Bruce Robinson - They All Love Jack - Busting the Ripper

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LONGLISTED FOR THE SAMUEL JOHNSON PRIZE FOR NON-FICTIONA book like no other – the tale of a gripping quest to discover the identity of history’s most notorious murderer and a literary high-wire act from the legendary writer and director of Withnail and I.For over a hundred years, ‘the mystery of Jack the Ripper’ has been a source of unparalleled fascination and horror, spawning an army of obsessive theorists, and endless volumes purporting finally to reveal the identity of the brutal murderer who terrorised Victorian England.But what if there was never really any ‘mystery’ at all? What if the Ripper was always hiding in plain sight, deliberately leaving a trail of clues to his identity for anyone who cared to look, while cynically mocking those who were supposedly attempting to bring him to justice?In THEY ALL LOVE JACK, the award-winning film director and screenwriter Bruce Robinson exposes the cover-up that enabled one of history’s most notorious serial killers to remain at large. More than twelve years in the writing, this is much more than a radical reinterpretation of the Jack the Ripper legend, and an enthralling hunt for the killer. A literary high-wire act reminiscent of Tom Wolfe or Hunter S. Thompson, it is an expressionistic journey through the cesspools of late-Victorian society, a phantasmagoria of highly placed villains, hypocrites and institutionalised corruption.Polemic, forensic investigation, panoramic portrait of an age, underpinned by deep scholarship and delivered in Robinson’s inimitably vivid and scabrous prose, THEY ALL LOVE JACK is an absolutely riveting and unique book, demolishing the theories of generations of self-appointed experts – the so-called ‘Ripperologists’ – to make clear, at last, who really did it; and more importantly, how he managed to get away with it for so long.

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Copyright First published in Great Britain in 2015 by Fourth Estate An imprint - фото 1

Copyright

First published in Great Britain in 2015 by

Fourth Estate

An imprint of HarperCollins Publishers

1 London Bridge Street

London SE1 9GF

www.4thestate.co.uk

Copyright © Punditbest Ltd 2015

The right of Bruce Robinson to be identified as the author

of this work has been asserted by him in accordance

with the Copyright, Design and Patents Act 1988

A catalogue record for this book is

available from the British Library

Cover image © Getty Images

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780007548873

Ebook Edition © October 2015 ISBN: 9780007548897

Version: 2016-07-08

Dedication

In memory of Sergeant T. J. Hageboeck

of the Los Angeles Police

Epigraph

Power, like a desolating pestilence,

Pollutes whate’er it touches, and obedience,

Bane of all genius, virtue, freedom, truth,

Makes slaves of men, and, of the human frame

A mechanised automaton.

Shelley, 1813

Contents

Cover

Title Page

Copyright

Dedication

Epigraph

Author’s Note

1 All the Widow’s Men

2 A Conspiracy of Bafflement

3 The Mystic Tie

4 The Funny Little Game

5 The Savages

6 On the Square

7 The Ink-Stained Hack

8 The Double Event: Part Two

9 Rotten to the Core

10 ‘They All Love Jack’

11 On Her Majesty’s Service

12 The Mouth of the Maggot

13 A Gentleman’s Lair

14 ‘Orpheus’

15 ‘The Ezekiel Hit’

16 ‘Red Tape’

17 ‘The Spirit of Evil’

18 ‘The Maybrick Mystery’

19 Victorian Values

Appendix I: The Parnell Frame-Up

Appendix II: A Very Curious Letter

Acknowledgements

Sources

Picture Credits

Index

Also by Bruce Robinson

About the Publisher

Author’s Note

There is an aphorism. When you see a giant, make sure it isn’t a dwarf standing in a favourable light. Thus we approach ‘the mystery of Jack the Ripper’.

He’s in a house of smoke and shifting mirrors. There are glimpses of amorphous faces. Many Jack the Rippers are in here, feeding off what historical fragments their keeper can throw into the pit.

