Alan Moore - Jerusalem

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Jerusalem: краткое содержание, описание и аннотация

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In the half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between the firetrap tower blocks. Embedded in the grubby amber of the district’s narrative among its saints, kings, prostitutes and derelicts a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrol-coloured puddles and the fractured dreams of those who navigate them. Fiends last mentioned in the Book of Tobit wait in urine-scented stairwells, the delinquent spectres of unlucky children undermine a century with tunnels, and in upstairs parlours labourers with golden blood reduce fate to a snooker tournament.
Disappeared lanes yield their own voices, built from lost words and forgotten dialect, to speak their broken legends and recount their startling genealogies, family histories of shame and madness and the marvellous. There is a conversation in the thunderstruck dome of St. Paul’s cathedral, childbirth on the cobblestones of Lambeth Walk, an estranged couple sitting all night on the cold steps of a Gothic church-front, and an infant choking on a cough drop for eleven chapters. An art exhibition is in preparation, and above the world a naked old man and a beautiful dead baby race along the Attics of the Breath towards the heat death of the universe.
An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake’s eternal holy city. Fierce in its imagining and stupefying in its scope, this is the tale of everything, told from a vanished gutter.

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At last the pair of junior apparitions flowed through an exterior wall, emerging gratefully into what, if they’d still been capable of breathing, would have been fresh air. They were now in the central avenue that split the flats, effectively, into two halves. A straight path with a strip of lawn to either side, bounded by walls with strange half-crescent arches, Reggie knew that getting on for ninety years beneath them this was the bleak recreation ground known as the Orchard. The whole place was greatly changed since then, of course. In fact the place was greatly changed, at least by night, since Reggie last remembered passing this way, on a short-cut through the 1970s. Although the basic structure of the buildings had not altered, Reggie was amazed to see that every grimy balcony or stairway visible through the brick arches bordering the path was lit up from beneath, so that these features floated in the dark and made the flats seem like some fabulous abandoned city of the future, full of blazing lanterns but devoid of people. At the central path’s south end, before it got to Castle Street, it turned into a broad and brick-walled concrete stairway. On the bottom step towards its middle sat the ghost of Michael Warren, narrow tartan shoulders shaking as he wept into his lifted hands.

This time, Reggie and Bill approached the clearly frightened kid more carefully, moving so slowly that they hardly left a single duplicate behind them. Not wanting the child to glance up suddenly and think that they were creeping up on him, Reggie called out in the most soft and reassuring tone that he could manage.

“Don’t be scared, mate. It’s just us. Yer not in any trouble.”

Michael Warren looked up, startled, and for just a moment you could see he was debating whether to run off again or not. Evidently he finally decided ‘not’, lowering his head again as he resumed his sobbing. Bill and Reggie walked up and sat down on the stone step to either side of him, with Reggie draping one long coat-clad arm around the spectral infant’s heaving shoulders.

“Come on. Blow your nose and pull yerself together, ay? It’s not so bad.”

The little boy looked up at Reggie, ectoplasm glistening on his cheeks.

“I just want to glow home. This wizzn’t the place I leaved in.”

Reggie couldn’t really argue there. The angular black masses with their hovering islands of illumination looming up around them weren’t the place that he had lived in either, or the place he’d left. And what was more, in Reggie’s case the glow of home was some hundred and fifty years beneath them, down there in the Boroughs dirt. He gave the troubled ghost-child’s arm a brief squeeze through the tartan fabric of his ghostly dressing gown.

“I know. Tell yer the truth, me and Bill don’t much like it up here in the nothings either, do we, Bill?”

On Michael’s other side Bill shook his head into a scruffy, momentary hydra. “Nah. It’s pants, mate, and the further up yer go, the worse it gets. I mean, there’s cameras stuck up everywhere around ’ere as it is — that’s why there’s all these lights — but if you go up into nothing-seven or round there, the fuckin’ things start talkin’ to yer. ‘Pick that fuckin’ litter up’. I’m serious. Old Phyllis only dug ’er way up ’ere by accident, to get us out that storm. I bet when we meet up with ’er, she’ll want to tunnel back down to sometime a bit more civilised. So don’t go runnin’ off again, ay? We’re yer mates. We want to get you out of ’ere as much as you do.”

