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Sophie Kinsella: The Secret Dreamworld of a Shopaholic

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Sophie Kinsella The Secret Dreamworld of a Shopaholic

The Secret Dreamworld of a Shopaholic: краткое содержание, описание и аннотация

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Rebecca Bloomwood just hit rock bottom. But she's never looked better... Becky Bloomwood has a fabulous flat in London's trendiest neighborhood, a troupe of glamorous socialite friends, and a closet brimming with the season's must-haves. The only trouble is that she can't actually afford it - not any of it. Her job writing at Successful Savings not only bores her to tears, it doesn't pay much at all. And lately Becky's been chased by dismal letters from Visa and the Endwich Bank - letters with large red sums she can't bear to read - and they're getting ever harder to ignore. She tries cutting back; she even tries making more money. But none of her efforts succeeds. Becky's only consolation is to buy herself something... just a little something...

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God, how embarrassing. And now Luke Brandon's staring at me, too. Quickly I look down and pretend to be writing notes.

Although to be honest, I don't know why I even pretend to write notes. It's not as if we ever put anything in the magazine except the puff that comes on the press release. Foreland Investments takes out a whopping double-page spread advertisement every month, and they took Philip on some fantastic research (haha) trip to Thailand last year – so we're never allowed to say anything except how wonderful they are.

As Alicia carries on speaking, I lean towards Elly.

'So, listen,' 'I whisper 'Can I borrow your credit card?'

'All used up,' hisses Elly apologetically. 'I'm up to my limit. Why do you think I'm living off LVs?'

'But I need money!' I whisper. 'I'm desperate! I need twenty quid!'

I've spoken more loudly than I intended and Alicia stops speaking.

'Perhaps you should have invested with Foreland Investments, Rebecca,' says Alicia, and another titter goes round the room. A few faces turn round to gawp at me, and I stare back at them lividly. They're fellow journalists, for God's sake. They should be on my side. NUJ solidarity and all that.

Not that I've ever actually got round to joining the NUJ. But still.

'What do you need twenty quid for?' says Luke Brandon, from the front of the room.

'I… my aunt,' I say defiantly. 'She's in hospital and I wanted to get her a present.'

The room is silent. Then, to my disbelief, Luke Brandon reaches into his pocket, takes out a ?20 note, and gives it to a guy in the front row of journalists. He hesitates, then passes it back to the row behind. And so it goes on, a twenty-quid note being passed from hand to hand, making its way to me like a fan at a gig being passed over the crowd. As I take hold of it, a round of applause goes round the room and I blush.

'Thanks,' I say awkwardly. 'I'll pay you back, of course.'

'My best wishes to your aunt,' says Luke Brandon.

'Thanks,' I say again. Then I glance at Alicia, and feel a little dart of triumph. She looks utterly deflated.

Towards the end of the question-and-answer session, people begin slipping out to get back to their offices. This is usually the point at which I go and buy a cappuccino and browse in a few shops. But today I don't. Today I decide I will stick it out until the last dismal question about tax structures. Then I'll go up to the front and thank Luke Brandon in person for his kind, if embarrassing, gesture. And then I'll go and get my scarf. Yippee!

But to my surprise, after only a few questions, Luke Brandon gets up, whispers something to Alicia, and heads for the door.

'Thanks,' I mutter as he passes my chair, but I'm not sure he even hears me.

Still, who cares? I've got the twenty quid and that's all that matters.

On the way back from Westminster, the tube stops in a tunnel for no apparent reason. Five minutes go by, then ten minutes. I can't believe my bad luck. Normally, course, I long for the tube to break down, so I've got an excuse to stay out of the office for longer. But today I behave like a stressed businessman with an ulcer. I tap my fingers and sigh, and peer out of the window into the blackness.

Part of my brain knows that I've got plenty of time to get to Denny and George before it closes. Another part knows that even if I don't make it, it's unlikely the blond girl will sell my scarf to someone else. But the possibility is there. So until I've got that scarf in my hands I won't be able to relax.

