Alan Moore - Jerusalem

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Jerusalem: краткое содержание, описание и аннотация

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In the half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between the firetrap tower blocks. Embedded in the grubby amber of the district’s narrative among its saints, kings, prostitutes and derelicts a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrol-coloured puddles and the fractured dreams of those who navigate them. Fiends last mentioned in the Book of Tobit wait in urine-scented stairwells, the delinquent spectres of unlucky children undermine a century with tunnels, and in upstairs parlours labourers with golden blood reduce fate to a snooker tournament.
Disappeared lanes yield their own voices, built from lost words and forgotten dialect, to speak their broken legends and recount their startling genealogies, family histories of shame and madness and the marvellous. There is a conversation in the thunderstruck dome of St. Paul’s cathedral, childbirth on the cobblestones of Lambeth Walk, an estranged couple sitting all night on the cold steps of a Gothic church-front, and an infant choking on a cough drop for eleven chapters. An art exhibition is in preparation, and above the world a naked old man and a beautiful dead baby race along the Attics of the Breath towards the heat death of the universe.
An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake’s eternal holy city. Fierce in its imagining and stupefying in its scope, this is the tale of everything, told from a vanished gutter.

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“As for old matey-boy who just went sizzlin’ past, I reckon as ’e looked the way ’e did for the same reason Phyllis still ’as all ’er fuckin’ stinkin’ rabbits.” Bill ducked nimbly as he dodged a swipe from his big sister before he went on.

“I’m only sayin’ that it must be ’ow it wiz for all of us: we look the way we best remember ourselves being when we wiz alive. For bomb-boy what we just saw, that must be the way that he prefers to see ’imself, right at that moment when he pulled the string or whatever they do and took out ’alf o’ Stringfeller’s or Tiger Tiger. From ’is eyes and from the way that ’e wiz walkin’, it looked like he’d shat ’imself, but I suppose it’s all part o’ the martyrdom, ay?

“What I can’t get me ’ead round wiz what ’e wiz doin’ up ’ere in Mansoul. At a rough guess, I’d say it must be because ’e grew up around the Boroughs, or because ’e died ’ere. Grew up, or else blew up. But I don’t remember anybody like that from my lifetime. ’E must be from further up the line than me an’ Phyll.”

Everyone thought about that for a while, the idea that the Boroughs would at some point in its future either suffer the attentions of a suicidal bomber, or produce one.

Michael turned towards the pitch-stained balustrade that he and the Dead Dead Gang had not moved from since the passing of the smiling, shuffling explosion. It appeared that the upsetting visitation had produced at least one helpful side effect, in that the six ghost-children now had their own strip of rail, over or through which they could look at the impending fight between the builders without having lots of grown-up ghosts in front of them. He also realised that the reason why the older phantoms hadn’t crowded straight back in and jostled the wraith-kids out of the way was more than likely Phyllis Painter’s rabbit scarf, which obviously had its uses.

He supposed it was a bit like the one time his mum and dad had taken him and Alma up to see the Bicycle Parade in Sheep Street at the top of Bull-Head Lane. Michael had travelled up there in his pram, but had been unstrapped on arrival to stand by his mum, Doreen, holding her hand. Unfortunately, he’d been so excited that he’d been sick over two whole paving stones where they were standing. This had ensured that he and his family were given lots of room in which they could enjoy the simultaneously thrilling and disturbing cavalcade of marching bands, princesses, clowns on bicycles and horrors with great peeling heads of papier-mâché, Michael’s vomit having much the same effect that Phyllis’s putrescent stole was having now.

Not being tall enough to see over the rail, he looked between the wooden bars like a surprisingly young jailbird, out across the mesmerising view available from this first-storey balcony that jutted from the Works.

His first impression was that he was looking down upon the Mayorhold, or on something that the Mayorhold might have been a Matchbox toy-scale reproduction of, almost as if the modest mortal square were a page out of a closed pop-up book that had been opened and unfolded here upon this higher plane. Seen from this elevated angle it was very much like being in some giant amphitheatre, peering down into a well that was a mile or so across and seemingly descended through some several layers of reality. The different worlds in slowly undulating bands stacked one upon the other, like trick drinks he’d seen on telly, in a tall glass with the different booze in different-coloured stripes.

