Jonathan Lethem - Motherless Brooklyn

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Dagger Awards
Lionel Essrog, a.k.a. the Human Freakshow, is a victim of Tourette's syndrome (an uncontrollable urge to shout out nonsense, touch every surface in reach and stroke people. Local tough guy hires Lionel and other boys and grooms them to become the Minna Men, a detective-agency-cum-limo service.
“Under the guise of a detective novel, Lethem has written a more piercing tale of investigation, one revealing how the mind drives on its own ‘wheels within wheels.’ ”
– The New York Times Book Review
“Who but Jonathan Lethem would attempt a half-satirical cross between a literary novel and a hard-boiled crime story narrated by an amateur detective with Tourette’s syndrome?… The dialogue crackles with caustic hilarity… Jonathan Lethem is a verbal performance artist.”
– The Boston Globe
“Part detective novel and part literary fantasia, [Motherless Brooklyn] superbly balances beautiful writing and an engrossing plot.”
– The Wall Street Journal
“Intricately and satisfyingly plotted… Funny and dizzying and heart-breaking.”
– Luc Sante, Village Voice Literary Supplement
“A tour de force… With one unique and well-imagined character, Jonathan Lethem has turned a genre on its ear. He doesn’t just push the envelope, he gives it a swift kick.”
– The Denver Post
“Aside from being one of the most inventive writers on the planet, Lethem is also one of the funniest.”
– San Francisco examiner Chronicle
“In Essrog… Jonathan Lethem has fashioned a lovably strange man-child and filled his cross-wired mind with a brilliant, crashing, self-referential interior monologue that is at once laugh-out-loud funny, tender and in the honest service of a terrific story.”
– The Washington Post Book World
“A true risk-taker… Lethem uses a familiar genre as the backdrop for his own artistic flourishes.”
– The Hartford Courant
“Wildly inventive… Jonathan Lethem has a knack for pushing commonplace ideas to absurdly literal ends.”
– City Pages
“Marvelous… Motherless Brooklyn is, among other things, a tale of orphans, a satire of Zen in the city and a murder mystery.”
– Time Out New York
“Finding out whodunit is interesting enough, but it’s more fun watching Lethem unravel the mysteries of his Tourettic creation.”
– Time
“Wonderfully inventive, slightly absurdist… [Motherless Brooklyn] is funny and sly, clever, compelling and endearing.”
– USA Today
“Utterly original and deeply moving.”
– Esquire
“Motherless Brooklyn is a whodunit that’s serious fiction… Lethem is a sort of Stanley Kubrick figure… stopping off in flat genres to do multidimensional work, blasting their hoary conventions to bits.”
“A pure delight.”
– The New York Observer
“A detective story, a shrewd portrait of Brooklyn, a retold Oliver Twist and a story so baroquely voiced (the hero has Tourette’s syndrome) that Philip Marlowe would blush. And tip his fedora.”
– Newsweek
“Wildly imaginative.”
– Minneapolis Star Tribune
“Funny, delightfully complicated and so outrageously inventive that no pitch could do it justice.”
– Baltimore Sun
“A multi-layered novel that’s fast-paced, witty and touching… Prose diatpunches its way down the page, every word loaded with energy and ready to explode.”
– The Oregonian
“Compulsively readable… Genuinely entertaining… Improbably hilarious… Lethem is at his peak Nabokov-meets-Woody-Allen verbal frenzy.”
– Bookforum
“Most rewarding… Delightfully oddball.”
– The New Yorker
“Motherless Brooklyn is Lethem’s finest work yet-exciting, strange, original, hilarious, human and soulful.”
– The Memphis Commercial Appeal
“A staggering piece of writing… On the edge of genius… The accents, class distinctions, highways, neighborhoods, grocery stores, flavors, scents and, yes, car services in a certain corner of [Brooklyn] are made vividly tangible, arising from these pages as if scratch-and-sniffs were embedded in the margins.”
– San Jose Mercury News
“Imagine the opportunities to explore language that arise when the narrator of a novel has Tourette’s syndrome… Unforgettable.”
– Los Angeles Times

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Motherless Brooklyn - изображение 136

The next call that came in that night was a pickup on Hoyt Street for a trip out to Kennedy Airport. It was Loomis who took the call, and he grimaced exaggeratedly when he offered it to the three of us, knowing that according to L &L lore JFK was an exasperating destination. I put up my hand and said I’d take it, just to deny him the point.

