Olga Grushin - Forty Rooms

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Forty Rooms: краткое содержание, описание и аннотация

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The internationally acclaimed author of
now returns to gift us with
, which outshines even that prizewinning novel. Totally original in conception and magnificently executed,
is mysterious, withholding, and ultimately emotionally devastating. Olga Grushin is dealing with issues of women’s identity, of women’s choices, that no modern novel has explored so deeply.
“Forty rooms” is a conceit: it proposes that a modern woman will inhabit forty rooms in her lifetime. They form her biography, from childhood to death. For our protagonist, the much-loved child of a late marriage, the first rooms she is aware of as she nears the age of five are those that make up her family’s Moscow apartment. We follow this child as she reaches adolescence, leaves home to study in America, and slowly discovers sexual happiness and love. But her hunger for adventure and her longing to be a great poet conspire to kill the affair. She seems to have made her choice. But one day she runs into a college classmate. He is sure of his path through life, and he is protective of her. (He is also a great cook.) They drift into an affair and marriage. What follows are the decades of births and deaths, the celebrations, material accumulations, and home comforts—until one day, her children grown and gone, her husband absent, she finds herself alone except for the ghosts of her youth, who have come back to haunt and even taunt her.
Compelling and complex,
is also profoundly affecting, its ending shattering but true. We know that Mrs. Caldwell (for that is the only name by which we know her) has died. Was it a life well lived? Quite likely. Was it a life complete? Does such a life ever really exist? Life is, after all, full of trade-offs and choices. Who is to say her path was not well taken? It is this ambiguity that is at the heart of this provocative novel.

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On the last night of their visit, Mrs. Caldwell went up to her son’s room. She knocked before entering, but it was a cursory knock: she had left Eugene foraging for a snack in the kitchen, and assumed the room empty. She had misplaced her glasses earlier that evening, and rather suspected that she had forgotten them on his nightstand, resting in the crook of his book, which she had leafed through in a surreptitious moment. All through his stay, she had made mildly disparaging comments about his choice of reading matter whenever she had caught him absorbed in it, and was now hoping to retrieve her glasses before he stumbled upon them, as she preferred to conceal her curiosity about the novel. Secrets, even minute, trivial ones, did not come easy when one was nearing fifty, burdened as one was with failing eyesight and increasing absentmindedness.

The telltale glasses were indeed there, on her son’s bedside table, sprawled with abandon across the open pages of Olga’s most recent book. She did not, however, notice the glasses, because Adriana was lying in a come-hither pose on top of Eugene’s faded Star Wars duvet, naked but for a tiny triangle of black lace between her startlingly white thighs. That much she had time to glimpse, her hand frozen on the doorknob, Adriana’s inviting smile frozen on her lips, before the girl began to scramble madly, grabbing for her clothes, crying, “Mrs. Caldwell!”

“I’m so sorry!” Mrs. Caldwell cried in turn, and, leaping back into the hallway, slammed the door shut. Once outside, she stood staring at the doorknob. Twenty-some years before, from the other side of a slammed door, she had assumed that Mrs. Caldwell—the original Mrs. Caldwell of the tweed suit, the pearl necklace, and the rigid haircut—had felt shock and distaste when coming upon her in a similar state of undress; yet she herself felt neither. She was saddened by the loss of the room where stuffed hedgehogs had lived in the shadow of a peeling solar system, and, at the same time, relieved that her bookish, abstracted boy was progressing through life’s stages in a manner befitting a self-sufficient adult male. Then, too, she could not help feeling a bit jealous at being supplanted in her son’s affections, as well as fleetingly bitter—because at her age of forty-six she knew that she would never again inspire that tug of desire in a man, because her days of lolling about in skimpy lingerie had been over before she had known to treasure them fully…

And every single one of these feelings is a cliché, she thought as she stood in the hallway, staring and staring at the doorknob. In our youth we believe ourselves so unique and our stories so original, yet we are all stuck running like hamsters on the wheel of time, all acting in the same play, and the roles of the play stay the same, only the actors switch places: one minute you are an ingénue charming an affable heir—the next, a matron used for comic relief in a scene of which you are no longer the protagonist. Emma Caldwell must have known it, just as this lovely girl will know it in her own Mrs. Caldwell moment two or three decades from now.

