Toni Morrison - Paradise

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Paradise: краткое содержание, описание и аннотация

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"They shoot the white girl first. With the rest they can take their time." So begins this visionary work from a storyteller. Toni Morrison's first novel since she was awarded the Nobel Prize for Literature, Paradise opens with a horrifying scene of mass violence and chronicles its genesis in an all-black small town in rural Oklahoma. Founded by the descendants of freed slaves and survivors in exodus from a hostile world, the patriarchal community of Ruby is built on righteousness, rigidly enforced moral law, and fear. But seventeen miles away, another group of exiles has gathered in a promised land of their own. And it is upon these women in flight from death and despair that nine male citizens of Ruby will lay their pain, their terror, and their murderous rage.
In prose that soars with the rhythms, grandeur, and tragic arc of an epic poem, Toni Morrison challenges our most fiercely held beliefs as she weaves folklore and history, memory and myth into an unforgettable meditation of race, religion, gender, and a far-off past that is ever present.

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Toni Morrison

Paradise

RUBY

They shoot the white girl first. With the rest they can take their time. No need to hurry out here. They are seventeen miles from a town which has ninety miles between it and any other. Hiding places will be plentiful in the Convent, but there is time and the day has just begun.

They are nine, over twice the number of the women they are obliged to stampede or kill and they have the paraphernalia for either requirement: rope, a palm leaf cross, handcuffs, Mace and sunglasses, along with clean, handsome guns.

They have never been this deep in the Convent. Some of them have parked Chevrolets near its porch to pick up a string of peppers or have gone into the kitchen for a gallon of barbecue sauce; but only a few have seen the halls, the chapel, the schoolroom, the bedrooms. Now they all will. And at last they will see the cellar and expose its filth to the light that is soon to scour the Oklahoma sky. Meantime they are startled by the clothes they are wearing-suddenly aware of being illdressed.

For at the dawn of a July day how could they have guessed the cold that is inside this place? Their T-shirts, work shirts and dashikis soak up cold like fever. Those who have worn work shoes are unnerved by the thunder of their steps on marble floors; those in Pro-Keds by the silence. Then there is the grandeur. Only the two who are wearing ties seem to belong here and one by one each is reminded that before it was a Convent, this house was an embezzler's folly. A mansion where bisque and rose-tone marble floors segue into teak ones. Isinglass holds yesterday's light and patterns walls that were stripped and whitewashed fifty years ago. The ornate bathroom fixtures, which sickened the nuns, were replaced with good plain spigots, but the princely tubs and sinks, which could not be inexpensively removed, remain coolly corrupt. The embezzler's joy that could be demolished was, particularly in the dining room, which the nuns converted to a schoolroom, where stilled Arapaho girls once sat and learned to forget.

Now armed men search rooms where macramT baskets float next to Flemish candelabra; where Christ and His mother glow in niches trimmed in grapevines. The Sisters of the Sacred Cross chipped away all the nymphs, but curves of their marble hair still strangle grape leaves and tease the fruit. The chill intensifies as the men spread deeper into the mansion, taking their time, looking, listening, alert to the female malice that hides here and the yeast-and-butter smell of rising dough.

One of them, the youngest, looks back, forcing himself to see how the dream he is in might go. The shot woman, lying uncomfortably on marble, waves her fingers at him-or seems to. So his dream is doing okay, except for its color. He has never before dreamed in colors such as these: imperial black sporting a wild swipe of red, then thick, feverish yellow. Like the clothes of an easily had woman. The leading man pauses, raising his left hand to halt the silhouettes behind him. They stop, editing their breath, making friendly adjustments in the grip of rifles and handguns. The leading man turns and gestures the separations: you two over there to the kitchen; two more upstairs; two others into the chapel. He saves himself, his brother and the one who thinks he is dreaming for the cellar.

They part gracefully without words or haste. Earlier, when they blew open the Convent door, the nature of their mission made them giddy. But the target, after all, is detritus: throwaway people that sometimes blow back into the room after being swept out the door. So the venom is manageable now. Shooting the first woman (the white one) has clarified it like butter: the pure oil of hatred on top, its hardness stabilized below.

Outside, the mist is waist high. It will turn silver soon and make grass rainbows low enough for children's play before the sun burns it off, exposing acres of bluestem and maybe witch tracks as well.

The kitchen is bigger than the house in which either man was born. The ceiling barn-rafter high. More shelving than Ace's Grocery Store. The table is fourteen feet long if an inch, and it's easy to tell that the women they are hunting have been taken by surprise. At one end a full pitcher of milk stands near four bowls of shredded wheat. At the other end vegetable chopping has been interrupted: scallion piled like a handful of green confetti nestles brilliant disks of carrot, and the potatoes, peeled and whole, are bone white, wet and crisp. Stock simmers on the stove. It is restaurant size with eight burners and on a shelf beneath the great steel hood a dozen loaves of bread swell. A stool is overturned. There are no windows.

One man signals the other to open the pantry while he goes to the back door. It is closed but unlocked. Peering out he sees an old hen, her puffed and bloody hind parts cherished, he supposes, for delivering freaks-double, triple yolks in outsize and misshapen shells. Soft stuttering comes from the coop beyond; fryers padding confidently into the yard's mist disappear, reappear and disappear again, each flat eye indifferent to anything but breakfast. No footprints disturb the mud around the stone steps. This man closes the door and joins his partner at the pantry. Together they scan dusty mason jars and what is left of last year's canning: tomatoes, green beans, peaches. Slack, they think. August just around the corner and these women have not even sorted, let alone washed, the jars.

He turns the fire off under the stockpot. His mother bathed him in a pot no bigger than that. A luxury in the sod house where she was born. The house he lives in is big, comfortable, and this town is resplendent compared to his birthplace, which had gone from feet to belly in fifty years. From Haven, a dreamtown in Oklahoma Territory, to Haven, a ghosttown in Oklahoma State. Freedmen who stood tall in 1889 dropped to their knees in 1934 and were stomach-crawling by 1948. That is why they are here in this Convent. To make sure it never happens again. That nothing inside or out rots the one all-black town worth the pain. All the others he knew about or heard tell of knuckled to or merged with white towns; otherwise, like Haven, they had shriveled into tracery: foundation outlines marked by the way grass grew there, wallpaper turned negative behind missing windowpanes, schoolhouse floors moved aside by elder trees growing toward the bell housing. One thousand citizens in 1905 becoming five hundred by 1934. Then two hundred, then eighty as cotton collapsed or railroad companies laid their tracks elsewhere. Subsistence farming, once the only bounty a large family needed, became just scrap farming as each married son got his bit, which had to be broken up into more pieces for his children, until finally the owners of the bits and pieces who had not walked off in disgust welcomed any offer from a white speculator, so eager were they to get away and try someplace else. A big city this time, or a small town-anywhere that was already built. But he and the others, veterans all, had a different idea. Loving what Haven had been-the idea of it and its reach-they carried that devotion, gentling and nursing it from Bataan to Guam, from Iwo Jima to Stuttgart, and they made up their minds to do it again. He touched the stove hood admiring its construction and power. It was the same length as the brick oven that once sat in the middle of his hometown.

When they got back to the States, they took it apart, carrying the bricks, the hearthstone and its iron plate two hundred and forty miles west-far far from the old Creek Nation which once upon a time a witty government called "unassigned land." He remembers the ceremony they'd had when the Oven's iron lip was recemented into place and its worn letters polished for all to see. He himself had helped clean off sixty-two years of carbon and animal fat so the words shone as brightly as they did in 1890 when they were new.

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