Alan Moore - Jerusalem

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Jerusalem: краткое содержание, описание и аннотация

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In the half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between the firetrap tower blocks. Embedded in the grubby amber of the district’s narrative among its saints, kings, prostitutes and derelicts a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrol-coloured puddles and the fractured dreams of those who navigate them. Fiends last mentioned in the Book of Tobit wait in urine-scented stairwells, the delinquent spectres of unlucky children undermine a century with tunnels, and in upstairs parlours labourers with golden blood reduce fate to a snooker tournament.
Disappeared lanes yield their own voices, built from lost words and forgotten dialect, to speak their broken legends and recount their startling genealogies, family histories of shame and madness and the marvellous. There is a conversation in the thunderstruck dome of St. Paul’s cathedral, childbirth on the cobblestones of Lambeth Walk, an estranged couple sitting all night on the cold steps of a Gothic church-front, and an infant choking on a cough drop for eleven chapters. An art exhibition is in preparation, and above the world a naked old man and a beautiful dead baby race along the Attics of the Breath towards the heat death of the universe.
An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake’s eternal holy city. Fierce in its imagining and stupefying in its scope, this is the tale of everything, told from a vanished gutter.

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The Dead Dead Gang began to climb the stairway from the dove-like murmur of the workplace, Phyllis Painter in the lead and striding up ahead of everybody else. As he ascended, somewhere near the group’s rear with big John, Michael looked down across the oaken balustrade towards the tiled floor dwindling beneath them. From this raised perspective he could almost see a unifying pattern to the movement of the builders as they hurried back and forth on their inscrutable trajectories, as if each worker were an iron filing caught up in the loops and whorls that radiated unseen from a magnet.

He could also now see clearly, thanks to his ghost-vision, all six dozen of the giant demon-haunted flagstones that comprised the floor, set out like an array of nightmare playing cards. He thought he could remember the deathmonger, Mrs. Gibbs, saying that out of all the devils that there were, the one who had abducted Michael, sneaky Sam O’Day, was number thirty-two. If that was right then his specific slab should be against the left-side wall, four rows away. He stood there gazing out over the wooden banister, moving his lips and jabbing at the air with one pink index finger as he counted to make sure. The stone in question, once he’d found it, was quite unmistakeable.

For one thing, it was one of only three or four flagstones in the arrangement that all of the builders seemed to manage to avoid as they traversed their busy place of labour. For another, unlike his confederate Amon, Sam O’Day was only shown in one form on the tile, this being the three-headed thing astride a dragon that had raged above them in the Attics of the Breath, what seemed a day or so ago. This complicated semblance was repeated something like a hundred times across the area of the slab, its contours engineered precisely so that all of the identically irregular shapes fitted perfectly together with an intricacy that was genuinely infernal. Empty spaces in between the creature’s many heads, as an example, were placed to accommodate the four legs of the dragon-steed belonging to the duplicate immediately above them in the pattern, while the tapering tail of each such mount was tailored to fit neatly in the open jaws of an identical heraldic dragon waddling behind it. Taking out his guide and scanning down the lengthy roll of hellish eminences until he’d reached number thirty-two, he tried to find out more about the fiend who had both literally and figuratively taken Michael for a ride.

The two and thirtieth Spirit is called Asmoday. He is a great King, strong and powerful. He cometh with three heads, whereof the first is like a bull, the second is like to a man and the third like unto a ram. He hath a serpent’s tail and belches noxious gas. His foot is webbed like to a goose. He sitteth upon an infernal dragon, carrying a Lance and Standard in his hand, whereon his ensign is displayed as so:

He giveth of the ring of Virtues and teacheth the arts of Arithmetic - фото 10

He giveth of the ring of Virtues, and teacheth the arts of Arithmetic, Geometry, Astronomy and handicraft. He giveth of full and true answers to all questions and can maketh men invisible. He showeth places where is treasure hidden and he governeth a full six dozen Legions of inferior spirits. If requested he may lift the conjuror into a higher place where they may looketh down upon their neighbours’ homes and see their fellows at their business as though it were that the roof had been removed.

