Lynn Strong - Hold Still

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Hold Still: краткое содержание, описание и аннотация

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Maya Taylor, an intense, gifted English professor, has a tendency to retreat when she is needed most, escaping on long morning runs or finding comfort in the well-thumbed novels in her library. But when she sends her daughter Ellie to Florida to care for a friend’s child, it’s with the best of intentions. Twenty and spiraling, Ellie is lost in a fog of drugs and men — desperately in need of a fresh start. Her life with this attractive new family in Florida begins well, but Ellie is crippled by the fear that she’ll only disappoint those around her. . again. And in the sprawling hours of one humid afternoon, she finally makes a mistake she cannot take back.
The accident hangs over both mother and daughter as they try to repair their fractured relationship and find a way to transcend not only their differences but also their more startling similarities. In Maya’s and Ellie’s echoing narratives, Lynn Steger Strong creates a searing, unforgettable portrait of familial love and the tender heartache of motherhood — from the sweltering Florida heat to the bone-cold of New York in January. Churning toward one fateful day in two separate timelines,
is a story of before and after and the impossible distance in between.
Heralding the arrival of a profoundly moving new talent, this novel marks a taut and propulsive debut that “builds to a perfect crescendo, an ending that is both surprising and true” (Marcy Dermansky).
explores the weight of culpability and the depths and limits of a mother’s love.

is an unblinking examination of family, the mother-child bond, and the storms it must withstand. Lynn Strong pulls no punches in considering not just how deep, but also how misguided a mother’s love can be.”—Elisa Albert, author of

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The Next Day

Stephen had itemized what happened in as clear and certain terms as he could. There had been a riptide. These came often, especially that time of year. The tides were highest, least predictable, in September. The water often deceptively calm. The boy had been pulled out and under. He was small and must have struggled, panicked. Ellie’d swum in the opposite direction and hadn’t seen or heard him. By the time she’d gotten to him: his brain had been too long without air.

M,

He was so wet right after. I used to carry him sometimes. He’d fall asleep in the car, or on the couch, and I loved the feel of him against me, warm and quiet, as I brought him to his bed. But he was heavier than he’d ever been.

The water tried to pull me down as I dragged him. It was windy and the tide kept pulling me back out. As we came in to shore I got hit with a wave and I remember thinking if I could just stay standing he would be okay. I kept looking forward to the moment he’d be fine again.

I think she tried to think it wasn’t my fault. She held my hand in the ambulance at first. I was crying and I wouldn’t. . I couldn’t let go of him. But as she watched him and once she really looked at me — I couldn’t focus, couldn’t get warm, couldn’t make sense — she just turned away and didn’t speak to me or look at me again.

Sometimes I think I want to call her. Sometimes I try to write it down. But I don’t think there’s language for the sort of sorry that I am.

Every day I see the therapist. We all see him every day, between the self-serve frozen yogurt most of us subsist on and avoiding talking to one another, the walks around the grounds that are too pretty, like they’re trying to make up for all the awful shit that we’ve all done with perfect plants. The therapist says I have to re-imagine the experience. He says I have to take account of my actions, understand my culpability, situate myself within the context of this thing I’ve done. He has masks along the wall of his office, big dark angry pieces of wood that I stare at when I can’t look at him. He sits with his leg crossed over his knee like we’re just talking about some small gripe I have with you guys, like I’m just some wayward girl who likes boys and drugs. What I want is for him to scream at me. I want him to tell me how to fix it, to fix me, even though I know he can’t. I sit there staring at those masks and think fuckyoufuckyoufuckyou for not making any of it better. And then I think, fuck me.

The other day I laughed at something. This guy made a joke in group that wasn’t even funny, but I laughed. It was like my body wanted to remember what it felt like, to make that sound, to move that way. I felt awful after. I hid in my room in case anybody noticed, in case anybody here cared what I did, or what I’ve done. But sometimes now whole minutes pass in which he isn’t all I think about. I think about you or Dad or Benny. I think about a book or a TV show, random, stupid shit. I think about all the time I might still have in which I have to figure out how to keep on living. It feels almost totally impossible. It feels like all that’s left.

