Alan Moore - Jerusalem

And he did, implicitly. While it was obvious to a blind man that Mick’s sister was both self-infatuated and delusional, in his experience Alma also often turned out to be right. If she said that she could repair a cataclysm with some tubes of paint, Mick was inclined to put the money on his sister rather than the meteor strike or whatever it was had happened to the Boroughs. All her life she’d made perverse decisions that had worked out for her against all the odds and nobody could say their Alma hadn’t done well for a Boroughs kid. Mick had got faith in her, though not the wide-eyed faith of her devoted audience, many of whom appeared to think of her as having origins within the region of the supernatural or else the field of clandestine genetic research, a god-sent mutation who could talk to stones and raise the unborn, let alone the dead.

“I can’t believe you’re Alma Warren’s brother”, he’d had more than one fan of his sister’s paintings tell him, mostly female workmates of his wife’s whom Alma was convinced only responded to her as “a badly misjudged lesbian icon” rather than an artist. Sometimes, if they knew Mick’s background, they’d sit looking thoughtful before asking him how anyone like Alma Warren could have possibly emerged from a notorious urban soul-trap like the Boroughs. He considered this a stupid question, as if there were any other place she could have come from, Hell or Narnia or somewhere. How long was it since there’d been even a trace of the authentic working class, if its conspicuous products were today unrecognisable as dodos? What had happened to that culture? Other than those parts of it which had been tempted up into the low boughs of the middle classes or drained off into the cardboard jungle, how had it all vanished so that these days if they saw it, no one had a clue what they were looking at? Where had it gone? Why hadn’t somebody complained?

They’d turned left and were walking down the lowest edge of Castle Hill, towards the wall of Doddridge Church, heading for Chalk Lane, Marefair and the cab rank of the station at the bottom, on the end of their beloved Andrew’s Road. Alma was back to conjuring another as yet non-existent masterpiece, eyes staring fixedly into the ink-wash empty space before her as if she already saw it framed and hanging there.

“I had this idea, right, when we were talking. I could do my dream, the one about the carpenters down at the corner of the market in the middle of the night. I could do something really big, a bit like Stanley Spencer with enormous figures bent over their lathes, facing away from us. I’ll do some bits in loving detail but I’ll leave the rest unfinished with, like, dangling pencil lines. I’ll call it ‘Work in Progress’ …”

Alma trailed off, stopping in her tracks to gaze up at the eighteenth-century Nonconformist church that they were passing. Set into the toffee-coloured stonework of its upper storey was a closed pitch-painted doorway that led into empty air, clearly a loading bay of some sort, except why would anybody need one halfway up a church? It looked as if it was intended to lead to an unseen upper floor of the impoverished district, one long since demolished without trace, or possibly a planned extension yet to be constructed. She looked from the senseless angel-door to Mick and when she spoke her train-wreck voice was small and marvelling, more like that of a little girl than when she’d been one.

“That’s one of the places, Warry, isn’t it? From in your seizure or whatever?”

Alma’s brother nodded and then indicated the turfed-over wasteland up beyond another car park, on Chalk Lane approaching to their right as they resumed their walk.

“Yeah. That’s another, but that’s like an earthworks. It’s much bigger though, and older, and the puddles have unfolded, sort of, into a lagoon.”

His sister nodded slowly, taking it all in as she surveyed the tuft of land rising behind the car-crèche, its surveillance camera babysitter monitoring her charges from a litter-pocket corner. One forked tree or maybe a close-planted pair stretched up out of the mound in silhouette against the sodium lamp bleed above the nearby station. Trees were the enduring features of a landscape, its true face beneath the pantomime dame crust of leisure centre and dual carriageway, cosmetic affectations wiped away at intervals. The oak and elm defined the view across great tracks of time, were vital structural elements, constant as clouds and like the clouds mostly unnoticed.

As they reached the top of Chalk Lane, to the east past Doddridge Church on its grass hillock were the flats and houses of St. Mary’s Street where the great fire was started, and past that the traffic rush of Horsemarket, running uphill to void into the dead monoxide junction where the Mayorhold used to be. Ahead of them the crack of Chalk Lane dipped through darkness, south and down to Marefair’s headlight ribbon with the devil-decorated eaves of Peter’s Church across the way, an ibis hotel and attendant entertainment complex up towards town on the left. A neon tumour styled by Fabergé, this had been raised upon the site of the demolished Barclaycard headquarters, previously an endearing tangle of small businesses and hairline alleyways, Pike Lane, Quart Pot Lane, Doddridge Street and long before that a royal residence that governed Mercia and with it most of grunting Saxon England. There weren’t ghosts here; there were fossil seams of ghosts, one stacked upon another and compressing down to an emotive coal or oil, black and combustible.

Alma tried to imagine the whole listing quarter right from Peter’s Way to Regent Square, from Andrew’s Road to Sheep Street and Saint Sepulchre’s, a petrifying side of boar still with the jutting tower-block arrows that impaled and brought it down, still with its street lamp bristles and its alehouse crackling; tried imagining it all in context of Mick’s vision as if the distressed topography and broken skyline still plugged into something humming and impalpable, some legendary machinery long disappeared but still perhaps in working order. It was awesome and it made her need a joint. Campaigners said it wasn’t possible to get addicted to old-fashioned hashish, but to Alma’s way of thinking they just couldn’t have been trying.

They stepped out of Chalk Lane onto Black Lion Hill, a million years of gradient presided over by four hundred years of public house at the arse-end of Marefair. By the alley-mouth there’d been another paper-shop where Alma from the age of seven had bought comics for their pictures, garish flotsam shipped here from America as ballast with skyscraper-scented pages and electrifying banners: Journey into Mystery, Forbidden Worlds and My Greatest Adventure . Over the resurfaced lane had stood a melancholy guesthouse hanging back behind a screen of elders, with existing photos from a date still earlier showing a mill-like structure dominated by a lantern cupola that previously ruled the corner. There was a short row of faceless 1960s houses perched there now, behind the high wall overlooking the main road, with tenants hanging on until the area was one day gentrified, part of a ‘Cultural Mile’ that council wonks had blue-skied and attempted to talk up, before they sold high and bailed out for somewhere less accusing, somewhere without all the bad dreams trapped like astral rising damp in the foundations. Alma had from somewhere the impression that a local councillor had occupied one of the buildings once, but whether he still lived there she had no idea. Rounding the corner to their right, they walked down to the lights and crossed St. Andrew’s Road, continuing to the approach of Castle Station.

This was where the sex-commuters pulled in at the weekends, prostitute away-teams hot from Milton Keynes or Rugby riding in upon a Silverlink express to the well-publicised red-light zone of the Boroughs, the rich pickings of the all night truck-stop on its northwest corner, where the hump of Spencer Bridge met Crane Hill at the foot of Grafton Street, the area’s northern boundary. Walking AIDS vectors and their managers routinely filtered through the station forecourt, through the former medieval castle where Shakespeare’s King John commences, where reputedly they held the world’s first parliament during the thirteenth century and raised the poll tax that sparked off Wat Tyler’s uprising of 1381, where various Crusades were planned, where Becket was condemned, here at the end of the soot-blasted road where Mick and Alma had grown up, their derelict arcadia. As they descended to the hackney cabs unwinding round the station’s yard from its front entrance, Alma was reflecting on the grave enormity of what she’d promised she’d see through. She wasn’t going to have to simply do these pictures. She was going to have to do the fuck out of them.