Bernard Cornwell - Stonehenge

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Bernard Cornwell's new novel, following the enormous success of his Arthurian trilogy (The Winter King, Enemy of God, and Excalibur) is the tale of three brothers and of their rivalry that creates the great temple. One summer's day, a stranger carrying great wealth in gold comes to the settlement of Ratharryn. He dies in the old temple. The people assume that the gold is a gift from the gods. But the mysterious treasure causes great dissension, both without from tribal rivalry, and within. The three sons of Ratharryn's chief each perceive the great gift in a different way. The eldest, Lengar, the warrior, harnesses his murderous ambition to be a ruler and take great power for his tribe. Camaban, the second and an outcast from the tribe, becomes a great visionary and feared wise man, and it is his vision that will force the youngest brother, Saban, to create the great temple on the green hill where the gods will appear on earth. It is Saban who is the builder, the leader and the man of peace. It is his love for a sorceress whose powers rival those of Camaban and for Aurenna, the sun bride whose destiny is to die for the gods, that finally brings the rivalries of the brothers to a head. But it is also his skills that will build the vast temple, a place for the gods certainly but also a place that will confirm for ever the supreme power of the tribe that built it. And in the end, when the temple is complete, Saban must choose between the gods and his family. Stonehenge is Britain's greatest prehistoric monument, a symbol of history; a building, created 4 millenia ago, which still provokes awe and mystery. Stonehenge A novel of 2000 BC is first and foremost a great historical novel. Bernard Cornwell is well known and admired for the realism and imagination with which he brings an earlier world to life. And here he uses all these skills to create the world of primitive Britain and to solve the mysteries of who built Stonehenge and why. 'A circle of chalk, a ring of stone, and a house of arches to call the far gods home'

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Haragg actually grinned at Saban. He even clapped his shoulder and laughed. 'You should have been a warrior, not a slave,' he said, and Cagan, following his father's example, bobbed his head and grinned at Saban.

'I always wanted to be a warrior,' Saban confessed.

'All boys do. What good is a boy who wants to be anything else?' Haragg asked. 'But all men are warriors, except the priests.' He said the last three words with an intense bitterness, but refused to explain why.

Next day the traders spread out their goods at a settlement north of the moors. Tribes from other settlements had come, and hundreds of folk wandered in the pasture where the haggling went on from dawn until dusk. Haragg exchanged most of his goods that day, taking in return more herbs and the promise of a pile of white pelts to be delivered to him at winter's end. 'Till then,' he told Saban, 'we shall stay here.'

It seemed a bleak place to Saban for it was nothing but a deep valley between soaring hills. Pine trees clothed the lower slopes and a cold stream tumbled over grey rocks between the dark trees. There was a stone temple lower down the valley and a huddle of huts higher; Haragg and Saban took a dilapidated hut for themselves and Saban repaired its rafters, then cut turfs and laid them as a roof. 'Because I like it here,' Haragg said when Saban asked why he did not return to Sarmennyn for the winter. 'And it will be a long winter,' Haragg warned him, 'long and cold, but when it is over I shall take you back to your brother.'

'To Lengar?' Saban asked bitterly. 'You'd do better to kill me here.'

'Not to Lengar,' Haragg said, 'Camaban. It was not Lengar who wanted you to be my slave, but Camaban.'

'Camaban!' Saban exclaimed in astonishment.

'Camaban,' Haragg confirmed calmly. 'Lengar wanted to kill you when he returned to Ratharryn, but Camaban was determined you should live. It seems that you protested once when your father was going to kill him?'

'I did?' Saban asked, then remembered the failed sacrifice and his involuntary cry of horror. 'So I did,' he said.

'So Camaban persuaded Lengar that it would bring him bad luck if he killed you. He suggested slavery instead, and to a man of Lengar's mind slavery is worse than death. But you had to become my slave, not any man's slave, so Camaban claimed to have been told as much in a dream. Your brother and I planned all this. We sat for whole nights discussing how it could be done.' Haragg looked at Saban's hand where the scar of the missing finger was now a wrinkle of dried skin. 'And it had to be done properly,' he explained, 'or Lengar would never have agreed and you would be dead.' He opened his pouch and took from it the precious knife that had been Hengall's gift to Saban and with which Saban's finger had been cut off. He held the knife to Saban. 'Take it,' he said, then gave him back the amber amulet.

Saban hung his mother's amber about his neck and pushed the blade into his belt. 'I am free?' he asked, bemused.