Of all the eminences here bound and contained, most special caution is advised in all transactions with this Spirit. Of the devils captured by King Solomon on the symbolic plane, the fiercest and most difficult to subjugate is Asmoday. Indeed, in the rabbinical tradition it is said that Asmoday alone is proof against the magic ring of Mikael that he hath gifted to King Solomon. In their encounter, it is Asmoday who triumphs, hurling the defeated King so far into the sky that when he is returned to Earth he has forgotten quite that he is Solomon. Unchallenged, Asmoday assumes the form of Solomon and goeth on in this impersonation to complete the building of Solomon’s temple at Jerusalem and next take many wives, and to raise other, lesser temples to the foreign gods that these wives worship.

He is husband to the monster Lilith, Queen of Night and Mother of Abominations. While besotted with a princess in the land of Persia, Asmoday does slay as many of her rival suitors as there are days in the week, for which crimes is he driven out by exorcism into antique Egypt, spitefully removing all his mathematic insights from one kingdom to the other in attrition.

Asmoday, in the arrangement of ten rings or tori by which Hell and Heaven are composed, is the demonic ruler of the Fifth plane and is thus associated principally with Wrath. The flower of this particular domain is the five-petal rose, this being emblem to the mortal township, making it conducive to the fiend. Similarly, the reproduction of Solomon’s Temple raised in the First Borough is believed to strengthen the affinity felt by this Spirit for the earthly district. He is the most terrible of all the devils here confined, and in his wrath he is implacable. Asmoday’s colours, by which he is known, are red and green, which signify both his severity and the emotive nature of …

Michael glanced up from his guide-booklet, colour draining from his face until he looked almost exactly as he had done in the black and white expanses of the ghost-seam. Sizzling Sam O’Day, it seemed, was not just any common devil. He had beaten up King Solomon despite the King’s almighty magic ring which he’d been given by a Master Angle. He was “the most terrible of all the devils”. In his wrath he was “implacable”, which Michael thought meant something like “will get you in the end”. The small boy squinted hard at the end slab in the fourth row until he realised that the ram’s eyes, bull’s eyes, dragon’s eyes and man’s eyes in each picture, multiplied a hundred times across the writhing surface of the stone, were all staring directly at him. It was not a loving look.

Not without difficulty, Michael tore his gaze from the entrancing scintillations of the thirty-second Spirit and fell in with Phyllis and the others as they struggled up the constellated stairs to the first landing where, if he had understood their plan correctly, they intended to serve as spectators in a dreadful and unprecedented fight between the Master Builders. As Michael himself was seemingly the cause of this affray he wondered if attending it in person was the safest thing to do, the doubts he’d had on Scarletwell Street’s corner about how well Phyllis and the gang were looking after him resurfacing, if only for a moment. The five Dead Dead children were the only real friends that he’d got round here. Sticking the leaflet back into his pocket, Michael scurried upstairs after them.

A pair of builders passing down the wide and sweeping staircase in the opposite direction seemed to pay particular attention to the gang of ghost-kids, and specifically to Michael Warren. One inclined his head towards the child, at which the other nodded sagely. Both of them then smiled at Michael before walking on down the star-spattered steps, in their long trailing gowns of grey with peacock colours shimmering at the hem. Michael was faintly startled, having not seen this expression on the faces of the other builders labouring below. While they’d seemed fond or even proud of him, which made him feel warm and important, just the simple fact that they’d appeared to know him was a bit unnerving and raised fresh concerns regarding the advisability of turning up to watch the angle-fight.

By now the six of them had reached the first of the three landings jutting out from the east wall. A heavy swing door with a stained-glass panel and brass push-plate, like the ones that he had seen in pubs, led from the stellar marble of the platform out onto the floorboards of a long and relatively crowded balcony with a black railing of pitch-treated wood. It looked a lot like the raised walkway up above the Attics of the Breath where the toddler had met with shifty Sam O’Day, and as big John held the door open for them while they filed out into crystal-perfect daylight, Michael briefly thought that it might be the same place but then realised swiftly that it wasn’t.

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