Middle-aged men with disturbing expressions lean over the safety rail, clutching files. These are the Ripperologists. They are waiting for the Rippers to come out.

‘There he is!’ bellows one. ‘It’s the wall-eyed onanist from Zadonsk! Look at him, he’s playing with himself! Can’t you see him? He’s got a satchel of wombs!’

Nobody can see him. Attention migrates to another man, and he’s just seen somebody else. ‘There, there ,’ he barks, shuffling his Metropolitan Police files. ‘The Jew! The Jew!! Mark the Jew!!

An inflamed, bespectacled authority fights his way to the front. ‘Shut this farce down!’ he demands. ‘You are all duped!’ He struggles to get a pedometer past a pack of egg sandwiches. ‘I’ve measured his routes,’ he charges, thrusting his instrument as proof. ‘I challenge you all with the routes !’

Insults begin to fly, and argument breaks out between him and a man with a compass. But the lights have already started to dim, and the shutters have gone up. It’s time for the Ripperologists to go home and save their arguments for another day.

This book has no interest in the house of mirrors, and despite selective admiration for some, no interest in Ripperologists. I don’t believe this collective could catch the object of its aspiration in a thousand years, and furthermore, I don’t believe in ‘the mystery of Jack the Ripper’ either.

We all know the story, at least the blurb on the paperbacks.

It is the autumn of 1888. The cobbled streets of Whitechapel echo to the chilling footsteps of a ruthless killer … Out of the foetid darkness came this subhuman nemesis of blood-hungry evil. Taunting the frantic police, he visited merciless death on five desperate women, nothing to speak as his witness but their hideously mutilated remains. He left no clue, but went as silently as he came, leaving nothing but a name that will forever be etched into the annals of criminal infamy: ‘Jack the Ripper’. Ah! Jack the Ripper. (Fog to taste.)

This book is a repudiation of virtually everything Ripperology has ever written. Anyone who wishes is welcome to have their Ripper back, and retire with him to the nearest gaslit alley. I tend towards a cynical point of view. In politics I expect the worst, and usually get it. But I had no idea of what I was in for with this. Buried in the ‘mystery’ of the Ripper atrocities is a scandal that ain’t much short of incredible. Exploring it was like pulling at a small, wizened root that as it disinters is discovered to be connected to an enormous root-system, deeper and more protectively concealed than I could ever have imagined.

I’ve spent rather a while enquiring into this ‘mystery’, and incrementally I have learned to loathe much of what was the Victorian governing class. Wealth was a deity in Victorian England, and everything was subservient to the maintenance of it. Underpinned by their ‘right to rule’, their cupidity and institutionalised hypocrisy, these defects constituted a potent amalgamation of the forces that conspired to turn this monster into a ‘mystery’.

There’s a perverse, almost heroic status that has evolved around this prick, as though he were someone special, rather than the epitome of all that is cruel, and a God-damned repugnance. His only claim to the extraordinary is his anonymity, his so-called ‘mystery’; and even that doesn’t belong to him, but was the gift of others.

There’s a hybrid of Ripperology responsible for a dizzying variety of publications over the last half-century. By a process of attrition and endless industry, this coterie of authors has come to ‘own’ this history. They are self-appointed ‘experts’ and guardians of flat-earth thinking. Under constrictions of the herd (and by some by design) they have constructed a formidable camouflage around this criminal. It is necessary to break through it before there is any possibility of discovering the identity of our Victorian psychopath.

Busting Jack entails an unravelling of the root-system that is way beyond the constipated strictures of Ripperology.

During the Second World War there was an interrogator for Army Counter-Intelligence by the name of Lieutenant Colonel Oreste Pinto. It was his task to break the cover of enemy spies, and he’s one of my weirder heroes. In 1942 Pinto had a man at the other side of his desk who instinct told him had to be an enemy agent. Before arriving at the Colonel’s office (just off The Strand in central London), this suspect had been through many searing investigations and survived them all. Notwithstanding that, the authorities continued to harbour suspicions; but nobody could break him. So what did Pinto think?

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