Gabriel de Tarde - Underground Man

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This imperial orgy in bricks and mortar having unhappily occasioned the seventh, eighth, and ninth bankruptcy of the State and several consecutive inundations of paper-money, the people in general rejoiced to see after this brilliant reign the crown borne by a philosophical financier. Order had hardly been re-established in the finances, when he made his preparation for applying on a grand scale his ideal of government, which was of a highly remarkable nature. One was not long in noticing, in fact, after his accession, that all the newly chosen ladies of honour, who were otherwise very intelligent but entirely lacking in wit, were chiefly conspicuous for their striking ugliness; that the liveries of the court were of a grey and lifeless colour; that the court balls reproduced by instantaneous cinematography to the tune of millions of copies furnished a collection of the most honest and insignificant faces and unappetising forms that one could possibly see; that the candidates recently appointed, after a preliminary despatch of their portraits, to the highest dignities of the Empire, were pre-eminently distinguished by the commonness of their bearing; in short, that the races and the public holidays (the date of which were notified in advance by secret telegrams announcing the arrival of a cyclone from America), happened nine times out of ten to take place on a day of thick fog, or of pelting rain, which transformed them into an immense array of waterproofs and umbrellas. Alike in his legislative proposals, as in his appointments, the choice of the prince was always the following: the most useful and the best among the most unattractive. An insufferable sameness of colour, a depressing monotony, a sickening insipidity were the distinctive note of all the acts of the government. People laughed, grew excited, waxed indignant, and got used to it. The result was that at the end of a certain time it was impossible to meet an office-seeker or a politician, that is to say, an artist or literary man, out of his element and in search of the beautiful in an alien sphere, who did not turn his back on the pursuit of a government appointment in order to return to rhyming, sculpture and painting. And from that moment the following aphorism has won general acceptance, that the superiority of the politician is only mediocrity raised to its highest power.

This is the great benefit that we owe to this eminent monarch. The lofty purpose of his reign has been revealed by the posthumous publication of his memoirs. Of these writings with which we can so ill dispense, we have only left this fragment which is well calculated to make us regret the loss of the remainder: "Who is the true founder of Sociology? Auguste Comte? No, Menenius Agrippa. This great man understood that government is the stomach, not the head of the social organism. Now, the merit of a stomach is to be good and ugly, useful and repulsive to the eye, for if this indispensable organ were agreeable to look upon, it would be much to be feared that people would meddle with it and nature would not have taken such care to conceal and defend it. What sensible person prides himself on having a beautiful digestive apparatus, a lovely liver or elegant lungs? Such a pretension would, however, not be more ridiculous than the foible of cutting a great dash in politics. What wants cultivating is the substantial and the commonplace. My poor predecessors." … Here follows a blank; a little further on, we read: "The best government is that which holds to being so perfectly humdrum, regular, neuter, and even emasculated, that no one can henceforth get up any enthusiasm either for or against it."

Such was the last successor of Semiramis. On the re-discovered site of the Hanging-gardens he caused to be erected, at the expense of the State, a statue of Louis Philippe in wrought aluminium, in the middle of a public garden planted with common laurels and cauliflowers.

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