Witi Ihimaera - White Lies

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White Lies: краткое содержание, описание и аннотация

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A powerful, prize-winning novella from the much-loved author of
, plus a moving screenplay, film stills and commentary on writing and movie making. A medicine woman — a giver of life — is asked to hide a secret that may protect a position in society, but could have fatal consequences. When she is approached by the servant of a wealthy woman, three very different women become players in a head-on clash of beliefs, deception and ultimate salvation. This compelling story tackles moral dilemmas, exploring the nature of identity, societal attitudes to the roles of women and the tension between Western and traditional Maori medicine. This book, though, is also about the richness of creativity, illustrating the way a single story can take on different lives.
The original novella,
, has been rewritten and expanded by Witi Ihimaera to become
. It has also evolved into a screenplay by internationally acclaimed director and screenwriter Dana Rotberg, which has been made into a superb film by South Pacific Pictures. Thus this book offers an intriguing insight into the process of adapting work, as well as offering new versions of this potent story.
Nga Kupu Ora — Aotearoa Maori Book Awards 2013, winner of the Te Pakimaero / Fiction category

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Rebecca Vickers turns her back on Paraiti. To mask her elation she takes a cigarette from a silver case and lights it. Her reflection blazes in all the mirrors in the room. ‘Tonight? What is the method?’

‘I will give you a compound made from flax, supplejack roots and other herbs that you will drink at least three times a day for the next two weeks. It will bring on contractions and cause your whare tangata to collapse.’

‘Is that the extent of the treatment?’

‘No, don’t assume it will be so easy. The compound will affect the pito, the cord that connects your baby to your womb, and it will begin to constrict. But to hasten the process I will come every second evening to massage the area of the whare tangata so that the baby will not want to stay inside. The massage will be deep, forceful and extremely painful for both of you. If my herbs and the massage have the desired effect, your baby will gladly leave the whare tangata ahead of time.’

‘How long will this expulsion take?’

‘Fourteen days.’

‘Two weeks?’ Rebecca Vickers considers the proposal. She rings the bell for the servant, Maraea. ‘When does Mr Vickers’ ship arrive in Auckland?’

‘In twelve days, madam,’ Maraea replies.

‘He will be expecting me to be waiting for him at the dock …’

Mr Vickers has just been elevated to a ministerial position in the United Party. An anxious prime minister, seeing the way the rival Labour Party is rising in the polls, has called him to return to New Zealand immediately.

Rebecca Vickers turns to Paraiti. ‘You must take less time.’ It is not a request; it is a command.

Paraiti does not give ground. ‘A clever wife like you,’ she begins, the sarcasm barely disguised, ‘with a loving husband like yours, would easily be able to plead illness as an excuse for not meeting him in Auckland.’

Although Mrs Vickers is defiant she is also vulnerable, and Paraiti’s heart goes out to her. ‘Why don’t you change your mind?’ she begins. ‘Talk to your husband. He might forgive you.’

The young woman gives an incredulous laugh. ‘Forgive me for bearing a child from another man? Yes, he might do that, but forgive me and the child for having a touch of the tar? No, he would never do that.’ Her eyes are haunted as she looks at Maraea. ‘I might have to go back to the kainga with its dirt, fleas, poverty and … harassment.’ She holds herself tightly, making brushing movements as if ridding herself of unwanted embraces. ‘No, I can never do that.’ She looks at Paraiti. ‘You, you are so unbeautiful, you would know nothing about the world I left. It was a brutal and angry place for a young mission-educated girl who only wanted to better herself, and because I looked … like this … men mistreated me in ways that almost broke my valiant spirit. Why aren’t you pleased for me that I escaped?’

She stubs out her cigarette.

‘Less time, damn you.’

‘That is not possible. I have already doubled the number of herbs in the compound. If I increased them again your body might not be able to cope with the strain. You could have a heart attack.’

‘You already know how strong I am. Just rid me of my burden.’

‘I will not have a dead woman and child on my hands.’ She is thinking fast: yes, Mrs Vickers has the stamina. ‘You must compromise.’

‘You are bargaining with me?’ Mrs Vickers laughs, incredulously.