As the train finally gets going again I sink into my seat with a dramatic sigh and look at the pale, silent man on my left.

'Thank God!' I say. 'I was getting desperate there.'

'It's frustrating,' he agrees quietly.

'They just don't think, do they?' I say. 'I mean, some of us have got crucial things we need to be doing. I'm in a terrible hurry!'

'I'm in a bit of a hurry myself,' says the man.

'If that train hadn't started moving, I don't know what I would have done.' I shake my head. 'You feel so… impotent!'

'I know exactly what you mean,' says the man intensely 'They' don't realize that some of us…' He gestures towards me. 'We aren't just idly travelling. It matters whether we arrive or not.'

'Absolutely!' I say. 'Where are you off to?'

'My wife's in labour,' he says. 'Our fourth.'

'Oh,' I say, taken aback 'Well Gosh. Congratulations. I hope you-'

'She took an hour and a half last time,' says the man, rubbing his damp forehead. 'And I've been on this tube for forty minutes already. Still. At least we're moving now.'

He gives a little shrug, then smiles at me. 'How about you? What's your urgent business?'

Oh God.

'I… ohm… I'm going to…'

I stop feebly and clear my throat, feeling myself blushing red. I can't tell this man that my urgent business consists of picking up a scarf from Denny and George. I mean, a scarf. It's not even a suit or a coat, or something worthy like that.

'It's not that important,' I hear myself mumbling.

'I don't believe that,' he says nicely.

Oh, now I feel awful. I glance up – and thank goodness, it's my stop.

'Good luck,' I say, hastily getting up. 'I really hope you get there in time.'

As I walk along the pavement I'm feeling a bit shamefaced. Maybe I should have got out my hundred and twenty quid and given it to that man for his baby, instead of buying a pointless scarf. I mean, when you think about it, what's more important? Clothes – or the miracle of new life?

As I ponder this issue, I feel quite deep and philosophical. In fact I'm so engrossed, I almost walk past my turning. But I look up just in time and turn the corner – and feel a jolt. There's a girl coming towards me and she's carrying a Denny and George carrier bag. And suddenly everything is swept from my mind.

Oh my God.

What if she's got my scarf?

What if she asked for it specially and that assistant sold it to her, thinking I wasn't going to come back?

My heart starts to beat in panic and I begin to stride along the street towards the shop. As I arrive at the door and push it open, I can barely breathe for fear.

What if it's gone? What will I do?

But the blond girl smiles as I enter. 'Hi!' she says. 'It's waiting for you.'

'Oh thanks,' I say in relief and subside weakly against the counter.

I honestly feel as though I've run an assault course to get here. In fact I think they should list shopping under cardiovascular activity. My heart never beats as fast as it does when I see a 'reduced by 50 per cent' sign.

I count out the money in tens and twenties and wait, almost shivering as she ducks behind the counter and produces the green box. She slides it into a thick glossy bag with dark green cord handles and hands it to me. I almost want to close my eyes, the feeling is so wonderful.

That moment. That instant when your fingers curl round the handles of a shiny, uncreased bag – and all the gorgeous new things inside it become yours.

What's it like? It's like going hungry for days, then cramming your mouth full of warm buttered toast. It's like waking up and realizing it's the weekend. It's like the better moments of sex. Everything else is blocked out of your mind. It's pure, selfish pleasure.

I walk slowly out of the shop, still in a haze of delight. I've got a Denny and George scarf. I've got a Denny and George scarf! I've got

'Rebecca.' A man's voice interrupts my thoughts. I look up and my stomach gives a lurch of horror. It's Luke Brandon.

Luke Brandon is standing on the street, right in front of me, and he's staring down at my carrier bag. I feel myself growing lustered. What's he doing here on the pavement anyway? Don't people like that have chauffeurs? Shouldn't he be whisking off to some vital reception or something?

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