Ingo Schulze - New Lives

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New Lives: краткое содержание, описание и аннотация

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East Germany, January 1990. Enrico Türmer, man of the theater, secret novelist, turns his back on art and signs on to work at a newly started newspaper. Freed from the compulsion to describe the world, he plunges into everyday life. Under the guidance of his Mephisto, the ever-present Clemens von Barrista, the former aesthete suddenly develops worldly ambitions even he didn’t know he had.
This upheaval in our hero’s life, mirrored in the vaster upheaval gripping Germany itself after the fall of the Berlin Wall and the birth pangs of a reunified nation, is captured in the letters Enrico writes to the three people he loves most: his sister, Vera; his childhood friend Johann; and Nicoletta, the unattainable woman of his dreams. As he discovers capitalism and reports on his adventures as a businessman, he peels away the layers of his previous existence, in the process creating the thing he has dreamed of for so long — the novel of his own life, in whose facets contemporary history is captured. Thus Enrico comes to embody all the questionable aspects not only of life in the old Germany, but of life in the Germany just taking form.
Once again Ingo Schulze proves himself a master storyteller, with an inimitable power to reconjure the complete insanity of this wildest time in postwar German history. As its comic chronicler, he unfurls a panorama of a world in transformation — and the birth of a new era.

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“You see!” Jörg shouted. “Just takes a little goodwill.” Vulcan had no cause whatever to worry, worries weren’t part of his job. Jörg paused, took a step back, grabbed my arm, and presented me as an artist, a master of touch-typing, all ten fingers. “Enrico Türmer!”

I sat down at the typewriter, rolled three sheets of the official district council paper into it, and typed the date and place. Not just the “a” and the “o,” but all the letters were so clogged with gunk as to be almost indecipherable. Besides which the left caps shift was missing. There was, however, plenty of carbon paper.

After a few puffs on his cigar, Vulcan grumbled again about how it was long past time for his noon break. Georg tossed me his pocketknife so I could give the letters a crude cleaning.

“So?” Vulcan asked ten minutes later. As if judging the quality of a work of graphic art, he inspected the page and then laid it down in front of him. “So? What am I supposed to do with this?”

“Number, stamp, receipt,” Jörg replied.

“Whatever you want, whatever you want,” he said, “but it won’t do you any good.” Jörg demanded both stamp and signature on the copies too, and left one of them on the blotter.

Without another word, we left Vulcan behind. Out on the street we clapped each other’s clothes, dusting off volcano ashes. Jörg took off for Leipzig right away.

I tour the countryside passing out flyers printed in red. The announcement and subscription form for the paper looks like a warning against rabies.

Michaela asked me to send her greetings too.

Enrico

Friday, Jan. 19, ’90

Verotchka,

I can’t stop thinking about you and I count the days that you’re still in Berlin, as if we’re living together and will soon be separating.

The newspaper’s telephone number is 6999. Do you think maybe you can call from Beirut? Mornings I’m almost always alone, but that will soon change. Have you heard anything more from your nobleman?

Sometimes I’m afraid of myself, no, not of myself, but of where things are headed. It’s all happening so inexorably and logically, and I suddenly see myself right in the middle of it all, as if in a dream. I’m afraid I’ll wake up one morning and not know what to do next, what to do period.

Yesterday and today I wrote Johann and told him a couple of stories. He’s always impressed by stories. He’ll envy me my job yet.

Mamus is determined to give us a bus trip to Paris. I hope I can talk her out of it. She claims it’s because of the bet, that I won the bet, and she’s going to keep her word. 20Michaela and Robert are all excited. Michaela’s schedule of performances will probably prevent us from going, at least I hope so.

Michaela has started accusing me of being cold. She gets just as aggravated when I’m around as when I’m not. To keep her from getting any more upset, I even try to avoid abrupt movements and gestures when I’m around her.

The last few days we’ve fallen into a morning ritual that makes the first hour feel deceptively like our old routine. (Except we don’t eat eggs anymore, they’re unhealthy, she says.) The moment Michaela is done in the bathroom I pour coffee so that she can drink hers right away. Every peaceable minute is a godsend. On the way to the car we usually talk about Robert and school, an inexhaustible topic. As long as we keep talking, we stay clear of danger.

