Bruce Barnbaum - The Art of Photography - An Approach to Personal Expression

Index

A note on the digital index

A link in an index entry is displayed as the section title in which that entry appears. Because some sections have multiple index markers, it is not unusual for an entry to have several links to the same section. Clicking on any link will take you directly to the place in the text in which the marker appears.

Symbols18% gray card, Translating Negative Densities to Print Tonalities

AAberrations, Adjusting the Black Point, White Point, and ContrastAbstraction, Photographic Realism, Abstraction, and ArtACR, Basics of Digital Capture, White Balance and Camera ProfilesAdams, Ansel, Communication Through Photography, Communication Through Photography, The Zone System of Exposure for Film, FlexibilityAdobe Lightroom, The Digital Zone SystemAdobe Photoshop, The Digital Zone SystemAdobe RGB, Basics of Digital CaptureAperture, Review of Negative Exposure Procedure, Make Test Prints, Not Test StripsApple Aperture, The Digital Zone SystemArbus, Diane, Communication Through Photography, FlexibilityArtistic integrity, Photographic Techniques and Artistic IntegrityASA, The Exposure/Density Curve and Zone 4 Shadow Placement

BBalance, Elements of Composition, PatternBatch processing, The RAW Converter—Processing the RAW Capture, Converting the Image to Black-and-WhiteBayer pattern, The Digital Zone SystemBellows analogy, The Bellows AnalogyBit depth, The RAW Converter—Processing the RAW CaptureBlack point, The RAW Converter—Processing the RAW CaptureBlack-and-white, Color, Contrast Control with Filters, The Black-and-White Negative and Contrast Control—The Extended Zone SystemBlack-and-white negative, The Black-and-White Negative and Contrast Control—The Extended Zone SystemBodie, Photographic Realism, Abstraction, and ArtBourke-White, Margaret, Communication Through PhotographyBullock, Wynn, Depth of FieldBurning, Make Test Prints, Not Test Strips

CCamera position, Elements of Composition, Positive/Negative SpaceCaponigro, Paul, Communication Through Photography, Visual ArtsCartier-Bresson, Henri, Communication Through PhotographyChemical coloration, Other TonersCold, neutral, and warm tone papers, Toning, Intensifying, and Reducing NegativesColor, Elements of Composition, Color, Color Composition, Color and Emotion, Color and Emotion, Color Contrast and Tone, Choosing A Color Film, Light and Color ControlColor and emotion, Color CompositionColor contrast, Color and EmotionColor digital methods, Choosing A Color FilmColor film, Color Contrast and ToneColor tone, Color and EmotionMood of color, Light and Color ControlColor composition, The Color Wheel and Color SphereColor sphere, The Color Wheel and Color SphereColor wheel, The Color Wheel and Color SphereComplexity, Expressing Your Own Point of ViewComposition, What is Composition?, Elements of CompositionContact proof print, Black-and-White Paper DevelopersContrast, Elements of Composition, Form, Toning, Intensifying, and Reducing NegativesContrast and tone, Elements of CompositionContrast control, Toning, Intensifying, and Reducing NegativesContrast control with filters, Examples with a Hypothetical LandscapeContrast reduction, Color PrintingContrast reduction masking, MaskingCorrection of defects, Making Positioning Guides for Print PlacementCramer, Charles, Visual ArtsCreativity, Thoughts on Creativity, Approaching Creativity IntuitivelyCropping, Camera Position

DDemosaicing, The RAW Converter—Processing the RAW Capture, The RAW Converter—Processing the RAW CaptureDensity, Film’s Response to Light: Building the Zone SystemDepth of field, Elements of Composition, Focal Length of Lens and CroppingDevelopment, Chapter 9 Overview, Developing the Exposed Negative, Dodging and Burning, Toning, Intensifying, and Reducing NegativesDigital zone system, The Digital Zone SystemDodging, Make Test Prints, Not Test StripsDry mounting, PresentationDry-down, #2 – Highlight MaskingDSLR, Basics of Digital CaptureDusard, Jay, Acknowledgements, Developing a Personal StyleDynamic range, Basics of Digital Capture

