Clarice Lispector - Selected Cronicas

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"Clarice Lispector was a born writer….she writes with sensuous verve, bringing her earliest passions into adult life intact, along with a child's undiminished capacity for wonder." — "In 1967, Brazil's leading newspaper asked the avant-garde writer Lispector to write a weekly column on any topic she wished. For almost seven years, Lispector showed Brazilian readers just how vast and passionate her interests were. This beautifully translated collection of selected columns, or
, is just as immediately stimulating today and ably reinforces her reputation as one of Brazil's greatest writers. Indeed, these columns should establish her as being among the era's most brilliant essayists. She is masterful, even reminiscent of Montaigne, in her ability to spin the mundane events of life into moments of clarity that reveal greater truths." —

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No, no, that is not true. It was not a life of dreams, for that would never have enriched them. But one of unreality. Although there were moments when suddenly, for one reason or another, they would plunge into reality. And then they had the impression of touching depths no one could hope to transcend.

As, for example, when the husband came back earlier than usual to find his wife was not at home. The husband felt as if a chain had been broken. Feeling put out, he sat down to read the newspaper in a silence so hushed that even a corpse at his side would have broken the spell. He sat there, pretending in all honesty to be completely wrapped up in his newspaper, his senses on the alert. This was the moment when he touched the bottom with startled feet. He could not remain for long like this without the risk of drowning, for touching the bottom was the same as having water above one’s head. These were the more concrete thoughts in his subconscious. Which caused him, levelheaded and sensible as he was, to extricate himself at once. He extricated himself at once, yet somehow reluctantly, for his wife’s absence held out such a promise of forbidden pleasure that he experienced what might be called disobedience. He extricated himself reluctantly but without discussion, conforming to what was expected of him. Who expected it of him? He could not be sure. He was no deserter, capable of betraying the trust of others. But if this were reality, there was no way he could live with it.

As for his wife, she touched on reality rather more frequently, for she had more leisure and fewer worries to contend with, such as colleagues at work, overcrowded buses, and all those administrative chores. She would sit down to do some mending, and little by little would find herself confronting reality. The mere act of sitting down to do some mending was intolerable while it lasted. The sudden way the dot falls neatly on the i, that sensation of being so much a part of existence, and everything being so clearly itself, was unbearable. But when the feeling passed, it was as if the wife had drunk from some possible future. Little by little, this woman’s future started to become something which she brought into the present, something contemplative and secret.

It was surprising how the two of them remained indifferent, for example, to politics, to the change of government, to developments in general, although, like everyone else, they too discussed these things from time to time. Truly, they were so reserved these two that, were anyone to tell them so to their face, they would have been surprised and flattered. It would never have occurred to them to think of themselves as being reserved. Perhaps they would have understood if someone had said to them: ‘You two are the very symbol of military and patriotic reserve.’ Some acquaintances said of them after the event: they were decent people. And there was nothing more to be said, for they were decent people.

There was nothing more to be said. They lacked the burden of any grave error, which is often precisely what one needs to open a safety exit. They had once taken something very seriously. They were obedient.

Not simply out of craven submission, but as in a sonnet. It was obedience out of their love for symmetry. For them, symmetry was the only possible art.

Strange that each of them should have reached the same conclusion that, alone, the one could live longer than the other. It would be a long road of rehabilitation and of useless effort, because from different angles many had reached the same conclusion.

The wife, under the continuous spell of fantasy, not only arrived at this bold conclusion, but found her life transformed into something broader and more disturbing, into something richer and even superstitious. Each thing became the cipher of something else, everything was symbolic and even vaguely spiritualistic, within the limits permitted by Roman Catholicism. Not only did she come to this rash conclusion but — provoked solely by the fact that she was a woman — she began to think some other man would save her. The idea was not all that absurd. She knew it was not. To be half-right confused her and plunged her into meditation.

Her husband, influenced by the anguished masculinity of his new environment, and by his own waning masculinity, which was timid but real, started to believe that endless love affairs would bring new life.

Dreamers, they began practising tolerance: it was heroic to be tolerant. They silenced any suspicions, disagreeing about the most convenient hour to dine and arguing freely, the one making a sacrifice for the other, because love is sacrifice. What love?

Until the day arrived when the woman was finally roused from her dream when she bit into an apple and felt one of her front teeth breaking. With the apple still in her hand, she examined herself closely in the bathroom mirror — and thus losing all perspective — she saw the pale face of a middle-aged woman with a broken tooth which made her look pathetic, and her own dark, mysterious eyes… At rock-bottom and the water already up to her neck, in her fifties, and with no message to leave behind. Instead of going to the dentist, she threw herself from her apartment window, a person for whom one could feel so grateful, so deeply grateful, because she was the pillar of our disobedience.

As for her husband, once the river-bed was dry and without any water in which he might drown, he walked over the bottom without looking at the ground, as nimbly as if he were using a cane. The river-bed had suddenly become dry. Bewildered, he walked over the river-bed with the false confidence of someone who is about to fall flat on his face at any moment.

WHAT LOVE CAN LEAD TO

— (I love you)

— (Is that what I am then?)

— (You are the love which I have for you)

— (I feel that I am about to see myself … I can almost see … I am almost there)

— (I love you)

— (Ah, that’s better. Now I can see myself. So this is me. Portrayed in full.)

ENLISTMENT

The footsteps are growing louder. They are getting nearer. Now they sound quite close. Closer still. Really close. Still approaching. Now they are not simply close, they are inside me. Will they overtake me and carry on? I hope so. It would mean my salvation. I am no longer sure with which sense I measure distance. For those footsteps are no longer simply close and heavy. They are no longer simply inside me. I am marching with them. I have enlisted.

SUBMISSION TO THE PROCESS

The process of living consists of errors — most of them essential — of courage and indolence, the despair and hope of inert awareness, of constant feeling (not thought) which leads nowhere, leads absolutely nowhere, and suddenly what you thought was nothingness turns out to be your own terrifying contact with the fabric of life. And that moment of recognition (akin to revelation) must be accepted with the greatest innocence, with the same innocence with which one is born. The process is difficult? But that is like saying that the extremely capricious and natural manner in which a flower is made is difficult. (Mummy, said the little boy, the sea is beautiful, green and blue, and with waves! It’s all naturalized! Nobody made it!) The nagging impatience (standing beside a plant to watch it grow yet without seeing anything) is not in relation to the thing itself, but to this monstrous patience (the plant grows at night). As if one were to say: ‘I cannot bear to be patient for another second’, ‘the patience of the watchmaker puts my nerves on edge’, etc.: it is an impatient patience. But the greatest burden of all is torpid patience: an ox pulling the plough.

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