For another reason, too. There was a snack I had a hankering for. At the International Terminal at Kennedy, upstairs by the El Al gates, is a single kosher-food stand called Mushy’s, run by a family of Israelis, with sauce-spattered metal tins full of stewig kasha and gravy and handmade knishes, a place utterly unlike the chain restaurants elsewhere in the terminal. Anytime I took a passenger out to the airport, night or day, I’d park the car and slip up to Mushy’s for a bite. Their chicken shwarma, carved fresh off the roasting pin, stuffed into a pita and slathered in grilled peppers, onions and tahini is one of the great secret sandwiches of New York, redemption for a whole soulless airport. Permit me to recommend it if you’re ever out that way.

Kimmery and lemongrass broth hadn’t ruined my taste for the finer things.

Motherless Brooklyn - изображение 137

The ghosts I felt sorriest for weren’t the dead ones. I’d imagined Frank and Tony were mine to protect, but I’d been wrong. I knew it now.

It was Julia I couldn’t shrug off, though she was hardly more mine than the others, though she’d barely recognized my human existence. Still, my tic of guilt took the form of her shape, standing in the wind on the lighthouse rail, standing still in a mist of bullets and shoes and salt air and my saliva, like the cursed icon from a black-and-white-movie poster she’d resembled when first glimpsed so long ago, or perhaps a figure of Zen contemplation, a mark of ink brushwork on a scroll. But I didn’t try to find Julia-simple as it would have been, I knew better than that. Instead I let my obsessive instinct get to work tracing that figure, waiting for it to turn abstract and disappear. Sooner or later it would.

That left who? Only Ullman. I know he haunts this story, but he never came into view, did he? The world (my brain) is too full of dull men, dead men, Ullmen. Some ghosts never even get into your house they are so busy howling at the windows. Or as Minna would say, you pick your battles-and you do, whether you subscribe to that view or not, you really do. I can’t feel guilty about every last body. Ullman? Never met the guy. Just like Bailey. They were just guys I never happened to meet. To the both of them and to you I say: Put an egg in your shoe, and beat it. Make like a tree, and leave. Tell your story walking.

ACKNOWLEDGMENTS

I’m deeply indebted to the books of Lawrence Shainberg, Kosho Uchiyma, and Oliver Sacks, the words of Tuli Kupferberg, and to conversations with Blake Lethem, Cara O’Connor, David Bowman, Eliot Duhan, Matthew Burkhardt, Scott McCrossin, Janet Farrell, Diane Martel, Alice Ressner, and Maureen Linker and the Linker family.

Thanks also to Richard Parks, Bill Thomas, Walter Donohue, Zoe Rosenfeld, Tooley Cottage, the Zentrum für Kunst und Medientechnologie (ZKM) and the Corporation of Yaddo.

The name Saint Vincent’s is here used fictionally and is in no way meant to impugn the venerable charitable institution nor the venerated saint of the same name.

About the Author

Jonathan Lethem is the author of six novels including the bestsellers The - фото 138

Jonathan Lethem is the author of six novels, including the bestsellers The Fortress of Solitude , which was a New York Times Book Review Editors’ Choice for one of the best books of 2003, and Motherless Brooklyn , which won the National Book Critics Circle Award and was named novel of the year by Esquire . His stories and essays have appeared in The New Yorker, Rolling Stone, Esquire, McSweeney’s, Tin House, The New York Times , the Paris Review , and a variety of other periodicals and anthologies. He lives in Brooklyn, New York, and in Maine.

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Motherless Brooklyn - фото 139
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