The highest level was perhaps on one of the two floors above him, with their balconies protruding from the front wall of the Works directly overhead, or possibly the vast expanse of Mansoul sky that dominated the enclosure, where the funny geometric clouds unfolded themselves in progressively more complicated shapes, pale lines against a singing and celestial blue. However you divided it, the Second Borough was on top of the arrangement, with the buildings ringing this expanded Mayorhold being of the same dreamy immensity that seemed to be a feature of the architecture here Upstairs.

Michael allowed his gaze to slide down the steep lines of the huge structures opposite him, on the far side of the former town square. These appeared to be inflated and flamboyant versions of the humble enterprises that, down in the living world, looked out upon the Mayorhold. Straight across from him there was a sort of layered pyramid composed from two varieties of marble, one white and the other green, arranged in alternating giant blocks. Tall windows interrupted the façade, and round the curve of a high decorative arch that crowned the building, picked out in mosaic letters, was the legend ‘Branch 19’. He realised he was looking at a higher version of the Co-op, the same place they’d glimpsed a little while ago when they were in the faded duplicate of 1959 that was the ghost-seam. Having recognised this landmark, he was able to deduce that the austere grey tower just south of the stretched-out Co-op, which he’d taken for a sober-looking church or temple of some kind, was actually a Mansoul-style exaggeration of the public toilets at the foot of Silver Street.

As he continued to inspect the ever-lower reaches of the premises on the Mayorhold’s far side, he reached the second trembling and vaporous strata of the piled realities. Here, following a pitch-railed wooden walkway running round the bottom of the higher edifices, the great swooping contours of the Mansoul-made constructions were continued down into the hue-forsaken smoulder of the ghost-seam, their lines narrowing in steep perspective for the necessary fit with the much smaller, more realistically-scaled half-world. As seen from the vantage of Upstairs, this foggy black and white realm of self-denigrating wraiths appeared to be translucent, like a sheet of colourless grey jelly of the type found in pork pies. Burrowing through this viscous medium hundreds of feet below, with streams of tiny after-pictures dissipating in their wakes, were several of the area’s rough sleepers, although none that Michael recognised.

He found that if he focussed with his ghost-eyes, he could see down through the level where the sorry apparitions went about their business, and see down into the plateau underneath. This was a plane of writhing, interwoven crystal growths in which moved variously coloured lights, and he assumed that this must be the mortal Mayorhold as seen from the Second Borough, just as he’d looked down upon the jewellery snaking through his human living room when he’d first surfaced in the Attics of the Breath. The tangled intestinal lengths of hematite and opal were, he knew, the ordinary living people of the district, viewed as though they were extended through time into gorgeous and unmoving coral millipedes. These knotted into an elaborate carpeting of vivid gem-strands and apparently provided a ground floor upon which the superior tiers were standing. Michael stared entranced between the pitch-stained bars, down through the onion layers of the world.

As with the normal earthly Mayorhold, its exploded Mansoul counterpart was situated where eight mighty avenues converged, these being gloriously unrestricted complements to Broad Street, Bath Street, Bearward Street, St. Andrew’s Street, Horsemarket, Scarletwell Street, Bull-Head Lane and Silver Street. These thoroughfares led off from the enclosure like the plastic legs plugged into the main body for a game of beetle-drive, eight spindly tributaries running to a massive central reservoir. The soaring super-buildings circling this huge expanse were like great cliff-faces with windows and verandas, and pressed up against each pane or perched on every ledge and balcony there were the countless threadbare spectres of the Boroughs, in centurions’ cloaks or fingerless wool mittens, here to watch the Master Builders come to blows. The rustle of a thousand ghostly conversations whispered round the auditorium like ebb-tide hissing over shingle. Michael thought it was a bit like being at the pictures in the bit before the lights dim almost imperceptibly and everyone goes quiet.

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