But as soon as we drive off, the tone of voice changes. By the time we’re even with the train station we’re not talking — that is, Michaela has fallen silent and I can’t bring myself to say another word either. As we pass the museum, our silence turns icy. Once we’re at the theater parking lot, at the latest, Michaela explodes. The eeriest part is the predictability, the way the whole thing repeats itself, as if every morning Michaela realizes for the first time that I’ll not be getting out of the car with her, that she has to go into the theater alone — and she seems all the more surprised because up to that point everything has been just like it used to be.

I turn off the engine, so she won’t feel I’m trying to push her, and listen to my lesson on how there are theaters in the West too, how there always has been, always will be theater, and how both man and society come to self-realization in the theater. Once she’s flung her words at the windshield, she sinks back into silence. But in a state of intense concentration, like right before an entrance. The worst thing now would be to remind her of the time. I sit beside her as if waiting for the rain to end and make sure I don’t touch the steering wheel, avoiding any kind of gesture that could be held against me as impatience.

Suddenly she flings the door open and runs off, without a good-bye, head thrown back, purse pressed to her chest, coat fluttering behind her.

Bent over the steering wheel, I watch her go, ready to wave in case she might turn around. After Michaela has vanished I start the car and catch myself smiling in the rearview mirror.

Three minutes later I’m in the office — add some coal, put water on, and wait with my back to the stove until the coffee’s ready. Georg comes down shortly afterward, taps the barometer, winds the grandfather clock, and checks the thermometers outside the window and next to the coatrack. Captain Nemo couldn’t keep closer watch on his instruments.

Afternoons I usually drive around the area, dropping in on town halls. At first they’re frightened when they hear “newspaper.” The secretaries generally catch on more quickly than their bosses that I’m not a threat, and are extremely friendly. Robert comes along sometimes. During the drive we talk about all sorts of things. He has a clear understanding of what my job is. How a newspaper uncovers things and tries to see justice done on all sides. I really enjoy the time with him.

Our first edition is supposed to appear on Friday, February 16th. It all sounds like a fairy tale. You come up with an idea, carry it out, and make a living from it. As if we’re returning to some long-forgotten custom, to a way of life familiar to everybody except us.

On Tuesday we’ll be driving to Offenburg for three days, but not as part of the official Altenburg delegation. A well-wisher 21will be paying our hotel bill. Let’s hope our Jimmy holds up. 22

Verotchka, my dearest! Hugs!

Your Heinrich

Thursday, Jan. 25, ’90

Verotchka,

Just imagine how much money that would be if we exchanged it! Maybe a hundred forty, a hundred sixty thousand? What madness! But the best part was still the telephone booths. 23Am I asking too much to be able to hear your voice once a day?

At times I thought it really still existed, the West. A constant flood of old daydreams and reflexes. People like Gläsle — the man at the town hall, who couldn’t understand why so many Altenburgers keep sending decks of skat cards 24—must have taken us all for barbarians.

Georg, who had spoken with Gläsle on the phone, got the impression that we were being invited to plunder their store of office supplies to our hearts’ delight. Gläsle led us to a stockroom in an attic not far from the town hall. We immediately pounced upon the treasures. No sooner had we stuffed shopping bags full of felt pens, Scotch tape, erasers, and colorful paper clips than we emptied them again and stuffed them with file folders and transparent covers, with ring notebooks and tubes of glue. We even laid claim to a white magnet board. We ransacked it all as if in a frenzy. Within a few minutes I didn’t even recognize myself. How could we have done this without asking even once? We had to unpack it all again, taking inventory, counting, figuring prices, and putting more and more items back. Gläsle had turned paler than we were. Thank God Georg had the envelope of money with him. It turned out that this was Gläsle’s attempt to do us a favor by giving us the same discount the town got for office supplies. He was acting against regulations. He warned us not to say a word to anyone. All the same Gläsle performed a rabbit-out-of-a-hat trick, lifting the cover from a huge electric typewriter. He called it the “green monster,” and asked if we might want it, with a bag of ribbons included. That, he said, was a gift he could give us. Gläsle looked downright relieved and wondered out loud what else he could send along with us — although the typewriter was problem enough. We finally fit it — fat and green like a giant toad — between Georg and Jörg on the backseat.

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