'You are free,' Haragg said solemnly, 'and you may go if you wish, but your brother wished me to keep you safe until we can join him in Sarmennyn. He knew no other way of keeping you alive, except to doom you to my slavery, but he charged me to protect you because he has need of you.'

'Camaban needs me?' Saban asked, utterly bemused by all that Haragg was so tonelessly revealing. Saban still thought of his brother as a crippled stutterer, a thing of pity, yet it had been the despised Camaban who had arranged his survival and Camaban who had recruited the daunting Haragg to his own purposes. 'Why does Camaban need me?' he asked.

'Because your brother is doing a marvellous thing,' Haragg said, and for once his voice held emotion, 'a thing that only a great man could do. Your brother is making the world anew.' Haragg lifted the leather curtain at the hut door and peered out to see that a new snow was falling thick and slow to smother the world. 'For years,' Haragg said, still staring at the snow, 'I struggled with this world and its gods. I was trying to explain it all.' He dropped the curtain and gave Saban a look that was almost defiant. 'It did not give me pleasure, that struggle. But then I met your brother. He cannot know, I thought, he is too young! But he did know. He did. He has found the pattern.'

'The pattern?' Saban asked, puzzled.

'He has found the pattern,' Haragg repeated gravely, 'and all will be new, all will be well, and all will be changed.'

In a winter night when the earth lay hard as ice and the trees were rimed with a frost that glowed under a pale misted moon, a man limped from the trees north of Cathallo and crossed the fallow fields. It was the longest night, the darkness of the sun's death, and no one saw him come. The huts of the settlement seeped a small smoke as the night fires settled to embers, but the dogs of Cathallo slept and the wintering oxen, sheep, goats and pigs were safe in the huts where they could not be disturbed by the stranger.

Wolves had seen the man and in the previous dusk a dozen of the grey beasts had followed him, their tongues lolling as they looped around behind him, but the man had turned and howled at them and the wolves had first whimpered, then fled into the black, white-frosted trees. The man walked on. Now, in the starlit moments before the dawn, he came to the northern entrance of the great shrine.

The great stones within the high earth bank glimmered with frost. For a heartbeat, pausing in the entrance, it seemed to him that the great ring of boulders was shimmering like a circle of dancers shifting their weight from foot to foot. The dancing stones. He smiled at that idea, then hurried across the grass to Sannas's hut.

He gently pulled aside the leather curtain that hung over the entrance and let in a gust of cold air that gave the dying fire a sudden glow. He ducked into the hut, let the curtain fall and went very still.

He could see almost nothing. The fire was mere embers in ash and no moonlight came through the small smoke-hole in the roof, and so he just squatted and listened until he detected the sound of three people breathing. Three sleepers.

He crept across the hut on his knees, going slowly so that he made no noise, and when he found the first of the sleepers, a young slave, he put one hand over her mouth and sliced a knife down with his free hand. Her breath bubbled harsh in her cut gullet, she twitched for a while, but at last went still. The second girl died the same way, and then the man discarded caution and went to the fire to blow on the smouldering embers and feed them with tinder of dried puffball and small twigs so that the flames flickered bright to illuminate the hanging skulls and bat wings and herb bunches and bones. The fresh blood glistened on the furs and on the killer's hands.

The last sleeper shifted on the hut's far side. 'Is it morning?' her ancient voice asked.

'Not quite, my dear,' the man said. He was putting some larger pieces of wood on the fire now. 'It's almost dawn, though,' he added comfortingly, 'but it will be a cold one, a very cold one.'

'Camaban?' Sannas sat up in the pile of furs that was her bed. Her skull-like face, framed by a tangle of white hair, showed surprise and even pleasure. 'I knew you'd come back,' she said. She did not see the new blood, and the stench of smoke masked its smell. 'Where have you been?' she demanded querulously.

'I have walked the hills and worshipped in temples older than time,' Camaban said softly, feeding more wood onto the revived fire, 'and I have talked with priests, old women and sorcerers until I have sucked the knowledge of this world dry.'

'Dry!' Sannas laughed. 'You've hardly licked the tit, you young fool, let alone sucked on it.' In truth Sannas knew Camaban had been her best pupil, a man to rival her own skills, but she would never tell him as much. She leaned to one side, revealing a leathery flap of breast as she reached for her honeycomb. She put a piece in her mouth and sucked noisily. 'Your brother is making war on us,' she said sourly.

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