Lori Ostlund - After the Parade

For men perhaps more than for women, there is something aphrodisiacal about finding oneself on the greater-than side of an intellectual disparity, and years later, Aaron would learn that Walter had felt something during that first encounter, a sexual stirring that they never fully discussed because Walter was not comfortable talking about desire. Aaron did know that Walter had been introduced to sex by a man who followed him back to the dressing room while he shopped for school clothes with his mother in a department store in New York. He was fourteen. He had no bad feelings toward the man, but he told Aaron that the experience had shaped him nonetheless, had taught him to associate sexual gratification with furtiveness and haste and a lack of reciprocity. On those rare occasions when Walter did discuss sex, he always brought to it this same textbook-like dryness.

Aaron had felt desire that day, a desire that was in no way sexual. In fact, it had felt to him more potent than anything sexual could be, for sexual desire was, by nature, transient, a flame that grew large and went out. Admittedly, he knew very little of sexual desire, recognized it largely in terms of what he did not want but was led to believe that he should — girls. True sexual desire, he thought, was like an undershirt worn close to the skin and covered by layers of shirts and sweaters and coats.

Three years after that first meeting, when Walter brought Aaron home with him to Moorhead and introduced him to his circle of closeted friends, one of them, Jonas, commented coyly, “Oh my, look what Walter caught,” and the others laughed as if they had known all along that Walter’s weekend getaways were not really about fishing. Within the group it was common knowledge that Jonas was in love with Walter and that his love was not reciprocated, for various reasons, among them that Walter did not date married men, and Jonas was married, a fact that the other men snickered at behind his back. They could not imagine Jonas, with his pear-shaped body and hands as white and soft as sifted flour, atop a woman. Walter did not snicker. He was patient with Jonas, partly because Walter was a kind man but largely because he pitied Jonas, pitied him for having both a woman’s body and a wife. Pity is a hard thing to bear, for it’s never about love; pity is the opposite of love, or one of its opposites, since love has many. Still, Jonas bore it.

Aaron later understood that the men’s campiness was a pose, a function of the fact that they lived their lives hidden and needed to make the most of these secret moments together, but at the time he had not known what to think of any of them — not even Walter, who was solicitous of his needs yet laughed along with Jonas’s joke, allowing the implication that he and Aaron were sexually involved to stand as truth. In fact, during their first four years together, he and Walter did not have sex, not with each other. Aaron was in college and engaged occasionally in sexual relations —as Walter termed it, taking all the passion and dirt right out of it — with other young men, his first encounter with a boy from his British literature class. He had been drawn to the familiar look of the boy, whose name was Ken. They had groped and wrestled on Ken’s dormitory bed one afternoon as they studied for their midterm, both of them losing their virginity to the other, but after he left Ken’s room, still breathless, he knew that familiarity was not what he wanted from life. He did not want to engage in furtive sex with a boy resembling those with whom he had grown up, a sturdy blonde whose hands gripped him as they once had a cow’s teat, a boy whose pillows smelled faintly of hay and gum. Still, it had pleased (and bewildered) him to know that a boy like that — like those who had shoved him around in the locker room while talking loudly about what their girlfriends did to their penises — desired him.

After Ken, there had been others, none of whom Aaron brought to Walter’s house. He felt it would be wrong to do so, even though Walter treated him in the same avuncular manner he treated everyone else, without innuendo or any hint of desire. It was Winnie who finally set him straight. “Don’t you see how much he loves you?” she had asked. Aaron said that he did not. “Fine,” she said at last. “He told me that he’s in love with you. Okay? But you must never, ever tell Walter that I told you.”

It turned out Winnie was lying, not about the nature of Walter’s feelings but about his having confessed them to her, though Aaron did not learn of her dishonesty until after he had seduced Walter the evening of his college graduation party, an event that left him inebriated and nostalgic and deeply grateful to Walter, who had paid his tuition and all of his living expenses, who had made it possible for him to occupy a different brain.

* * *

Aaron could smell himself in the cab of the truck, not the thick, musky odor of physical labor but a sickly smell suggesting something passive: fear and anxiety. As he drove, he thought mainly about Jacob, Jacob, who might already be dead. He could call the motel and ask Britta for an update, but he knew he would not, which meant that for the rest of his life, when he thought about Jacob, he would not know whether to think of him as dead or alive.

His right hip throbbed where Lex had kicked him. He imagined Lex in his work cap, striding into the lobby of the motel. “He’s a fag,” he would tell Britta by way of declaring his own love, and she would know then that he had been meddling. Perhaps that was the nature of love: either a person was not in it enough to care, or was in it too deeply to make anything but mistakes. Sad Café Love, he and Winnie called this kind of lopsided devotion, after the Carson McCullers novel. Most people, they agreed, could either love or be loved, for these two were like rubbing your stomach and patting your head — nearly impossible to accomplish simultaneously. Winnie did not have a Sad Café marriage. She was deeply in love with Thomas, her husband, and he with her. They were the most equally in love couple that Aaron knew, the sort that took turns with everything: not just with household chores and finances but even with bouts of self-doubt and sadness. Never did they seem to regard each other as competition, as so many couples begin to. When one of them made a comment at a dinner party, the other found a way to make it sound even wittier or more insightful. As a result, they were in high demand at social gatherings, but they rarely accepted invitations because they enjoyed each other’s company best.

“Every time we go to a dinner party lately,” Winnie had told Aaron not long ago, “there’s always some couple that insists on bringing everyone else into their unhappiness. When Thomas and I fight, I don’t want anyone to hear because I’m usually just saying stuff out loud to see what I think about it, but having witnesses changes everything.”

“Yes,” Aaron had said, “but when people are really unhappy, they feel like they need witnesses, some kind of permanent record.”

He told her about a fiftieth-birthday party that he and Walter had attended for one of Walter’s colleagues, a woman named Nina who taught German. Nina’s husband, Peter, had planned the event, an elaborate affair that he referred to throughout the evening as his labor of love, but as he became drunker, he began to tell stories about Nina, secrets that he presented as charming little anecdotes: she had once locked their baby daughter in the bedroom with a mouse for two hours while she waited for him to get home to kill it; during a humid summer in Thailand, a mushroom had sprouted in her navel. After each story, Peter held his glass in the air while Nina sat with a tight smile on her face, inviting the guests to laugh along with her husband, who was too drunk to notice that nobody did.