Jonathan Lethem - Motherless Brooklyn

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Motherless Brooklyn: краткое содержание, описание и аннотация

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Dagger Awards
Lionel Essrog, a.k.a. the Human Freakshow, is a victim of Tourette's syndrome (an uncontrollable urge to shout out nonsense, touch every surface in reach and stroke people. Local tough guy hires Lionel and other boys and grooms them to become the Minna Men, a detective-agency-cum-limo service.
“Under the guise of a detective novel, Lethem has written a more piercing tale of investigation, one revealing how the mind drives on its own ‘wheels within wheels.’ ”
– The New York Times Book Review
“Who but Jonathan Lethem would attempt a half-satirical cross between a literary novel and a hard-boiled crime story narrated by an amateur detective with Tourette’s syndrome?… The dialogue crackles with caustic hilarity… Jonathan Lethem is a verbal performance artist.”
– The Boston Globe
“Part detective novel and part literary fantasia, [Motherless Brooklyn] superbly balances beautiful writing and an engrossing plot.”
– The Wall Street Journal
“Intricately and satisfyingly plotted… Funny and dizzying and heart-breaking.”
– Luc Sante, Village Voice Literary Supplement
“A tour de force… With one unique and well-imagined character, Jonathan Lethem has turned a genre on its ear. He doesn’t just push the envelope, he gives it a swift kick.”
– The Denver Post
“Aside from being one of the most inventive writers on the planet, Lethem is also one of the funniest.”
– San Francisco examiner Chronicle
“In Essrog… Jonathan Lethem has fashioned a lovably strange man-child and filled his cross-wired mind with a brilliant, crashing, self-referential interior monologue that is at once laugh-out-loud funny, tender and in the honest service of a terrific story.”
– The Washington Post Book World
“A true risk-taker… Lethem uses a familiar genre as the backdrop for his own artistic flourishes.”
– The Hartford Courant
“Wildly inventive… Jonathan Lethem has a knack for pushing commonplace ideas to absurdly literal ends.”
– City Pages
“Marvelous… Motherless Brooklyn is, among other things, a tale of orphans, a satire of Zen in the city and a murder mystery.”
– Time Out New York
“Finding out whodunit is interesting enough, but it’s more fun watching Lethem unravel the mysteries of his Tourettic creation.”
– Time
“Wonderfully inventive, slightly absurdist… [Motherless Brooklyn] is funny and sly, clever, compelling and endearing.”
– USA Today
“Utterly original and deeply moving.”
– Esquire
“Motherless Brooklyn is a whodunit that’s serious fiction… Lethem is a sort of Stanley Kubrick figure… stopping off in flat genres to do multidimensional work, blasting their hoary conventions to bits.”
“A pure delight.”
– The New York Observer
“A detective story, a shrewd portrait of Brooklyn, a retold Oliver Twist and a story so baroquely voiced (the hero has Tourette’s syndrome) that Philip Marlowe would blush. And tip his fedora.”
– Newsweek
“Wildly imaginative.”
– Minneapolis Star Tribune
“Funny, delightfully complicated and so outrageously inventive that no pitch could do it justice.”
– Baltimore Sun
“A multi-layered novel that’s fast-paced, witty and touching… Prose diatpunches its way down the page, every word loaded with energy and ready to explode.”
– The Oregonian
“Compulsively readable… Genuinely entertaining… Improbably hilarious… Lethem is at his peak Nabokov-meets-Woody-Allen verbal frenzy.”
– Bookforum
“Most rewarding… Delightfully oddball.”
– The New Yorker
“Motherless Brooklyn is Lethem’s finest work yet-exciting, strange, original, hilarious, human and soulful.”
– The Memphis Commercial Appeal
“A staggering piece of writing… On the edge of genius… The accents, class distinctions, highways, neighborhoods, grocery stores, flavors, scents and, yes, car services in a certain corner of [Brooklyn] are made vividly tangible, arising from these pages as if scratch-and-sniffs were embedded in the margins.”
– San Jose Mercury News
“Imagine the opportunities to explore language that arise when the narrator of a novel has Tourette’s syndrome… Unforgettable.”
– Los Angeles Times

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I put the Tracer in the restaurant lot, up on the hill overlooking the water, the fishing dock, and the ferry landing below. It was alone there except for two pickup trucks in staff spots. Yoshii’s hours were painted on the door: seating for lunch began at twelve-thirty, which was twenty minutes from now. I didn’t see any sign of Tony or the giant or anyone else, but I didn’t want to sit in the lot and wait like a fool with a target painted on his back. An edge, that’s what I was after.

Edgerog, 33, seeks Edge .

I got out of the car. First surprise: the cold. A wind that hurt my ears instantly. The air smelled like a thunderstorm but there wasn’t a cloud in the sky. I went over the barrier of logs at the corner of the parking lot and clambered down the grade toward the water, under the shade of the jutting deck of the restaurant. Once I’d dipped out of sight of the road and buildings, I undid my fly and peed on the rocks, amusing my compulsiveness by staining one whole boulder a deeper gray, albeit only temporarily. It was as I zipped onlurned to see the ocean that the vertigo hit me. I’d found an edge, all right. Waves, sky, trees, Essrog-I was off the page now, away from the grammar of skyscrapers and pavement. I experienced it precisely as a loss of language, a great sucking-away of the word-laden walls that I needed around me, that I touched everywhere, leaned on for support, cribbed from when I ticced aloud. Those walls of language had always been in place, I understood now, audible to me until the sky in Maine deafened them with a shout of silence. I staggered, put one hand on the rocks to steady myself. I needed to reply in some new tongue, to find a way to assert a self that had become tenuous, shrunk to a shred of Brooklyn stumbling on the coastal void: Orphan meets ocean. Jerk evaporates in salt mist.

