William Blatty - The Exorcist

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The Exorcist: краткое содержание, описание и аннотация

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Originally published in 1971, The Exorcist, one of the most controversial novels ever written, went on to become a literary phenomenon: It spent fifty-seven weeks on the New York Times bestseller list, seventeen consecutively at number one. Inspired by a true story of a child’s demonic possession in the 1940s, William Peter Blatty created an iconic novel that focuses on Regan, the eleven-year-old daughter of a movie actress residing in Washington, D.C. A small group of overwhelmed yet determined individuals must rescue Regan from her unspeakable fate, and the drama that ensues is gripping and unfailingly terrifying. Two years after its publication, The Exorcist was, of course, turned into a wildly popular motion picture, garnering ten Academy Award nominations. On opening day of the film, lines of the novel’s fans stretched around city blocks. In Chicago, frustrated moviegoers used a battering ram to gain entry through the double side doors of a theater. In Kansas City, police used tear gas to disperse an impatient crowd who tried to force their way into a cinema. The three major television networks carried footage of these events; CBS’s Walter Cronkite devoted almost ten minutes to the story. The Exorcist was, and is, more than just a novel and a film: it is a true landmark. Purposefully raw and profane, The Exorcist still has the extraordinary ability to disturb readers and cause them to forget that it is “just a story.” Published here in this beautiful fortieth anniversary edition, it remains an unforgettable reading experience and will continue to shock and frighten a new generation of readers.

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IV: "And let my cry come unto Thee..."

"He who abides in love, abides in God, and God in him..." ---Saint Paul.

CHAPTER ONE

In the breathing dark of his quiet office, Kinderman brooded above his desk.

He adjusted the desk-lamp beams a fraction. Below him were records, transcripts, exhibits; police files; crime-lab reports; scribbled notes. In a pensive mood, he had carefully fashioned them into a collage in the shape of a rose, as if to belie the ugly conclusion to which they had led him; that he could not accept.

Engstrom was innocent. At the time of Dennings' death, he had been visiting his daughter, supplying her with money for the purchase of drugs. He had lied about his whereabouts that night in order to protect her and to shield her mother, who believed Elvira to be dead and past all harm and degradation.

It was not from Karl that Kinderman had learned this. On the night of their encounter in Elvira's hallway, the servant remained obdurately silent. It was only when Kinderman apprised the daughter of her father's involvement in the Dennings case that Elvira volunteered the truth. There were witnesses to confirm it. Engstrom was innocent. Innocent and silent concerning events in Chris MacNeil's house.

Kinderman frowned at the rose collage. Something was wrong with the composition. He shifted a petal point---the corner of a deposition---a trifle lower and to the right.

Roses. Elvira. He had warned her grimly that failure to check herself into a clinic within two weeks would result in his dogging her trail with warrants until he had evidence to effect her arrest. Yet he did not really believe she would go. There were times when he stared at the law unblinkingly as he would the noonday sun in the hope it would temporarily blind him while some quarry made its escape.

Engstrom was innocent. What remained?

Kinderman, wheezing, shifted his weight. Then he closed his eyes and imagined he was soaking in a lapping hot bath. Mental Closeout Sale! he bannered at himself: Moving to New Conclusions! Positively Everything Must Go! For a moment he waited, unconvinced. Then, Positively! he added sternly.

He opened his eyes and examined afresh the bewildering data.

Item: The death of director Burke Dennings seemed somehow linked to the desecrations at Holy Trinity. Both involved witchcraft and the unknown desecrator could easily be Dennings' murderer.

Item: An expert on witchcraft, a Jesuit priest, had been seen making visits to the home of the MacNeils.

Item: The typewritten sheet of paper containing the text of the blasphemous altar card discovered at Holy Trinity had been checked for latent fingerprints. Impressions had been found on both sides. Some had been made by Damien Karras. But still another set had been found that, from their size, were adjudged to be those of a person with very small hands, quite possibly a child.