‘Fourteen days,’ Paraiti answers. ‘You do want to live to enjoy the rest of your life, don’t you?’

Rebecca Vickers is seething with fury. ‘I want to know if the baby will be born dead or alive,’ she demands.

Paraiti includes both Mrs Vickers and Maraea in her gaze. ‘I can’t tell you,’ she answers. ‘If the baby survives the poisonous and dangerous ordeal as the whare tangata collapses, it will be born alive. If not, I will have to pull it out of you dead.’

Rebecca Vickers has one final question. ‘Why are you doing this, Scarface?’ She moves with surprising swiftness, cupping Paraiti’s chin with one hand and, with the other, stroking the scar that crosses her face. The touch of her hand stings.

‘He Maori koe,’ Paraiti answers, pulling back. ‘You are a Maori.’

‘You do this for aroha of me?’ Mrs Vickers is probing her soul.

‘Kia tupato, tuahine,’ Paraiti warns. ‘Be careful, Mrs Vickers. You push me and I will change my mind.’

The threat of withdrawal has the desired effect. Rebecca Vickers blinks and steps back, but she is soon on the offensive again. ‘You mentioned your terms. What do you want, Scarface? Where is the benefit that you seek for yourself?’

It is now or never. ‘I will not require payment for my services,’ Paraiti says quickly. ‘You will not understand this, Mrs Vickers, but my purpose is to save lives, not take them away. Whether the baby is dead or alive, I will keep it.’

‘What are you up to, Scarface? Wait here while I consider.’

Paraiti watches as Mrs Vickers and Maraea leave the room. She hears them talking in low voices. ‘I had not realised that your motives would be so selfless,’ Rebecca Vickers says on her return, ‘but I agree to your request. What choice do I have? You hold all the cards. But I have the easy part of the bargain, not having to dispose of the baby. Are you planning some midnight black magic revel with a dead foetus?’ she laughs. ‘Do you want to bury it in holy tribal ground? As if that would save its soul?’ She is enjoying the way her thoughts are coming to her.

‘It’s not the baby’s soul you should worry about.’

‘Enough of this,’ Rebecca Vickers says. ‘All right, I agree, but twelve days is all I am giving you, takuta, and if by any chance the baby is born alive, take it quickly for I would soon murder it.’

Having asked Maraea to bring up the saddlebag containing her medicines, Paraiti begins the treatment. She instructs both Mrs Vickers and Maraea on the compound and its dosage and frequency. Maraea measures out the first dose and administers it.

Self-confident though she is, Mrs Vickers’ eyes show alarm. Her face increases in pallor; after all, it is a poison being administered to her. ‘The medicine is making me feel ill,’ she says, panicking.

‘Be warned,’ Paraiti answers, ‘it will get much, much worse as we progress.’

She begins the massage. It is light at first and Mrs Vickers relaxes into it. ‘This is not so difficult to cope with,’ she laughs.

Paraiti goes deeper, stronger, faster — above, around and upon the mound of the whare tangata. Soon, sweat starts to pop out on Mrs Vickers’ forehead and she groans, ‘No, please, enough, no.’ She tries to push Paraiti away.

‘Hold your mistress down,’ Paraiti says to Maraea.

For half an hour Paraiti keeps up the massage, her eyes dark and her face grim, until Mrs Vickers starts to scream with the pain. Paraiti stops and steps away. Mrs Vickers moans; she can feel the after-effects of Paraiti’s manipulations rippling within her womb.

The massage isn’t over. Paraiti takes one step forward and, ‘Aue! Taukiri e!’ she cries as she administers a hard, shocking series of hand manipulations on and around the whare tangata. Then bearing down with both hands she applies relentless pressure on the baby. Please child, forgive me, but this is the only way . She can sense the child beneath her hands, fighting the pressure and unbearable pain — and Mrs Vickers screams and loses consciousness.

‘Every second day, this?’ Maraea asks, horrified.

‘Yes,’ Paraiti answers. ‘Meantime, make sure your mistress drinks the compound. This regime is the only way to achieve what she wants. Under no circumstances can we slow or halt the procedure.’

It is time for Paraiti to leave.

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