William Blatty - The Exorcist

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The Exorcist: краткое содержание, описание и аннотация

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Originally published in 1971, The Exorcist, one of the most controversial novels ever written, went on to become a literary phenomenon: It spent fifty-seven weeks on the New York Times bestseller list, seventeen consecutively at number one. Inspired by a true story of a child’s demonic possession in the 1940s, William Peter Blatty created an iconic novel that focuses on Regan, the eleven-year-old daughter of a movie actress residing in Washington, D.C. A small group of overwhelmed yet determined individuals must rescue Regan from her unspeakable fate, and the drama that ensues is gripping and unfailingly terrifying. Two years after its publication, The Exorcist was, of course, turned into a wildly popular motion picture, garnering ten Academy Award nominations. On opening day of the film, lines of the novel’s fans stretched around city blocks. In Chicago, frustrated moviegoers used a battering ram to gain entry through the double side doors of a theater. In Kansas City, police used tear gas to disperse an impatient crowd who tried to force their way into a cinema. The three major television networks carried footage of these events; CBS’s Walter Cronkite devoted almost ten minutes to the story. The Exorcist was, and is, more than just a novel and a film: it is a true landmark. Purposefully raw and profane, The Exorcist still has the extraordinary ability to disturb readers and cause them to forget that it is “just a story.” Published here in this beautiful fortieth anniversary edition, it remains an unforgettable reading experience and will continue to shock and frighten a new generation of readers.

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Karras telephoned Chris at once to convey the news, but found that she'd heard from the Bishop directly. He had told her that Merrin would arrive the next day. "I told the Bishop he could stay at the house," Chris said. "It'll just be a day or so, won't it?" Before answering, Karras paused. "I don't know." And then, pausing again, said, "You mustn't expect too much."

"If it works, I mean," Chris had answered. Her tone had been subdued. "I didn't mean to imply that it wouldn't," he reassured her. "I just meant that it might take time."

"How long?"

"It varies." He knew that an exorcism often took weeks, even months; knew that frequently it failed altogether. He expected the latter; expected that the burden, barring cure through suggestion, would fall once again, and at the last, upon him. "It can take a few days or weeks," he'd then told her. "How long has she got, Father Karras?..."

When he hung up the phone, he'd felt heavy, tormented. Stretched out on the bed, he thought of Merrin. Merrin! An excitement and a hope seeped through him. A sinking disquiet followed. He himself had been the natural choice for exorcist, yet the Bishop had passed him over. Why? Because Merrin had done this before?

As he closed his eyes, he recalled that exorcists were selected on the basis of "piety" and "high moral qualities"; that a passage in the gospel of Matthew related that Christ, when asked by his disciples the cause of their failure in an effort at exorcism, had answered them: "... because of your little faith."

The Provincial had known about his problem; so had the president, Karras reflected. Had either told the Bishop?

He had turned on his bed then, damply despondent; felt somehow unworthy; incompetent; rejected. It stung. Unreasonably, it stung. Then, finally, sleep came pouring into emptiness, filling in the niches and cracks in his heart.

But again the ring of the phone woke him, Chris calling to inform him of Regan's new frenzy. Back at the house, he checked Regan's pulse. It was strong. He gave Librium, then again. And again. Finally, he made his way to the kitchen, briefly joining Chris at the table for coffee. She was reading a book, one of Merrin's that she'd ordered delivered to the house. "Way over my head," she told him softly, yet she looked touched and deeply moved. "But there's some of it so beautiful---so great." She flipped back through pages to a passage she had marked, and handed the book across the table to Karras. He read: ... We have familiar experience of the order, the constancy, the perpetual renovation of the material world which surrounds us. Frail and transitory as is every part of it, restless and migratory as are its elements, still it abides. It is bound together by a law of permanence, and though it is ever dying, it is ever coming to life again. Dissolution does but give birth to fresh modes of organization, and one death is the parent of a thousand lives. Each hour, as it comes, is but a testimony how fleeting, yet how secure; how certain, is the great whole. It is like an image on the waters, which is ever the same, though the waters ever flow. The sun sinks to rise again; the day is swallowed up in the gloom of night, to be born out of it, as fresh as if it had never been quenched. Spring passes into summer, and through summer and autumn into winter, only the more surely, by its own ultimate return, to triumph over that grave towards which it resolutely hastened from its first hour. We mourn the blossoms of May because they are to wither; but we know that May is one day to have its revenge upon November, by the revolution of that solemn circle which never stops---which teaches us in our height of hope, ever to be sober, and in our depth of desolation, never to despair.