And yet maturity offered other consolations, so much so that Mrs. Caldwell supposed she would choose not to relive her twenties if presented with the option. Among the varied advantages of middle age, you knew enough to accept being ordinary and to find much comfort in it, just as you knew enough to recognize the clichés for what they were and be able to laugh at them. For of course the thing was funny, too funny. She waited another minute, twisting and retwisting her string of pearls. All was silent within the room now, but she sensed that the girl was standing still on the other side of the door, straining to hear the sound of retreating footsteps. Poor thing, she must be mortified, thought Mrs. Caldwell; but she too will learn to take life lightly, given time.

With a slight sigh, she turned and walked down the hall, making sure to stomp, debating whether to find Eugene and allude to the incident. But she suspected that the girl would keep quiet about it, just as she herself had kept quiet about her mishap nearly a quarter of a century before; and in any case, by the time she reached her bedroom she had already set her heart on a long, lazy soak with an aromatic candle and a glass of red wine, and so let the matter rest.

Family life was fraught with minor embarrassments, and some things were better forgotten.

34. Living Room

The Antique Mirror

The Steinway had made her anxious—would the angles of the room accommodate it, she had wondered on more than one sleepless night—but when the movers stepped aside, she breathed a sigh of relief.

“Almost done, ma’am,” said the man with the chipped front tooth. “Are you sure you don’t need help unpacking the boxes? We can do it in five minutes flat and haul away all the trash for you.”

“No, no,” she said, “just set them down here, I’ll go through them myself.”

She was rather looking forward to unearthing all the treasures from their padded cocoons. Again she glanced at her watch, impatient for the men to leave; she had only two hours remaining until the first of the school buses returned. The electrician, she saw, had just finished with the last sconce. It would all be ready by the time Paul came home.

“Well, all right, then,” said the man with the tooth. “If everything is to your satisfaction, sign on the line here, please… Ah now, thank you, ma’am, your kindness is much appreciated.”

Alone at last, she slit the boxes open, taking a quick inventory—silver here, china there, lampshades separate from the lamps, everything as it should be. She set to work. As she handled the precious objects, inspecting them one by one with subdued flurries of something approaching delight, her thoughts drifted and she found herself wondering about time. Like a train taking off from a station, which, after an initial leisurely stretch, starts gathering speed, time now passed more and more quickly, and the landscapes outside the windows flickered with increasing vagueness until merging at last into an indistinct blur, perceived in the most general of terms: a city, a field, a forest—school projects, home projects, the dizzying succession of holidays and birthdays, the smooth running of the household, the middle span of middle age—until life just flew by, reduced to unmemorable and unremembered, albeit pleasant, routine brightened by discrete flashes of rare events. (And “brightened” was really the wrong word, Mrs. Caldwell reproved herself as she discarded the last empty box; for at her age the events themselves had become predictable and rather sad, consisting mainly of departures: the younger generation setting off toward life, the older generation leaving in the opposite direction, for regions unknown, the middle generation seeing off both, struggling to stay in place amidst the flux.) Did it not seem like mere months since they had shared that happy Thanksgiving meal with Paul’s mother? Yet here they were, five years later, and Emma was gone, and the Caldwells’ stately ancestral furniture had just been installed in her own living room.

The living room was her concession to Paul’s grief. The Caldwells’ New England house had been sold and most of its contents auctioned off, but his parents’ living room held a special place in Paul’s childhood memories, and he had wished to preserve it in its entirety, down to every candlestick on every table, every cushion on every chair, every photograph on every console, all of which had thus been carefully dismantled, boxed up, and dispatched to them in a behemoth of a truck. Some weeks earlier, in preparation for its eventual arrival, Mrs. Caldwell had stripped her own meticulously assembled living room bare. She had been sad to see her lamps and pictures dispersed and swallowed up by random corners of the house, and her adored green sofa carted off altogether; but, sensitive to Paul’s feelings, she raised no objections, of course, despite being quite upset every time she chanced to glimpse the dismaying eyesore of a void gouged out at the heart of her beautiful home.

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