Харуки Мураками - Killing Commendatore

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Killing Commendatore: краткое содержание, описание и аннотация

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The epic new novel from the internationally acclaimed and best-selling author of 1Q84
In Killing Commendatore, a thirty-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a previously unseen painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious thirteen-year-old girl, a Nazi assassination attempt during World War II in Vienna, a pit in the woods behind the artist’s home, and an underworld haunted by Double Metaphors.
A tour de force of love and loneliness, war and art—as well as a loving homage to The Great Gatsby—Killing Commendatore is a stunning work of imagination from one of our greatest writers.

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“If all those involved in the plot were killed, that means the only survivor is Tomohiko Amada?”

“It does seem that way. Just before the end of the war, the Reich Main Security Office ordered that all secret documents relating to the incident be burned, and the plot was lost to the darkness of history. It would be nice if we could question Tomohiko Amada about the details of what took place, but that would be pretty difficult now.”

It would, I said. Up till now Tomohiko Amada had never spoken of the incident, and his memory had now sunk deep into the thick mud of oblivion.

I thanked Menshiki and hung up.

Even while his memory was still solid, Tomohiko Amada had maintained a firm silence about the incident. He must have had some private reasons for why he couldn’t talk about it. Or perhaps when he left the country the authorities had forced him to agree to never speak of it. In place of maintaining a lifelong silence, though, he’d left the painting Killing Commendatore . He’d entrusted that painting with the truth he was forbidden to ever speak about, and his feelings about what had occurred.

The next evening Menshiki called again. Mariye Akikawa would be coming to my house the following Sunday at ten a.m., he reported. As he’d mentioned, her aunt would be accompanying her. Menshiki wouldn’t be there that first day.

“I’ll come by after some time has passed, after she’s gotten used to posing for you. I’m sure she’ll be nervous at first, and it’s better that I don’t bother you,” he said.

His voice was a little unsteady. That tone put me on edge as well.

“Yes, that sounds like a good idea,” I replied.

“Come to think of it, though, I might be the one who’s the most nervous,” Menshiki said after a little hesitation, sounding as if he were revealing a secret. “I think I said this before, but I’ve never been near Mariye Akikawa, not even once. I’ve only seen her from a distance.”

“But if you wanted to get close to her, you could have created an opportunity to do so.”

“Yes, of course. If I’d wanted to I could have made any number of opportunities.”

“But you didn’t. Why not?”

Uncharacteristically, Menshiki took time to choose his words. He said, “I couldn’t predict how I’d feel, or what I’d say, if I was close to her. That’s why I’ve intentionally stayed away. I’ve been satisfied with being on the other side of the valley, secretly watching her from a distance with high-powered binoculars. Is that a warped way of thinking?”

“Not particularly,” I said. “But I do find it a bit odd. But now you’ve decided to actually meet her at my house. Why?”

Menshiki was silent for a time, and then spoke. “That’s because you’re here, and can act as an intermediary.”

“Me?” I said in surprise. “Why me? Not to be rude or anything, but you hardly know me. And I don’t know you well either. We only met about a month ago. We live across the valley from each other, but our lifestyles couldn’t be more different. So why did you trust me that much? And tell me your secrets? You don’t seem the type to give away your inner feelings so easily.”

“Exactly. Once I have a secret I lock it away in a safe and swallow the key. I don’t seek advice from others or reveal things to them.”

“Then how come—I’m not sure how to put this—you’ve confided in me?”

Menshiki was silent for a time. “It’s hard to explain, but I got the feeling the first day I met you that it’s all right to let my guard down. Call it intuition. And that feeling only grew stronger after I saw my portrait. I decided, This is a trustworthy person . Someone who would accept my way of seeing things, my way of thinking. Even if I have a slightly odd and twisted way of seeing and thinking.”

A slightly odd and twisted way of seeing and thinking, I thought.

“I’m really happy you’d say that,” I said. “But I don’t think I understand you as a person. You go way beyond the scope of my comprehension. Frankly, many things about you simply surprise me. Sometimes I’m at a loss for words.”

“But you never try to judge me. Am I right?”

That was true, now that he’d said it. I’d never tried to apply some standard to judge Menshiki’s words and actions. I didn’t praise them, and didn’t criticize them. They simply left me, as I’d said, at a loss for words.

“You might be right,” I admitted.

“And you remember when I went down to the bottom of that hole? When I was down there by myself for an hour?”

“Of course.”

“It never even occurred to you to leave me there forever, in that dark, dank hole. Right?”

“True. But that sort of idea wouldn’t occur to a normal person.”

“Are you sure about that?”

What could I say? I couldn’t imagine what lay deep in other people’s minds.

“I have another request,” Menshiki said.

“And what is that?”

“It’s about next Sunday, when Mariye and her aunt come to your place,” Menshiki said. “I’d like to watch your house then with my binoculars, if you don’t mind?”

“I don’t mind,” I said. I mean, the Commendatore had watched my girlfriend and me, right beside us, when we’d had sex. Having someone watch my terrace from afar wasn’t about to faze me now.

“I thought it’d be best to tell you in advance,” Menshiki said, as if excusing himself.

I was impressed all over again how strangely honest he was. We finished talking and hung up the phone. I’d been holding the phone tightly against me, and the spot above my ear ached.

The next morning I received a certified letter. I signed the receipt the mailman held out for me, and got a large envelope. Getting it didn’t exactly make me feel cheerful. My experience is that certified mail is never good news.

And as expected, the mail was from a law office in Tokyo, and inside were two sets of divorce papers. There was also a stamped, self-addressed envelope. The only thing accompanying the forms was a letter with businesslike instructions from the lawyer. It said that all I needed to do was read over the forms, check them, and, if I didn’t have any objections, sign and seal one set and send it back. If there are any points that you’re uncertain about, the letter said, feel free to contact the attorney in charge. I glanced through the forms, filled in the date, signed them, and affixed my seal. I didn’t particularly have any points that were uncertain . Neither of us had any financial obligations toward the other, no estate worth dividing up, no children to fight a custody battle over. A very simple, easy-to-understand divorce. Divorce 101, you could say. Two lives had overlapped into one, and six years later had split apart again, that was it. I slipped the documents inside the return envelope and put the envelope on top of the dining room table. Tomorrow when I went to town to teach my art class all I’d need to do was toss it inside the mailbox in front of the station.

That whole afternoon I sort of half-gazed at the envelope on the table, and gradually came to feel like the entire weight of six years of married life was crammed inside that envelope. All that time—time tinged with all kinds of memories and emotions—was stuffed inside an ordinary business envelope, gradually suffocating to death. I felt a weight pressing down on my chest, and my breathing grew ragged. I picked up the envelope, took it to the studio, and placed it on the shelf, next to the dingy ancient bell. I shut the studio door, returned to the kitchen, poured a glass of the whiskey Masahiko had given me, and drank it. My rule was not to drink while it was still light out, but I figured it was okay sometimes. The kitchen was totally still and silent. No wind outside, no sound of cars. Not even any birds chirping.

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