Alan Moore - Jerusalem

“Anyway, this bird said ’ow people like Abbott and this ’Inton kicked off all the fuss about the fourth dimension in the 1880s or around then. Come the 1920s, though, and everybody’s into it. All of the artists and the cubists and Picasso and all them, they were just tryin’ to think ’ow it would look if, say, somebody turned their ’ead towards yer and yer could still see ’em side-on. I mean, that’s ’ow us lot see each other all the time.”

To demonstrate, Bill whipped his head around and grinned at Reggie. Reggie didn’t really know what cubists or Picassos were, but he could see what Bill had meant: the after-image of the ginger nipper’s profile was still hanging in the air even though Bill now faced him, a translucent ghost-ear superimposed fleetingly on Bill’s right eye. Perhaps that was the sort of thing that the Picubos painted.

“And it wizn’t just the artists. All the spiritualists and the dodgy séance types wiz celebratin’. They wiz well chuffed, ’cause they thought the fourth dimension would explain all of the weird things ghosts wiz s’posed to do, like seeing inside boxes and all that old bollocks. For a time down in the 1920s, even all the boffins and the scientists an’ what-not thought the table-rappers might be onto somethin’ with this fourth dimension business. Then I ’spect they ’ad a war, or summat else come up, and everybody just forgot about it.”

Reggie silently absorbed this. Though he couldn’t say that any of it was the revelation he’d been hoping for, it made at least a bit more sense of Reggie’s circumstances. He’d not realised that the trails of pictures following the dead about were tied up somehow with this fourth dimension, having previously considered the phenomenon merely a random nuisance. Now he knew that it was scientific, it might not be so much of a bother.

As he listened to Bill ramble on — something about a chap called Einstein, probably another painter — Reggie scanned the unlit neighbourhood about them, part of his attention still fixed doggedly upon the task of finding the ghost-runaway. Glancing across his shoulder to the right he saw the nursery on the mound and, just across the mouth of Castle Hill, the blunt age-rounded corners on the sandstone mass of Doddridge Church. From where he stood with Bill he couldn’t quite see the queer doorway stranded halfway up the church’s wall, nor the appalling, vision-straining splendour of the Ultraduct that sprouted from it, curving off unfathomably to the south, towards the madhouses on Mansoul’s outskirts and beyond that London, Dover, France, Jerusalem. Although the structure was itself invisible from Reggie’s current angle, he could see the falling chalk-dust light it scattered as it settled on the ragged end of Little Cross Street.

Just across the road, in front of the two phantom boys and to their left, there loomed the gaunt west face of Bath Street flats, their bruise-dark 1930s brickwork glistening like snail slime in the intermittent lamplight. Although Reggie doubted that there had been more than a few years between the raising of their Greyfriars counterparts and these somehow forbidding residences, there was an immense dissimilarity in their respective atmospheres. Greyfriars had seemed no more than miserably disappointed, but the soulless and disinterested windows of the Bath Street buildings wore a genuinely dreadful look, as though they’d seen the worst and were just waiting now to die.

Though in the ghost-seam’s monochrome the flats’ bricks were a charred grey, almost black, Reggie had heard they were the brownish-red of dried blood, each one like a block of corned beef slithered from its tin, with yellowed lard for mortar. At a point halfway along the west wall, double doors more suited to a closed-down swimming-baths stared menacingly from beneath the sagging hat brim of their portico. The only glass pane that remained intact was cracked, the other three replaced by speckled plasterboard. Two low brick walls, on one of which white moss was crawling, bordered a thin concrete passage, running from the hooded doorway and across a grass verge to the paving slabs of Little Cross Street. Unreadable words were scrawled in pale paint on the stout brick end-posts, and accumulated in the angle between wall and turf was a dismaying silt of rubber johnnies, dead birds and dead fag-ends, hinged and gaping square-cut oysters made of plastic foam that haemorrhaged cold chips, a single child-sized buckle shoe, six flimsy beer-tins crushed in rage or boredom, several … Reggie brought himself up short. Moss didn’t crawl. He looked back at the clump of ashen tufts which even now appeared to be progressing slowly, like a great albino caterpillar, as it crawled along the flat top surface of the nearside wall. Except it wasn’t really something fluffy balancing upon the wall, but was instead the blonde hair of somebody crouching down and shuffling along behind it.

“Bill! I see ’im! Look, ’e’s over there!”

No sooner had the words left Reggie’s mouth than he regretted them and wished he’d thought to try a subtler approach. Over upon the other side of Little Cross Street, Michael Warren stood up from behind the wall where he’d been hiding and gaped, horrified, at Bill and Reggie as their multiplying images began to blur across the road towards him. Venting a brief yelp of panic, the pyjama-clad child whirled around and plunged into the plasterboard and glass of the closed doors, without the least trace of his earlier hesitation with regard to passing through substantial objects. Reggie dashed over the empty roadway in pursuit with Bill swearing beside him, both of them aware that the new kid had only run away because their roughness frightened him. If John or even Phyllis had been present, Michael Warren would have probably just given up the chase and gone along with them, grateful to be no longer lost in this unfriendly century. By shouting out the odds the way that he just had, Reggie had possibly scared off the little boy for good. If he should dig into another time, even a half-hour back or forward, they would very likely never find him and then all the dire consequences everyone had promised if they lost the hapless tot would come to pass.

In this eventuality, he couldn’t bear the thought of facing Phyllis and explaining to her how he’d messed things up. Frantic lest Michael Warren should escape again, the boys and their attendant images charged in a conga-line of hooligans, diagonally across the grass and straight in through the western wall of Bath Street flats, not bothering to enter by the double doors as the blonde fugitive had done. Reggie and Bill dived recklessly through the blood-pudding bricks into the startling, unexpected realm beyond.

The first apartment that they rushed through was unlit save for the hissing radiance of a television set tuned to an empty channel. Sitting in the room’s sole chair, a middle-aged man stared into the incoherent static, weeping while he clutched a woman’s straw hat to his face. The two ghost-boys smeared past him, passing through the rear wall and the empty kitchenette beyond into another flat, this one blacked out save for the spidery chrome lines of their nocturnal vision. Picked out as if by metallic thread, Reggie could see a filthy baby sleeping fitfully in its dilapidated cradle, the place otherwise unoccupied save for five underfed cats and their droppings. Him and Bill moved on, a ruffian wind that bowled down passageways and under doors, through hovel after hovel: three excited black men playing cards while in one corner lay a fourth, bloody and whimpering; a plump and vacant-eyed old woman in her underwear, patiently counting and arranging tins of dog-food in a pyramid without the least trace of a dog in sight; a skinny young dark-skinned girl with her hair in plaited stripes, who alternated between sucking smoke out of a dented tin and pasting cut-out photographs of a blonde woman into an already-bulging book.