Edward Jones - All Aunt Hagar's Children

As they poured his things out of a large manila envelope, the two guards behind the desk whispered and laughed. “Everything there?” one of them asked Horace. “Yes.” “Well, good,” the guard said. “I guess we’ll be seein you on your next trip here.” “Oh, leave that old man alone. He’s somebody’s grandfather.” “When they start that old,” the first man said, “it gets in their system and they can’t stop. Ain’t that right, Pops?”

He and Reilly did not say very much after Reilly said he had been surprised to hear from Horace and that he had wondered what had happened to him since Loneese died. Horace said he was eternally grateful to Reilly for bailing him out and that it was all a mistake as well as a long story that he would soon share with him. At Claridge, Reilly offered to take him out for a meal, but Horace said he would have to take a rain check. “Rain check?” Reilly said, smiling. “I didn’t think they said that anymore.”

The key to the apartment worked the way it always had, but something was blocking the door, and he had to force it open. Inside, he found destruction everywhere. On top of the clothes and the mementos of his life, strewn across the table and the couch and the floor were hundreds and hundreds of broken records. He took three steps into the room and began to cry. He turned around and around, hoping for something that would tell him it was not as bad as his eyes first reported. But there was little hope—the salt and pepper shakers had not been touched, the curtains covering the glass door were intact. There was not much beyond that for him to cling to.

He thought immediately of Catrina and Elaine. What had he done to deserve this? Had he not always shown them a good and kind heart? He covered his eyes, but that seemed only to produce more tears, and when he lowered his hands, the room danced before him through the tears. To steady himself, he put both hands on the table, which was covered in instant coffee and sugar. He brushed broken glass off the chair nearest him and sat down. He had not got it all off, and he felt what was left through his pants and underwear.

He tried to look around but got no farther than the picture with the secretary of defense. It had two cracks in it, one running north to south and the other going northwest to southeast. The photograph was tilting, too, and something told him that if he could straighten the picture, it all might not be so bad. He reached out a hand, still crying, but he could not move from the chair.

He stayed as he was through the afternoon and late into the evening, not once moving from the chair, though the tears did stop around five o’clock. Night came, and he still did not move. My name is Horace Perkins, he thought just as the sun set. My name is Horace Perkins, and I worked many a year at the Pentagon. The apartment became dark, but he did not have it in him to turn on the lights.

The knocking had been going on for more than ten minutes when he finally heard it. He got up, stumbling over debris, and opened the door. Elaine stood there with Darnell Jr. in her arms.

“Horace, you okay? I been comin by. I been worried about you, Horace.”

He said nothing but opened the door enough for her and the baby to enter.

“It’s dark, Horace. What about some light?”

He righted the lamp on the table and turned it on.

“Jesus in heaven, Horace! What happened! My Lord Jesus! I can’t believe this.” The baby, startled by his mother’s words, began to cry. “It’s okay,” she said to him, “it’s okay,” and gradually the baby calmed down. “Oh, Horace, I’m so sorry. I really am. This is the worst thing I’ve ever seen in my life.” She touched his shoulder with her free hand, but he shrugged it off. “Oh, my dear God! Who could do this?”

She went to the couch and moved enough trash aside for the baby. She pulled a pacifier from her sweater pocket, put it momentarily in her mouth to remove the lint, then put it in the baby’s mouth. He appeared satisfied and leaned back on the couch.

She went to Horace, and right away he grabbed her throat. “I’m gonna kill you tonight!” he shouted. “I just wish that bitch Catrina was here so I could kill her, too.” Elaine struggled and sputtered out one “Please” before he gripped her tighter. She beat his arms, but that seemed to give him more strength. She began to cry. “I’m gonna kill you tonight, girl, if it’s the last thing I do.”

The baby began to cry, and she turned her head as much as she could to look at him. This made him slap her twice, and she started to fall, and he pulled her up and, as he did, went for a better grip, there was time enough for her to say, “Don’t kill me in front of my son, Horace.” He loosened his hands. “Don’t kill me in front of my boy, Horace.” Her tears ran down her face and over and into his hands. “He don’t deserve to see me die. You know that, Horace.”

“Where, then!”

“Anywhere but in front of him. He’s innocent of everything.”

He let her go and backed away.

“I did nothin, Horace,” she whispered. “I give you my word, I did nothin.” The baby screamed, and she went to him and took him in her arms.

Horace sat down in the same chair he had been in.

“I would not do this to you, Horace.”

He looked at her and at the baby, who could not take his eyes off Horace, even through his tears.

One of the baby’s cries seemed to get stuck in his throat, and to release it the baby raised a fist and punched the air, and finally the cry came free. How does a man start over with nothing? Horace thought. Elaine came near him, and the baby still watched him as his crying lessened. How does a man start from scratch?

He leaned down and picked up a few of the broken albums from the floor and read the labels. “I would not hurt you for anything in the world, Horace,” Elaine said. Okeh Phonograph Corporation. Domino Record Co. RCA Victor. Darnell Jr.’s crying stopped, but he continued to look down at the top of Horace’s head. Cameo Record Corporation, N.Y. “You been too good to me for me to hurt you like this, Horace.” He dropped the records one at a time: “It Takes an Irishman to Make Love.” “I’m Gonna Pin a Medal on the Girl I Left Behind.” “Ragtime Soldier Man.” “Whose Little Heart Are You Breaking Now.” “The Syncopated Walk.”

Even before the fracas with Terence Stagg, people all along both sides of the 1400 block of 8th Street, N.W., could see the Benningtons for what they really were. First, the family moved in not on Saturday or on a weekday, but on Sunday, which was still the Lord’s Day even though church for many was now only a place to visit for a wedding, or a funeral. Perhaps Easter or Christmas. And those watching that Sunday, from behind discreetly parted, brocaded curtains and on porches rarely used except to go back and forth into homes, had to wonder why the Bennington family even bothered to bring along most of their furniture. They had a collection of junk that included a stained queen-size mattress, a dining room table with three legs, a mirror with a large missing piece in one corner, and a refrigerator dented on two sides. One neighbor, his second cup of morning coffee in hand, joked to his wife that the Bennington refrigerator probably wouldn’t work without a big block of ice in it to cool things. During the move-in, the half-dressed little Benningtons occupied themselves running to and from the two mediumsize moving trucks, taking in clothes that had busted out of the cardboard boxes during the trip from whatever countrified shack they had left. Over the next two weeks or so, it became clear that the house at 1406 8th, with its three bedrooms, would be containing at least twelve people, though that number was always fluid, so neighbors on both sides of the street would never get a proper accounting, and they would never know who was related to whom.