El

Ellie has on jeans and flip-flops. She looks young to Maya, far too thin.

Ellie’s mom looks scared.

Maya grabs tight to her daughter.

Ellie stands very still and breathes in the scent of Mom .

They drive out to the beach without anybody talking. Maya stares at El at every stop. Twice: the blare of horns behind them as the light turns green and they still haven’t gone. Ellie turns to her the second time. Same eyes, same nose, but Maya’s still afraid to look at her too long. She almost grabs her daughter’s hand, but stops. They park at the least-used beach access Maya knows: two worn dirt spots for cars, no shower, a path straight through the dunes. Both of them are barefoot. The path is overgrown. Large flaps of leaves slap their thighs and shins. An errant branch gets caught in Ellie’s hair. The ground levels off up by the dunes and then dips steeply. The water’s soapy, choppy; whitecaps form and trickle in. A long time, Ellie and her mom stay far from where the water meets the sand.

“El,” says Maya. Her daughter wears a tank top and Maya watches as her shoulders rise and fall. Maya grabs her hand. She loops an arm around her daughter’s waist and pulls her to her. She brings her back against her chest and holds her still.

Acknowledgments

THANK YOU to my parents, who’ve loved me, always, who love so much our little girls.

To my agent, Amelia Atlas, brilliant reader, prolific emailer, extraordinary listener, thoughtful talker-off-a-ledger, most trusted lovely guide.

To my editor, Katie Adams, who knew exactly how to make this book what I’d always hoped that it could be.

To Cordelia Calvert and Peter Miller, for your meticulous thoughtfulness.

To my teachers: Rob Devigne, Lecia Rosenthal, Victor LaValle, Deborah Eisenberg, Christine Schutt, Heidi Julavits, Ben Metcalf, Richard Ford, for your boundless stores of generosity.

To Steven Luz-Alterman, for saving me.

To Bryant Musgrove, most constant trusted reader, writing soul mate, first ever champion, dear, dear friend.

To Elena Megalos, Sanaë Lemoine, Eliza Schrader, Natasha Suelflow, and Yurina Ko, baby holders, playground goers, sidewalk chalkers, subway sharers, couch sitters, dinner makers, apartment lenders, ice-cream bringers, endless versions of the first ten pages readers, the best talkers, who taught me all community could be.

To Tara Gallagher and Rebecca Taylor, fellow drowning girls.

To Willa Cmiel, for thinking fear is useless and absurd, for how very strong you are.

To Catherine Boshe, Buggy holder, other mother, second partner, the best listener, always a place that we can stay.

To Cheryl Fabrizio, teacher trainer, constant reader, Faulkner shower, long text sender, I’m proud of you too.

To Osvaldo Monzon and Mauricio Botero and Heidi Rich.

To Ricardo Lopez, Marisa Strong Baskin, and Kara Steger.

To Mimi Fry, for beach dates, such great mama conversations, for showing up and always bringing extra snacks.

To Shannon Carthy Curry, for walks and runs and mulberries.

To Emily Joanna Bender, dorm bed listener, first book sharer, best mom friend always, one of my favorite brains.

To Kayleen Rebecca Hartman, for all those years of almost everything.

To Alejandro Strong, for calling and talking, and walking and talking, and driving and talking. For the Trachtenbergs.

To Scott Steger, who always tries.

To Kenny Strong and Cristina de la Vega, who saved our lives a million times and stuck around and made us cake, who held our babies, took our trash out, made us dinner, hugged and listened, all those rich and lovely hours talking in the kitchen, who give our children so much love and care.

To Peter, who is steady, careful, confident, who is generous and kind, who is my favorite conversation, my favorite couch or walk or dinner partner, my most trusted teammate; who taught me love, who taught me fun, who gave me a whole world.

To Isabel and Luli, who taught me joy.

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