Toni Morrison - Tar Baby

“Goddamn,” he whispered. “Go-oddamn.”

Jadine said nothing, but she held on tight to the leashes. The look on his face made her smile. He examined the pictures closely, whispering “shit” and “goddamn” softly to himself at intervals.

“What does it say?” He put the magazine flat on the desk, turned at an angle so she could read and translate the text.

“Oh, it’s just stuff about me.” She leaned on the edge of the desk facing him and the magazine. “Where I went to school. Things like that.”

“Read it to me.”

Jadine leaned over and translated rapidly the important parts of the copy. “Mademoiselle Childs…graduate of the Sorbonne…an accomplished student of art history…a degree in…is an expert on cloisonné, having visited and worked with the Master Nape…. An American now living in Paris and Rome, where she had a small but brilliantly executed role in a film by…” She stopped. The man was tracing her blouse with his forefinger.

“This,” he said, lifting his finger from the picture to point at the caption beneath, “what does this say?”

“That’s just a description of the dress. Natural raw silk…honey-colored…”

“Right here it says ‘fast lane.’ What’s that about?”

“Oh, they’re trying to be hip. It says, ‘If you travel as Jade does in what the Americans call the fast lane, you need elegant but easy-to-pack frocks.’ Then it goes on about the jewelry.”

“What about the jewelry?” Now he traced the heaps of gold necklaces above the honey-colored silk.

“The total worth of it is—” she calculated quickly from francs into dollars—“thirty-two thousand dollars.”

“Thirty-two thousand?”

“Um-hm.”

“Shit. And the earrings? Do they talk about the earrings?” He was looking at a facing close-up of her, from the nose down to the first swell of her breasts, which featured earrings, a sculptured piece around her throat and again the wet and open lips.

“Lovely, aren’t they? Antiques. They belonged to Catherine the Great.”

“Catherine the Great. A queen, huh?”

“Empress. The Empress of all the Russias.”

“She give them to you?”

“Stupid! She’s been dead for almost two hundred years.”

“Oh, yeah?”

“Yeah.” She drew out the word and made it as flat and American as she could. But she was smiling at the same time.

“They must be worth a lot, then.”

“Quite a lot. Priceless.”

“Nothing’s priceless. Everything has a price.” He was tracing again, circling Catherine’s earrings with his forefinger. Jadine felt her earlobes prickle as she watched him.

“Well, half a million, certainly.”

“Half a million? Shit.”

“Don’t you have any other word to express awe?” She tilted her head and fastened her big minky eyes on him.

He nodded. “Goddamn.”

She laughed then, and for the first time there was no tension in it at all. He merely smiled and continued fingering the photograph. “Are these your clothes or did they just let you use them for the pictures?”

“They’re mine. Some were given to me after I was photographed. A kind of payment.”

“And the jewelry? They give you that too?”

“No. That was mine from before—except the earrings. They were on loan from the Russians. But the rest is part of my own collection.”

“Collection, huh?”

“Why? Are you a thief?”

“I wish I was. Be a lot easier for me if I could steal.”

“If? What do you call what you were doing in this house for days? Or were you planning to give Ondine back her chocolate?”

“You call that stealing?”

“You don’t.”

He shook his head. “No. I call it eating. If I wanted to steal I had plenty of time and plenty of opportunities.”

“But no way to escape with what you took. So maybe there was no point in stealing. Then.”

“You think there’s a point in my stealing now?”

“There might be. It depends on what you want from us.”

“Us? You call yourself ‘us’?”

“Of course. I live here.”

“But you…you’re not a member of the family. I mean you don’t belong to anybody here, do you?”

“I belong to me. But I live here. I work for Margaret Street. She and Valerian are my…patrons. Do you know what that means?”

“They take care of you. Feed you and all.”

“They educated me. Paid for my travel, my lodgings, my clothes, my schools. My mother died when I was twelve; my father when I was two. I’m an orphan. Sydney and Ondine are all the family I have, and Valerian did what nobody else even offered to do.”

The man was silent, still staring at the pictures. Jadine examined his profile and made sure the leather was knotted tightly around her wrists.

“Why don’t you look at me?” she asked him.

“I can’t,” he said.

“Why can’t you?”

“The pictures are easier. They don’t move.”

Jadine felt a flash of pity. “You want me to be still? Will you look at me if I’m still?”

He didn’t answer.

“Look,” she said. “I’m still. Very still.”

He lifted his head and looked at her. Her eyes were mink-colored just like in the pictures, and her lips were like the pictures too. Not moist, but open a little, the way they were in sleep. The way they were when he used to slip into her room and wait hours, hardly breathing himself, for the predawn light to bring her face out of the shadows and show him her sleeping mouth, and he had thought hard during those times in order to manipulate her dreams, to insert his own dreams into her so she would not wake or stir or turn over on her stomach but would lie still and dream steadily the dreams he wanted her to have about yellow houses with white doors which women opened and shouted Come on in, you honey you! and the fat black ladies in white dresses minding the pie table in the basement of the church and white wet sheets flapping on a line, and the sound of a six-string guitar plucked after supper while children scooped walnuts up off the ground and handed them to her. Oh, he thought hard, very hard during those times to press his dreams of icehouses into hers, and to keep her still and dreaming steadily so that when she woke finally she would long as she had longed for nothing in her life for the sound of a nickel nickelodeon, but after a while he began to smell like an animal in that room with her and he was afraid his smell would waken her before the sun did and before he could adjust his breath to hers and breathe into her open mouth his final dream of the men in magenta slacks who stood on corners under sky-blue skies and sang “If I Didn’t Care” like the Ink Spots, and he fought hard against the animal smell and fought hard to regulate his breathing to hers, but the animal smell got worse and her breathing was too light and shallow for his own lungs and the sun always eschewed a lingering dawn in that part of the world and strutted into the room like a gladiator so he barely had time to breathe into her the smell of tar and its shiny consistency before he crept away hoping that she would break wind or believe she had so the animal smell would not alarm her or disturb the dream he had placed there. But now she was not sleeping; now she was awake and even though she was being still he knew that at any moment she might talk back or, worse, press her dreams of gold and cloisonné and honey-colored silk into him and then who would mind the pie table in the basement of the church?

“How much?” he asked her. “Was it a lot?” His voice was quiet.

“What are you talking about? How much what?”

“Dick. That you had to suck, I mean to get all that gold and be in the movies. Or was it pussy? I guess for models it’s more pussy than cock.” He wanted to go on and ask her was it true what the black whores always said, but she was hitting him in the face and on the top of his head with a badly formed fist and calling him an ignorant motherfucker with the accent on the syllable ig .