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Elizabeth George: I, Richard

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Elizabeth George I, Richard

I, Richard: краткое содержание, описание и аннотация

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A collection of stories This volume contains three revised versions of Elizabeth George's short stories which were originally published under the title 'The Evidence Exposed'. Here there are also two new stories and an introduction by the author to all five stories of human weakness.

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Cleve Houghton said to him, “Heart failure. I've seen them go like this before,” but while Lynley nodded, he made no reply. Instead he examined the remains of the trail mix that dribbled from Ralph's fingers onto the floor. When he looked up, it was not at Cleve but rather at the departing group. And he looked at them with serious speculation because it was more than clear to the country-born Thomas Lynley if to no one else at the moment that Ralph Tucker had been murdered.

While Noreen Tucker sank weeping into a priceless Chippendale chair and Helen Clyde went to her and put a comforting hand upon her shoulder, the door closed behind the tour group and within moments they were being asked to admire the drawing room, especially the pendant plasterwork of its remarkable ceiling. It was called the King Edward Drawing Room, their much-subdued guide told them, its name taken from the statue of Edward IV that stood over the mantelpiece. It was a three-quarter-size statue, she explained, not life-size, for unlike most men of his time, Edward IV was well over six feet tall. In fact, when he rode into London on the twenty-sixth of February in 1460…

Frankly, no one could believe that the young woman was going on. There was something indecent about being asked to admire chandeliers, flocked wallpaper, eighteenth-century furniture, Chinese vases, and a French chimneypiece in the face of Ralph Tucker's death. No matter that the man was essentially no one to any of them. He was still dead and out of respect for his passing, they might have abandoned the rest of the tour.

So everyone was restless and uneasy. The air was close. Composure seemed brittle. When Cleve Houghton finally rejoined them in the winter dining room with the news that Ralph Tucker's body had been taken away, he passed along the information that Thomas Lynley had also put out a call for the local police.

“Police?” Emily Guy whispered, horrified by the implication.

The word quickly swept through the rest of the company. The students of the History of British Architecture class began eyeing each other with grave suspicion.

Everyone knew it had to be the trail mix. The difficulty was the same for all of them, however: No one could root out the answer to the pressing question of why anyone on earth or anywhere else would want to murder Ralph Tucker. Noreen Tucker, yes. She'd stuck her nose into everyone else's business from day one, and she was certainly the least likely among them to win the Congeniality Award. Or perhaps Sam Cleary, done in by his wife for stepping outside the vows of marriage one time too many for her liking. Or even Frances herself, eliminated by Sam to give him a clear shot at Something More with Polly Simpson. But Ralph? No. It didn't make sense.

Everyone's thoughts thus went in the same general direction. It was when they ended up with Polly Simpson that several individuals remembered a terrible but significant detail: Polly too had eaten from Ralph Tucker's trail mix and not for the first time, as a matter of fact. For hadn't she also dipped into it on their very first outing when Ralph, in a moment of bonhomie that was not repeated, generously offered the mix round the tour coach in place of afternoon tea on their way back to Cambridge after a long day looking at properties in Norfolk? Yes, she had. She alone certainly had. So it was possible that she had been fingered for murder, with Ralph Tucker merely an unfortunate casualty who'd had to be done away with as well.

This made more than one person watch Polly with some concern, waiting for the least sign that she too was about to collapse from whatever it was that had taken Ralph from them. Someone even quietly suggested that she might want to retire to a lavatory and do what she could to upchuck just in case. But Polly, who didn't seem to understand the implication being made, merely grimaced at the suggestion and went on taking her pictures, albeit noticeably subdued from her usual ebullience.

Death by trail mix naturally brought up the question of poison in people's minds. And that made people ask themselves how someone was supposed to get a poison in Cambridge. You couldn't just walk into the local pharmacy and ask for something fast-acting, untraceable, and non-messy. So it stood to reason that the poison in question had been brought from home. And that led people into thinking more seriously about Noreen Tucker and whether her devotion to dear Ralph was all that it seemed.

The group was in the library when Thomas Lynley and his lady rejoined them, with Lynley running his speculative gaze over everyone in the room. His companion did much the same, having been brought into the picture while poor Ralph was being loaded into the ambulance. They separated and took up positions in different parts of the crowd. Neither of them paid the slightest attention to what the guide was saying. Instead they gave their full attention to the visitors to Abinger Manor.

From the library they went into the chapel, accompanied by the sounds of their own footsteps, the echoing voice of the guide, the occasional snapping of cameras. Lynley moved through the group, saying nothing to anyone save his companion, with whom he spoke a few words at the door. Again they separated.

From the chapel they went to the armory. From there into the billiard room. From there into the music room. From there, they traipsed down two flights of stairs and went into the kitchen. The buttery beyond it had been turned into a gift shop, and the Germans made for this as the Americans did likewise. It was at this moment that Lynley spoke.

“If I might see everyone together,” he said as they began to scatter. “If you'll just stay here in the kitchen for a moment.”

Mild protests rose from the German group. The Americans said nothing.

“We've a problem to consider, I'm afraid,” Lynley said, “with regard to Mr. Tucker's death.”

“Problem?” Sam Cleary asked the question as others chimed in with “What's going on?” and “What do you want with us?”

“It was heart failure,” Cleve Houghton asserted. “I've seen enough of that to tell you-”

“As have I,” a heavily accented voice put in. The remark came from a member of the German party, and he looked none too pleased that their tour was once again being disrupted. “I am a doctor. I, too, have seen heart failure. I know what I see.”

This begged the question, naturally, of why the man hadn't done something to help out during the crisis, but no one mentioned that fact. Instead, Thomas Lynley extended his hand. In his palm lay half a dozen seeds. “It looks like heart failure,” he explained. “That's what an alkaloid does. It paralyzes the heart in a matter of minutes. These are yew, by the way.”

“Yew?” someone asked. “What was yew-”

“Those would be from the potpourri,” Victoria Wilder-Scott pointed out. “It spilled all over the carpet when Mr. Tucker fell.”

Lynley shook his head. “They were mixed in with the nuts in his hand,” he said. “And the bag he was carrying in his jacket was peppered with them. He was murdered, I'm afraid.”

So everyone's secret fears had been harped aright. And while some of them dwelled once more on the question of why Ralph Tucker had been murdered, the rest of them looked to the only person in the kitchen who would know beyond a doubt the potential harm contained in a bit of yew.

The Germans, in the meantime, were protesting heartily. The doctor led them. “You have no business with us,” he said. “That man was a stranger. I insist that we be allowed to leave.”

“Of course,” Thomas Lynley said. “I agree. And leave you shall, just as soon as we solve the problem of the silver.”

“What are you talking about?”

“It appears that one of you took the opportunity of the chaos in the gallery to remove two pieces of rococo silver from the table by the fireplace. They're milk jugs. Rather small, extremely ornate, and definitely missing. This isn't my jurisdiction, of course, but until the local police arrive to start their inquiries into Mr. Tucker's death, I'd like to take care of this small detail of the silver myself.” He could, of course, only too easily imagine what his aunt Augusta would have to say about the matter if he didn't take care of it.

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