Item: The typing on the altar card had been analyzed and compared with the typed impressions on the unfinished letter that Sharon Spencer had pulled from her typewriter, crumpled up, and tossed at a wastepaper basket, missing it, while Kinderman had been questioning Chris. He had picked it up and smuggled it out of the house. The typing on this letter and the typing on the altar-card sheet had been done on the same machine. According to the reports however, the touch of the typists differed. The person who had typed the blasphemous text had a touch far heavier than Sharon Spencer's. Since the typing of the former, moreover, had not been "hunt and peck" but, rather, skillfully accomplished, it suggested that the unknown typist of the altar-card text was a person of extraordinary strength.

Item: Burke Dennings---if his death was not an accident---had been killed by a person of extraordinary strength.

Item: Engstrom was no longer a suspect.

Item: A check of domestic airline reservations disclosed that Chris MacNeil had taken her daughter to Dayton, Ohio. Kinderman had known that the daughter was ill and was being taken to a clinic. But the clinic in Dayton would have to be Barringer. Kinderman had checked and the clinic confirmed that the daughter had been in for observation. Though the clinic refused to state the nature of the illness, it was obviously a serious mental disorder.

Item: Serious mental disorders at times caused extraordinary strength.

Kinderman sighed and closed his eyes. The same. He was back to the same conclusion. He shook his head. Then he opened his eyes and stared at the center of the paper rose: a faded old copy of a national news magazine. On the cover were Chris and Regan. He studied the daughter: the sweet, freckled face and the ribboned ponytails, the missing front tooth in the grin. He looked out a window into darkness. A drizzling rain had begun to fall.

He went down to the garage, got into the unmarked black sedan and then drove through rain-slick, shining streets to the Georgetown area, where he parked on the eastern side of Prospect Street. And sat. For a quarter of an hour. Sat. Staring at Regan's window. Should he knock at the door and demand to see her? He lowered his head. Rubbed at his brow. William F. Kinderman, you are sick! You are ill! Go home! Take medicine! Sleep!

He looked up at the window again and ruefully shook his head. Here his haunted logic had led him.

He shifted his gaze as a cab pulled up to the house. He started the engine and turned on the windshield wipers.

From the cab stepped a tall old man. Black raincoat and hat and a battered valise. He paid the driver, then turned and stood motionless, staring at the house. The cab pulled away and rounded the corner of Thirty-sixth Street. Kinderman quickly pulled out to follow. As he turned the corner, he noticed that the tall old man hadn't moved, but was standing under street-light glow, in mist, like a melancholy traveler frozen in time. The detective blinked his lights at the taxi.

Inside, at that moment, Karras and Karl pinned Regan's arms while Sharon injected her with Librium, bringing the total amount injected in the last two hours to four hundred milligrams. The dosage, Karras knew, was staggering. But after a lull of many hours, the demonic personality had suddenly awaked in a fit of fury so frenzied that Regan's debilitated system could not for very long endure it.

Karras was exhausted. After his visit to the Chancery Office that morning, he returned to the house to tell Chris what had happened Then he set up an intravenous feeding for Regan, went back to his room and fell on his bed. After only an hour and a half of sleep, however, the telephone had wrenched him awake. Sharon. Regan was still unconscious and her pulse had been gradually slipping lower. Karras had then rushed to the house with his medical bag and pinched Regan's Achilles tendon, looking for reaction to pain. There was none. He pressed down hard on one of her fingernails. Again no reaction. He was worried. Though he knew that in hysteria and in states of trance there was sometimes an insensitivity to pain, he now feared coma, a state from which Regan might slip easily into death. He checked her blood pressure: ninety over sixty; then pulse rate: sixty. He had waited in the room then, and checked her again every fifteen minutes for an hour and a half before he was satisfied that blood pressure and pulse rate had stabilized, meaning Regan was not in shock but in a state of stupor. Sharon was instructed to continue to check the pulse each hour. Then he'd returned to his room and his sleep. But again the telephone woke him up. The exorcist, the Chancery Office told him, would be Lankester Merrin. Karras would assist.

The news had stunned him. Merrin! the philosopher-paleontologist! the soaring, staggering intellect! His books had stirred ferment in the Church; for they interpreted his faith in the terms of science, in terms of a matter that was still evolving, destined to be spirit and joined to God.

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