Michael Warren sniffed and wiped a mollusc-trail of ectoplasm on one tartan sleeve.

“Where hag our how’s gone?”

From the note of piping query in the toddler’s voice, it sounded as though he was cautiously prepared to be consoled. Reggie attempted to address the infant’s question sympathetically, putting aside his earlier opinion that the Warren kid should simply grow up and get over it. Everyone had their cross to bear, Reggie supposed, and Michael Warren had been very young when all this happened to him. He deserved a chance.

“Look, Phyllis dug up nearly fifty years, and nothin’ lasts forever, does it? Nearly all the ’ouses what us lot grew up in are pulled down before the twenty-somethings, but they’re all still standing somewhere underneath us in the bygone, so don’t worry. We can dig you back to 1959 again before you can say knife.”

This did not appear to reassure the lad as much as Reggie might have hoped. He shook his blonde locks ruefully.

“Blub I don’t want all this to be here. Ebonything’s all nasty, and I used to like it when my mum cut through these flats to take us home. I remumble once when I wiz in my plushchair, and she bumped me down these stairps. It took a long time and my hisster sat on that wall there and read her comet-book. She said it was about forbidden worlds, and there were planets on the letters …”

As if realising that his ramblings were not conveying his great sense of loss, the ghost-boy let his reminiscences trail off and simply gestured to the dark aisle they were sitting in, its under-lit verandas flaring as they hung suspended in the night to either side.

“I just don’t like what’s magicked all that into this.”

With a deep sigh and a pistol-like report from the ghosts of his knee-joints, Reggie stood up from the step and signalled Bill to do the same. Realising that the other lads had risen to their feet provoked the Warren kid to follow them. When they were all standing, Bill and Reggie each took Michael by one of his hands, both hoping that they didn’t look like sissies, and proceeded to walk with him down the grass-fringed avenue between the two halves of the flats, heading for Bath Street in a three-strong column of pursuing pictures like a marching band. Reggie looked down towards the little boy.

“None of us like it, mate, the thing what’s made this place the way it is. Soul of the ’ole, that’s what we call it. If we walk down further this way, you’ll see why.”

Having reached the north-most end of the long walkway, they stepped into Bath Street. The two older children paused here, and when Michael Warren looked up questioningly Reggie nodded grimly to a spot a little further down the lamp-lit hill.

It was such an unprecedented sight, a little like one’s first glimpse of the Ultraduct, that Michael Warren wouldn’t know at first what he was looking at, Reggie felt certain from his own experience. Unlike the Ultraduct, however, the phenomenon that hung there swirling in the night air down by Little Cross Street did not inspire overwhelming awe so much as crushing dread.

It was a scorched and blackened hole burned in the supernatural fabric of the ghost-seam. Roughly twenty yards in its diameter it hung there a few feet above the listing and subsided Bath Street paving slabs, spinning unhurriedly. Quite clearly not a thing of the material world, its furthest edges passed straight through the bacon-coloured brickwork of the flats’ north side, seeming to make the walls transparent as it did so. Reggie could see through into the inner chambers, where the cindered edges of the gradually revolving discus reached into one of the rooms that he and Bill had passed through a few moments back, in which the dark-skinned woman with her hair in stripes sat sucking smoking melted grains of glass out of her tin and pasting pictures in her scrapbook. The hole’s turning rim cut through the girl’s translucent body like a black circular saw, the charred flakes of its millstone passage fluttering down to settle in her exposed inner workings, all without her knowledge. On the other side of Bath Street the gyrating aperture’s far edge was doing much the same thing to an upper corner of the maisonettes in Crispin Street. A see-through fat man sat upon a see-through toilet, ground unwittingly on the monstrosity’s sooty perimeter as it rotated through his bathroom. A terrible seared cog that had oblivious anatomic specimens caught on its teeth, the horror wheeled with a dire inevitability there at the night-heart of the unsuspecting neighbourhood, as though it were the works and movement of some huge and devastating timepiece. Michael Warren gaped at the infernal spectacle for some few moments and then he glanced up, appalled and lost, looking to Bill and Reggie for some explanation.

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