Alan Moore - Jerusalem

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Jerusalem: краткое содержание, описание и аннотация

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In the half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between the firetrap tower blocks. Embedded in the grubby amber of the district’s narrative among its saints, kings, prostitutes and derelicts a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrol-coloured puddles and the fractured dreams of those who navigate them. Fiends last mentioned in the Book of Tobit wait in urine-scented stairwells, the delinquent spectres of unlucky children undermine a century with tunnels, and in upstairs parlours labourers with golden blood reduce fate to a snooker tournament.
Disappeared lanes yield their own voices, built from lost words and forgotten dialect, to speak their broken legends and recount their startling genealogies, family histories of shame and madness and the marvellous. There is a conversation in the thunderstruck dome of St. Paul’s cathedral, childbirth on the cobblestones of Lambeth Walk, an estranged couple sitting all night on the cold steps of a Gothic church-front, and an infant choking on a cough drop for eleven chapters. An art exhibition is in preparation, and above the world a naked old man and a beautiful dead baby race along the Attics of the Breath towards the heat death of the universe.
An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake’s eternal holy city. Fierce in its imagining and stupefying in its scope, this is the tale of everything, told from a vanished gutter.

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Howard had dropped him off in the pull-over spot down at the foot of Chalcombe Road, barely a minute’s walk from Mick and Cathy’s house. Mick said goodbye and thanked his colleague for the ride then mounted the short lane that led to his back gate. The rear yard, with its patio and decking and the shed he’d built himself was reassuring in its tidiness after the chaos and confusion of his day thus far, even seen through the bleary filter of his current puddle-vision. The interior with its gleaming kitchen and neat living room was every bit as orderly and comforting, and with Cath off at work and both the boys at school he had it to himself. Mick made himself a cup of tea and sank into the sofa, lighting up a fag, uneasily aware of the precarious normality of everything.

Although Mick did his fair share of the work, the driving force behind the pristine smartness of their home was Cathy. This was not to say that Mick’s wife was obsessed with cleanliness and order. It was more that Cathy had a deep aversion to untidiness and grime and what they represented to her, a conditioning instilled by having grown up in the Devlin family den. He understood that what to him might seem a barely-noticeable minor carpet stain, to Cathy was a crack in the high wall she’d built between her present and her past, between their current comfortable domestic life and Cathy’s not particularly happy childhood. Children’s toys left scattered on the rug, if not picked up at once, could mean that the next time she looked there’d be her late dad and a gang of drunken uncles sprawled about the place, what looked like a scrap metal business opening in the back yard, and more policemen coming to the door than milkmen. This fear wasn’t rational, they both knew that, but Mick could see how growing up a Devlin could impress it on a person.

Mick got on with all his in-laws, very well with some of them, and thought that by and large they were a lovely crowd, at least the ones he knew. Cath’s sister Dawn, for instance, was a social worker down in Devon, where Mick and the family had taken lots of holidays as a result. Dawn’s youngest daughter Harriet, at the tender age of four, had said about the funniest thing that Mick had ever heard from any child or adult when her dad had asked her if she knew why crabs walked sideways and she’d moodily replied, “Because they’re arseholes.” Perhaps because there were a lot of similarities in background with the Warren family, Mick had always felt very comfortable about being related to the Devlins.

Mind you, they were still the Devlins. Bulletins through Cathy from the wilder reaches of the massively extended clan still had the power to startle or alarm. There’d been a funeral some weeks before that Mick had not been able to attend thanks to his work. Cathy had gone, and it had been by all accounts the spirited affair that Devlin funerals usually turned out to be. At one point in the service, Cathy’s sister Dawn had nudged her and said, “Have you seen our Chris?” This was a distant cousin Cathy had already spotted, standing in the crowd towards the chapel’s rear, and so she said that, yes, she’d seen him. Dawn, though, had persisted. “No, but have you seen him? Have you seen the chap that he’s got with him?” Cathy had glanced back across her shoulder and there stood her cousin, next to someone just as tall as he was who seemed to be struggling to control his feelings at the sad occasion. It was only later, at the wake, that Cath had realised why he’d been standing so close to Cousin Chris. The two of them were handcuffed to each other. The emotionally overwrought man, who’d embarrassed everybody at the do by going on about how wonderful the Devlin family were and just how much he’d been moved by the ceremony, was the plain-clothes prison officer responsible for supervising Chris’s day release. Armed robbery, apparently.

