angeles Times

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The older brother in the meantime had grown distant from them both, and more deeply and sincerely involved in Zen practice. In the manner of so many spiritual practitioners past and present he seemed to draw away from the world of material concerns, to grow tolerant and wry but also a little chilly in his regard for the people and things he’d left behind.

When the younger brother and the girl were away from the retreat center they’d refer to the older brother as “Rama-lama-ding-dong.” Before too long they even began to call him that to his face.

One day the younger brother tried to telephone his mother and found that she’d been taken to the hospital. He conferred with his older brother; the girl overheard some of their bitter, fearful conversations. The older brother was persuaded that their mother’s hospitalization had been arranged as a trap to lure them back to Brooklyn for their punishment. The younger disagreed. The next day he bought a car and loaded it with his belongings, and announced he was going back to the city. He invited the girl to join him, though he warned her of the possible danger.

She considered her life at the retreat, which had grown as close and predictable around her as an island, and she considered the younger brother and the prospect of Brooklyn, his Brooklyn, of living there by his side. She agreed to leave Maine.

On the way they were married in Albany, by a justice of the peace at the state capital. The younger brother wanted to surprise and please his mother, and perhaps also wished to offer some excuse for his long disappearance. He took the girl shopping for clothes in Manhattan before they crossed the famous bridge into Brooklyn, and then, as an afterthought, he brought her to a salon on Montague Street, where they bleached her dark hair to platinum blond. It was as though she were the one who should be in disguise here.

The mother’s sickness wasn’t a trap. She was dead of a stroke by the time the younger brother and his new wife reached the hospital. But it was also true that the mobsters were aware of everything that happened in the neighborhood and were watching the hospital closely. When the younger brother was spotted there, it wasn’t long before he was brought in to answer for his and his brother’s misdeeds.

He begged for his life. He explained that he’d just gotten married.

He also blamed his brother for the crimes they’d both committed. He claimed to have lost touch with his brother completely.

He ende by promising to spend his life in service as the gangsters’ errand boy.

On that condition his apology was accepted by the gangsters. They permitted him to live, though they swore again a vow of death against the older brother, and made the younger promise that he’d turn his brother in if and when he reappeared.

The younger brother moved his new wife into his mother’s old apartment and the woman from Nantucket began her adjustment to life in Brooklyn. What she encountered was first intoxicating and frightening, then disenchanting. Her husband was a small-time operator, his “agents,” as he called them, a motley gang of high-school-dropout orphans. For a while he installed her as a secretary in a friend’s law office, where she worked as a notary public, humiliatingly on view in a shop window out on Court Street. When she protested, he allowed her to recede into privacy in the apartment. The old gangsters paid the couple’s rent anyway, and most of the younger brother’s detective work was on their behalf. The woman from Nantucket didn’t like what passed for detective work in Brooklyn. She wished he genuinely ran a car service. Their married life was chilly and glancing, full of unexplained absences and omissions, no walk on the beach. In time she began to understand that there were other women, too, old high-school girlfriends and distant cousins who’d never left the neighborhood and never really been very far from the younger brother’s bed either.

The woman from Nantucket survived, found occasional lovers herself, and spent most of her days in the movie theaters on Court and Henry streets, shopping in Brooklyn Heights, drinking in the hotel lobbies there and then taking slow walks on the Promenade, where she fended off an endless series of advances from college boys and lunch-hour husbands, spent her days any way except musing on the serene rural life she’d left behind in Maine, the faint uncontroversial satisfactions she’d known before she’d met the two brothers and been taken to Brooklyn.

One day the younger brother told his wife a dire secret, which she had to be sure to keep from leaking to anyone in Brooklyn, lest it reach the ears of the gangsters: The older brother had returned to New York City. He’d declared himself a roshi, an elder teacher of Zen, and started a Zendo on the Upper East Side of Manhattan, in Yorkville. This Yorkville Zendo was subsidized by a powerful group of Japanese businessmen he’d met in Maine, where they’d taken over and renovated top to bottom the homely Zen center and the lobster pound next door: the Fujisaki Corporation.

The men of Fujisaki were highly spiritual, but had found themselves in disrepute in their native country, where monkhood is reserved only for those born into certain esteemed bloodlines, and where capitalistic rapaciousness and spiritual devotion are viewed as mutually exclusive. Money and power, it seemed, couldn’t buy Fujisaki the precise sort of respect its members craved at home. Here, first in Maine, now in New York City, they would make themselves credible as penitents and teachers, men of wisdom and peace. In the process, as the older brother explained to the younger, the younger then to his wife, the men of Fujisaki and the older brother hoped to do a little “business.” New York City: land of opportunity for monks and crooks and mooks alike.

Motherless Brooklyn - изображение 129

We stood at the rail at the sea edge of the lighthouse tfaint unclooking out. The wind was still strong, but I was used to it now. I had my collar up, the way Frank Minna would. The sky out past the island was gray and uninspiring, but there was a nice line of light where it met the water, an edge I could work with my eyes like a seam of stitching between my fingers. The birds harassed the foam below, looking for urchin, perhaps, or discarded hot-dog ends among the rocks.

I had Tony’s gun in my jacket, and from this vantage we could see for miles down Route 1 in both directions should anyone approach. I had a strong urge to protect Julia, to hold her or cover her with my presence, so as to feel that I’d helped someone safely through besides myself. But I doubted that the Fujisaki Corporation cared about me or Julia directly. She and I each had been part of Gerard Minna’s problem, not Fujisaki’s. And Julia showed no interest in my protective urges.

“I know what happened next,” I told her. “Eventually the brothers dipped into the till again. Frank got involved in a scam to siphon money away from Fujisaki’s management company.” That part of what Gerard told me wasn’t a lie, I understood now, just an artfully mangled version of the truth. Gerard had been leaving himself out of it, playing the Zen innocent, when in fact he was the wheel’s hub. “With a bookkeeper named- Dullbody, Allmoney, Alimony -ah, a guy named Ullman.”

“Yes,” said Julia.

She’d been talking in a kind of trance, not needing me to prompt her more than once in a while. As the narrative got nearer the present day her eyes grew clearer, her gaze less transfixed on the distant island, and her voice grew heavier with resentment. I felt I was losing her to bitterness, and I wanted to draw her back. Protect her from herself if there was no other threat.

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