“Freakshow!” I yelled into the swirling foam. It was lost.

“Bailey!” vanished too.

“Eat me! Dickweed!”

Nothing. What did I expect-Frank Minna to come rising from the sea?

“Essrog!” I screamed. I thought of Murray Essrog and his wife. They were Brooklyn Essrogs, like me. Had they ever come to this edge to meet the sky? Or was I the first Essrog to put a footprint on the crust of Maine?

“I claim this big water for Essrog!” I shouted.

I was a freak of nature .

Motherless Brooklyn - изображение 114

Back on the dry land of the parking lot, I straightened my jacket and peered around to see if anyone had overheard my outburst. The nearest activity was at the base of the fishing docks below, where a small boat had come in and tiny figures in Devo-style yellow jumpsuits stood handing blue plastic crates over the prow and onto a pallet on the dock. I locked the car and strolled across to the other end of the empty lot, then scooted down the scrubby hill toward the men and boats, half sliding on my pavement-walker’s leather soles, wind biting at my nose and chin. The restaurant and retreat center were eclipsed by the swell of the hill as I reached the dock.

“Hey!”

I got the attention of one of the men on the dock. He turned with his crate and plopped it on the pile, then stood hands on hips waiting for me to reach him. As I got closer, I examined the boat. The blue cartons were sealed, but the boatmen hefted them as though they were heavy with something, and with enough care to make me know the something was valuable. The deck of the boat held racks covered with diving equipment-rubber suits, flippers, and masks, and a pile of tanks for breathing underwater.

“Boy, it’s cold,” I said, scuffing my hands together like a sports fan. “Tough day to go boating, huh?”

The boatman’s eyebrows and two-day beard were bright red, but not brighter than his sun-scrubbed flesh, everywhere it showed: cheeks, nose, ears and the corroded knuckles he rubbed under his chin now as he tried to work out a response.

I heard and felt the boat’s body clunking as it bobbed against the pier. My thoughts wandered to the underwaterropellers, whirring silently in the water. If I were closer to the water I’d want to reach in and touch the propeller, it was so stimulating to my kinesthetic obsessions. “Tugboat! Forgettaboat!” I ticced, and jerked my neck, to hurl the syllables sideways into the wind.

“You’re not from around here, are you?” he said carefully. I’d expected his voice to come out like Yosemite Sam’s or Popeye’s, scabrous and sputtering. Instead he was so stolid and patrimonial with his New England accent- Ya nawt from around heah, ah you? -that I was left with no doubt which of us resembled the cartoon character.

“No, actually.” I affected a bright look- Illuminate me, sir, for I am a stranger in these exotic parts! It seemed as likely he’d shove me off the dock into the water or simply turn away as continue the conversation. I straightened my suit again, fingered my own collar so I wouldn’t be tempted to finger his fluorescent hood, to crimp its Velcro edge like the rim of a piecrust.

He examined me carefully. “Urchin season runs October through March. It’s cold work. Day like today is a walk in the park.”

“Urchin?” I said, feeling as I said it that I’d ticced, that the word was itself a tic by definition, it was so innately twitchy. It would have made a good pronunciation for The Artist Formerly Known As Prince’s glyph.

“These are urchin waters out around the island. That’s the market, so that’s what’s fished.”

“Right,” I said. “Well, that’s terrific. Keep it up. You know anything about the place up the hill-Yoshii’s?”

“Probably you want to talk to Mr. Foible.” He nodded his head at the fishing dock’s small shack, from the smokestack of which piped a tiny plume of smoke. “He’s the one does dealings with them Japanese. I’m just a bayman.”

“Eatmebayman! -thanks for your help.” I smiled and tipped an imaginary cap to him, and headed for the shack. He shrugged at me and received another carton off the boat.

Motherless Brooklyn - изображение 115

“How can I help you, sir?”

Foible was red too, but in a different way. His cheeks and nose and even his brow were spiderwebbed with blossoming red veins, painful to look at. His eyes too showed veins through their yellow. As Minna used to say about the St. Mary’s parish priest, Foible had a thirsty face . Right on the wooden counter where he sat in the shack was evidence of what the face was thirsty for: a cluster of empty long-neck beer bottles and a couple of gin quarts, one still with an inch or so to cover the bottom. A coil heater glowed under the countertop, and when I stepped inside, he nodded at the heater and the door to indicate I should shut the door behind me. Besides Foible and his heater and bottles the shack held a scarred wooden file cabinet and a few boxes of what I guessed might be hardware and fishing tackle beneath their layers of grease. In my two-day suit and stubble I was the freshest thing in the place by far.

ght=”0em” width=”1em” align=”justify”›I could see this called for the oldest investigatory technique of them all: I opened my wallet and took out a twenty. “I’d buy a guy a drink if he could tell me a few things about the Japanese,” I said.

“What about ’em?” His milky eyes made intimate contact with the twenty, worked their way back up to meet mine.

“I’m interested in the restaurant up the hill. Who owns it, specifically.”

“Why?”

“What if I said I wanted to buy it?” I winked and gritted through a barking tic, cut it down to a momentary “- charp!”

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