Mick’s wife’s kin were a colourful and various bunch grown from the same black, soot-fed Boroughs earth as were the Warrens. No doubt this was why Cath wouldn’t tolerate that self-same native soil if it got tracked across her fitted carpets. The pastel walls and polished dining table were a barrier against the mud that hung in clumps round Cathy’s roots, but Mick enjoyed the neatness, the predictable serenity. The only problem with it at the moment came when Mick caught sight of his reflection in the glass doors of the cabinet. Sat there with his erupting face sipping his tea amongst the decorous furnishings he looked like something from a George Romero film, a wistful zombie trying to remember how the living did things.

This stray thought brought with it the return of Mick’s unfocussed, inexplicable anxieties from earlier. He still didn’t know where they were coming from. Had something happened in his head while he was out? A stroke or something, or perhaps he’d had one of those dreams that you can’t quite remember but which leave a nasty atmosphere all day. What had been going through his mind in those first seconds when he came round flat out in St. Martin’s Yard, babbling nonsense with volcanoes in his eyes? What had his first thought been upon awakening?

With a lurch he realised that it had been, simply, ‘Mum’.

His mother, Doreen Warren who’d been Doreen Swan, had died ten years before in 1995 and Mick still thought about her fondly almost every day, still missed her. But he missed her as an adult misses people, and he didn’t think about her with the tone of mental voice he’d heard in his first thought upon recovering consciousness. That had been like a lost child calling for its mother, and he hadn’t felt like that since …

Since he’d woken up in hospital when he was three.

Oh God. Mick stood up from the sofa, then sat down again, unsure of why he’d risen in the first place. Was that what this simmering unease was all about, a chance event of no lasting importance that had happened more than forty years ago? He stubbed his cigarette out in the ashtray that he’d brought through from the kitchen then stood up again, this time to crack a window open and allow the smoke time to disperse before the kids and Cathy came home from their days at school and work. This task accomplished he sat down and then stood up again, and then sat down. Shit. What was wrong with him?

He could remember what it had been like when he was three, opening up his eyes to grey ward walls and the pervasive smell of disinfectant, having no idea of where he was or how he’d got there. He’d been forced to put the missing incident together one piece at a time from scraps of information that he’d wormed out of his mum over the next few days, how they’d been sitting in the back yard when a sweet had got itself stuck in Mick’s throat so that he couldn’t breathe, and how the man who lived next door to them along St. Andrew’s Road had driven Mick all limp and lifeless to the hospital, where they’d unblocked his windpipe, taken out his swollen tonsils for good measure and returned him to his family as good as new by the weekend. He knew, then, what had happened to him but he only knew it second hand. When he’d first woken up with a strange nurse and doctor looming in above him he’d had no recall of anything from earlier that day at all, not sitting in the garden on his mother’s knee, not choking and not being rushed to hospital. For all he’d known, the bleak and pungent ward with all the Mabel Lucie Attwell posters tin-tacked to its walls might have been his first moment of existence.

That, though, had been then. This time, on waking from his accident at work, there’d been a moment when Mick’s mind was far from blank; a moment in which Mick had suddenly remembered quite a lot. The problem was that in those first few panicked seconds of recovered consciousness, his sudden rush of memories had not been those belonging to a forty-nine-year-old. He hadn’t even known that was his age, had not straight away understood what he was doing in this open yard with steel drums everywhere. He hadn’t thought immediately of Cathy, or the kids, or of the many other reference points to which, in normal circumstances, he had anchored his identity. It was, in those befuddled instants, just as if the last four-decades-plus-change of his life had never happened. It was as though he were once again a three-year-old awakening in 1959 down at the General Hospital, except this time he’d been a three-year-old who could remember what had happened to him.

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