EElectromagnetic spectrum (EM spectrum), FiltersEmotion, FormEnthusiasm, Communication Through PhotographyEnvisioning, Step 2: Composing an ImageEtching, Making Positioning Guides for Print PlacementEvans, Walker, Communication Through PhotographyExposure, The Zone System of Exposure for Film, Reciprocity Failure, Dodging and BurningExposure and recovery, White Balance and Camera ProfilesExposure/Density curve, Examples of Decreasing and Increasing ContrastExtended zone system, The Black-and-White Negative and Contrast Control—The Extended Zone System

FFiber base paper, Variable Contrast vs. Graded PapersFill light, White Balance and Camera ProfilesFilters, Filters, Filters, Examples with a Hypothetical Landscape, Examples with a Hypothetical Landscape, Examples with a Hypothetical Landscape, Examples with a Hypothetical Landscape, Examples with a Hypothetical Landscape, Filters for Color Images, Filters for Color ImagesBlack-and-white filters, FiltersBlue filter, Examples with a Hypothetical LandscapeGreen filter, Examples with a Hypothetical LandscapeNeutral density filter, Filters for Color ImagesOrange filter, Examples with a Hypothetical LandscapePolarizing Filter, Filters for Color ImagesRed filter, Examples with a Hypothetical LandscapeYellow filter, Examples with a Hypothetical LandscapeFinal print, Step 2: Composing an ImageFixer, Mechanical Drum DevelopmentFlashing, Advanced Darkroom TechniquesFocal length, Elements of Composition, Camera PositionForm, Elements of Composition, LineFujichrome 64T, Basics of Digital Capture

GGamut, White Balance and Camera ProfilesGraded paper, Black-and-White Enlarging Papers

HHaiku, Nonvisual ArtsHDR, High Dynamic Range Images—The Extended Zone System for Digital PhotographyHigh dynamic range image, The Histogram—The Heart of the Digital Zone System, High Dynamic Range Images—The Extended Zone System for Digital PhotographyHighlight masking, #1 – Contrast Reduction Masking (Unsharp Masking)Highlights, Basics of Digital CaptureHine, Lewis, Communication Through Photography, Judging Your Own Personal ResponseHistogram, The Sensor’s Useful Brightness RangeHSL/Grayscale, Sharpening the Capture

IIlford FP4+, The Zone System and Roll FilmIlford HP5, Some Additional Comments on Figure 9-6 and Table 9-3Ilford Pan F, The Zone System and Roll FilmImagination, Producing Something New—Its Real ImportanceInfrared film, Digital Filtration for Black-and-WhiteInfrared light, FiltersInterest, Communication Through PhotographyIntuition, Approaching Creativity IntuitivelyInverse square law, Types of Lighting/Quality of Light, The Zone System for ColorInvolvement with the scene, Involvement with the SceneISO, Basics of Digital Capture

JJPEG, The Digital Zone System

KKirby, Don, AcknowledgementsKodak, Some Additional Comments on Figure 9-6 and Table 9-3Kodak HC110 developer, Some Additional Comments on Figure 9-6 and Table 9-3Kodak T-Max, Some Additional Comments on Figure 9-6 and Table 9-3Kodak XTOL developer, Some Additional Comments on Figure 9-6 and Table 9-3Krogvold, Morten, Acknowledgements, Photographic Techniques and Artistic Integrity

LLange, Dorothea, Communication Through PhotographyLayer mask, 2. Using Two Captures and a Luminosity Selection In PhotoshopLayer menu, 2. Using Two Captures and a Luminosity Selection In PhotoshopLight, Elements of Composition, Light, Light, Light, Light, Light, Light, Light, Light, Light Determines Form, Types of Lighting/Quality of LightAxis light, Types of Lighting/Quality of LightBacklight, LightFloodlight, LightHazy sunlight, LightOvercast light, LightQuality of light, LightQuantity of light, LightSoft light, Light Determines FormSpotlight, LightLight meter, The Light Meter—How it WorksLimitations of photography, Expanding and Defining Your InterestsLine, Elements of CompositionLocal contrast control, Final Fixing of the ImageLogan, Keith, Acknowledgements, Developing a Personal StyleLuminosity, 1. Using the Merge to High Dynamic Range Function In Photoshop