Lili Anolik - Dark Rooms

Published by HarperCollins Publishers Ltd

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by HarperCollins Publishers 2015

Copyright © Lili Anolik 2015

Cover layout design © HarperCollins Publishers Ltd 2015

Cover photograph © Nilufer Barin / Arcangel Images

Lili Anolik asserts the moral right to be identified as the author of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780007563340

Ebook Edition © March 2015 ISBN: 9780007563357

Version 2015-02-04

To my brother, John

“I was terribly, terribly pretty. I looked like an angel but I was a fiend inside.”

–Lee Miller

Table of Contents

Cover

Title Page

Copyright

Dedication

Epigraph

Prologue

Part One

Chapter One

Chapter Two

Chapter Three

Chapter Four

Part Two

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Part Three

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Part Four

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Epilogue

An Interview with Lili Anolik

Acknowledgments

About the Author

About the Publisher

The first time I saw Nica after she died was at Jamie Amory’s Fourth of July party. I’d slipped into the study, dark and cool and strictly off-limits, was crossing the carpet to get to the liquor cabinet, when I felt someone behind me. I paused, flesh prickling. Slowly I began to turn. A set of doors, French. On the other side of the glass, a girl. I didn’t run, didn’t move, didn’t even breathe, just stood there looking, looking, this girl so familiar: straight black hair, narrow nose, scarlet bloom of mouth, top lip nearly as fat as bottom. My skin recognized her before I did, rippling once then tightening on the bones.

My sister, Nica.

I was surprised to see her. Stunned. Yet a small part of me, the dark, secret, hidden part that didn’t listen to reason, was not. I’d known she was going to be at this party all along, had known without knowing I knew, in a way that had nothing to do with my eyes or ears, with what I could sense with my body. That’s why I’d crashed, wasn’t it? To greet her, take her around, show her to everyone who’d lost faith, given up, bought into the lie that dead means gone? I reached out to touch her as she reached out to touch me, the tips of our fingers meeting on the pane, misting it a little. I began to fill, nearly to bursting. She seemed just as full, mouth open, stretching wide, laughter I could almost hear spilling out.

Almost but not quite.

The doors were old-fashioned: two clear rectangles framed in wrought iron. At the center was a latch, small and black. I seized it. Twisted, rattled, jerked. Unbudging, as if set in cement. I let go, tried again with a different grip. Hand slipping on slick metal, my body lurched forward, right temple smashing into glass.

I staggered back, a hurt in my head that made me throb, a jolt in my blood that shocked me mad, a ringing in my ears that turned me dizzy. I looked around for something to throw. A chair, maybe. But the only chair in the room was overstuffed leather, arms wooden and elaborately carved—too heavy even to lift.

I looked back at Nica, took a step toward her to I don’t know what. Plead, I suppose, beg her to stay. And as I did, she leaned into me. Her eyes were hot, our mouths close, almost touching, our breaths intermingling if not for the pane.

Again I pulled on the latch and again the latch refused to yield. As I continued to pull and pull, hard as I could, so hard it felt like I was wrenching my fingers from their sockets, I watched her expression changing, dimming, her features going limp, listless. I’d lost her, I realized. She’d wander off, leave me alone, this time probably for good. It was already too late. Inside me something crumpled, and I let my head fall against the iron bar running down the door’s middle, my whole weight slumping behind it.

Suddenly, a giving sensation followed by a tumbling one, forward and then over. At first I was frightened, no ground under my feet. But as the stationary objects rushed away—the French doors, the short balcony outside the French doors, the rail, waist-height and rounded and shining—so too did the fear. I felt exhilarated, thrilled, as if I were in one of those dreams where I have the power of flight, am amazed at how easy it is. All it takes is faith. Trust in my heart I can fly and I can fly, nothing to it. Air streaked past me, singing in my ears, whistling through my body, emptying it out, blowing it clean, purifying me, making me perfect. I was soaring, streaking, gliding, hurtling, harder and harder, faster and—

A burst of electric white. A pain like my face had exploded.

Time passed. For long seconds I lay on the ground, breathing dirt, spine quivering, teeth vibrating, vision doubled and knocked out of focus. No plan was in my head, no thought. I felt broken, everything on me soft, dented, my brow already swelling, battered tissues gorging themselves on blood, skin split and streaming.

Around me a breeze stirred, picked up. I waited for a lull. Then, neck trembling, eyes loose and lolling, I dug my fingers into the soil and slowly, very slowly, raised myself onto my elbows. I turned. Directly above me, on the second story of the house, was a pair of open doors, the twin panels spread like wings, the latch at the center swinging lightly back and forth.

I looked around. Nica was nowhere in sight. Had she jumped from the little balcony? Gotten fed up, ditched me like I thought she would? Or had she fallen from the little balcony, knocked off it when I went careening through those doors? Was she lying on the ground someplace, hurt, maybe unconscious? Or, I wondered, my gaze turning to the pool, illuminated only by the moon, the lights surrounding it doused to discourage partygoers from cooling off with a swim, had she landed in the water? Panic cutting through the pain, I stuck my hands and knees beneath me and crawled over to the edge.

Sure enough, there she was, at the bottom. The most obvious damage had been done to her face, which looked smashed in and puffed up at the same time. She wasn’t moving, was perhaps too stunned to, but her eyes were open and seeking mine. Now it was she who needed my help. I’d give it to her. Of course I would. Just as I was about to take the plunge, though, a drop of blood trickled down the bridge of my nose, dangling for a second at the tip, then falling. When it hit the water, Nica’s face broke apart in a series of shivery concentric ripples, and that’s the moment I realized.