Olga Grushin - Forty Rooms

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Forty Rooms: краткое содержание, описание и аннотация

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The internationally acclaimed author of
now returns to gift us with
, which outshines even that prizewinning novel. Totally original in conception and magnificently executed,
is mysterious, withholding, and ultimately emotionally devastating. Olga Grushin is dealing with issues of women’s identity, of women’s choices, that no modern novel has explored so deeply.
“Forty rooms” is a conceit: it proposes that a modern woman will inhabit forty rooms in her lifetime. They form her biography, from childhood to death. For our protagonist, the much-loved child of a late marriage, the first rooms she is aware of as she nears the age of five are those that make up her family’s Moscow apartment. We follow this child as she reaches adolescence, leaves home to study in America, and slowly discovers sexual happiness and love. But her hunger for adventure and her longing to be a great poet conspire to kill the affair. She seems to have made her choice. But one day she runs into a college classmate. He is sure of his path through life, and he is protective of her. (He is also a great cook.) They drift into an affair and marriage. What follows are the decades of births and deaths, the celebrations, material accumulations, and home comforts—until one day, her children grown and gone, her husband absent, she finds herself alone except for the ghosts of her youth, who have come back to haunt and even taunt her.
Compelling and complex,
is also profoundly affecting, its ending shattering but true. We know that Mrs. Caldwell (for that is the only name by which we know her) has died. Was it a life well lived? Quite likely. Was it a life complete? Does such a life ever really exist? Life is, after all, full of trade-offs and choices. Who is to say her path was not well taken? It is this ambiguity that is at the heart of this provocative novel.

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The men in white, I notice with a sudden jolt, have left the doors standing wide open. I look at the glorious blue sky of April, or is it July—the light pouring through is radiantly clear, a luminous invitation. I realize that I do not, after all, need to bring Celia’s bunny. As I stand up and walk empty-handed toward the shining rectangle of light, I think of all the secrets, all the marvels of the world I am about to see.

Part Five

The Future

THE END

Acknowledgments

As ever, I am deeply grateful to Warren Frazier, my agent, and Marian Wood, my publisher and editor—without their friendship, judgment, and faith in my work, none of this would have happened. Thanks are also due to everyone at the Penguin Group who helped make this book a reality, especially Ivan Held, for all his support; Alexis Sattler, for assisting with so many details; and my indefatigable copy editor, Anna Jardine, who spared me many an embarrassment, among them the militant image of an elderly professor rifling, rather than riffling, through index cards. I would also like to thank Alexander Hollmann for his artistic input, and my first readers and oldest friends, Olga Levaniouk and Olga Oliker, for their immensely helpful insights—I couldn’t wish for better readers, first or otherwise.

Finally, special thanks go to my family—my mother, Natalia Kartseva, who was always there for me, and my children, Alex and Tasha, who became so delightfully curious about all the stages of making a book. Eleven-year-old Alex helped with designing the sketches, six-year-old Tasha made a sign—“Do not disturb, I need time”—for my office door, and both of them tolerated their share of Chinese takeout dinners and pizza deliveries while I was busy describing the culinary accomplishments of Mrs. Caldwell. Thank you for letting me write, most of the time—and for making me happy, always.

ALSO BY OLGA GRUSHIN

The Line

The Dream Life of Sukhanov

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Copyright A MARIAN WOOD BOOK Published by G P Putnams Sons Publishers - фото 8

Copyright

A MARIAN WOOD BOOK
Published by G. P. Putnam’s Sons
Publishers Since 1838
An imprint of Penguin Random House LLC

375 Hudson Street

New York, New York 10014

картинка 9

Copyright © 2016 by Olga Grushin

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

The author gratefully acknowledges permission to quote excerpts from Anna Akhmatova, “Requiem,” from Complete Poems of Anna Akhmatova , translated by Judith Hemschemeyer, edited and introduced by Roberta Reeder. Copyright © 1989, 1992, 1997 by Judith Hemschemeyer. Reprinted with the permission of The Permissions Company, Inc., on behalf of Zephyr Press, www.zephyrpress.org.

eBook ISBN: 978-1-101-98309-6

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

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