"Yes, it's beautiful," Karras said softly. His eyes were still on the page. The raging of the demon from upstairs grew louder.

"... bastard... scum... pious hypocrite!"

"She used to put a rose on my plate... in the morning... before I'd go to work."

Karras looked up with a question in his eyes. "Regan," Chris told him.

She looked down. "Yeah, that's right. I forget... you've never met her." She blew her nose and dabbed at her eyes. "Want some brandy in that coffee, Father Karras?" she asked.

"Thanks, I don't think so."

"Coffee's flat," she whispered tremulously. "I think I'll get some brandy. Excuse me." She quickly left the kitchen.

Karras sat alone and sipped bleakly at his coffee. He felt warm in the sweater that he wore beneath his cassock; felt weak in his failure to have given Chris comfort. Then a memory of childhood shimmered up sadly, a memory of Ginger, his mongrel dog, growing skeletal and dazed in a box in the apartment; Ginger shivering with fever and vomiting while Karras covered her with towels, tried to make her drink warm milk, until a neighbor came by and saw it was distemper, shook his head and said, "Your dog needed shots right away." Then dismissed from school one after-noon... to the street... in columns of twos to the corner... his mother there to meet him... unexpected... looking sad... and then taking his hand to press a shiny half-dollar piece into it... elation... so much money!... then her voice, soft and tender, "Gingie die...."

He looked down at the steaming, bitter blackness in his cup and felt his hands empty of comfort or of cure.

"... pious bastard!"

The demon. Still raging.

"Your dog needed shots right away...."

Quickly he returned to Regan's bedroom, where he held her while Sharon administered the Librium injection that now brought the total dosage up to five hundred milligrams.

Sharon was swabbing the needle puncture while Karras watched Regan, puzzled. The frenzied obscenities seemed to be directed at no one in the room, but rather at someone unseen---or not present.

He dismissed the thought. "I'll be back," he told Sharon.

Concerned about Chris, he went down to the kitchen, where again he found her sitting alone at the table. She was pouring brandy into her coffee. "Are you sure you wouldn't like some, Father?" she asked.

Shaking his head, he came over to the table and sat down wearily. He stared at the floor. Heard porcelain clicks of a spoon stirring coffee. "Have you talked to her father?" he asked.

"Yes. Yes, he called." A pause. "He wanted to talk to Rags."

"And what did you tell him?"

A pause. Then, "I told him she was out at a party."

Silence. Karras heard no more clicks. He looked up and saw her staring at the ceiling. And then he noticed it too: the shouts above had finally ceased.

"I guess the Librium took hold," he said gratefully.

Chiming of the doorbell. He glanced toward the sound; then at Chris, who met his look of surmise with a questioning, apprehensive lifting of an eyebrow.

Kinderman?

Seconds. Ticking. They waited. Willie was resting. Sharon and Karl were still upstairs. No one coming to answer. Tense, Chris got up abruptly from the table and went to the living room. Kneeling on a sofa, she parted a curtain and peered furtively through the window at her caller. Thank God! Not Kinderman. She was looking, instead, at a tall old man in a threadbare raincoat, his head bowed patiently in the rain. He carried a worn, old- fashioned valise. For an instant, a buckle gleamed in street-lamp glow as the bag shifted slightly in his grip.

The doorbell chimed again.

Who is that?

Puzzled, Chris got down off the sofa and walked to the entry hall. She opened the door only slightly, squinting out into darkness as a fine mist of rain brushed her eyes. The man's hat brim obscured his face. "Yes, hello; can I help you?"

"Mrs. MacNeil?" came a voice from the shadows. It was gentle, refined, yet as full as a harvest.

As he reached for his hat, Chris was nodding her head, and then suddenly she was looking into eyes that overwhelmed her, that shone with intelligence and kindly understanding, with serenity that poured from them into her being like the waters of a warm and healing river whose source was both in him yet somehow beyond him; whose flow was contained and yet headlong and endless.

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