Donna Tartt - The Goldfinch

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The Goldfinch: краткое содержание, описание и аннотация

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A young boy in New York City, Theo Decker, miraculously survives an accident that takes the life of his mother. Alone and determined to avoid being taken in by the city as an orphan, Theo scrambles between nights in friends’ apartments and on the city streets. He becomes entranced by the one thing that reminds him of his mother, a small, mysteriously captivating painting that soon draws Theo into the art underworld.

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“No, no,” said Etta when I went to the kitchen to ask her to knock on the door for me, “she’s up and about. I took her some tea not fifteen minutes ago.”

What “up and about” meant, for Mrs. Barbour, was pyjamas and puppy-chewed slippers with what looked like an old opera coat thrown over. “Oh, Theo!” she said, her face opening with a touching, unguarded plainness that made me think of Andy on the rare occasions when he was actually pleased about something—such as his Nagler 22mm telescopic eyepiece arriving in the mail or his happy discovery of the LARP (Live Action Role Play) porn site, featuring busty sword-wielding lasses getting it on with knights and wizards and so forth. “What a dear, dear duck you are!”

“You don’t have it, I hope?”

“No—” leafing through it delightedly—“how perfect of you! You’ll never, ever believe it but I saw this show in Boston when I was in college.”

“That must have been some show,” I said, settling back into an armchair. I was feeling much happier than, an hour previous, I would have thought possible. Sick over the painting, sick with headache, despairing at the thought of dinner with the Longstreets, wondering how the hell I was going to make it through an evening of hot crab dip and Forrest delivering his views on the economy when all I basically wanted to do was blow my brains out, I’d tried to call Kitsey, with the intention of begging her to plead illness with me so we could skive off and spend the evening at her apartment, in bed. But—as often happened, infuriatingly, on Kitsey’s days out—my calls had gone unreturned, my texts and emails unanswered, my messages clicking straight through to voice mail—“I need to get a new phone,” she’d said fretfully, when I’d complained of these all-too-frequent communication blackouts, “there’s something wrong with it”—and though I’d asked her several times to walk in off the street with me to the Apple store and get a new one, she always had an excuse: lines too long, had to be somewhere, wasn’t in the mood, hungry, thirsty, needed to pee, couldn’t we do it another time?

Sitting on the side of my bed with eyes closed, annoyed at not being able to reach her (as I never seemed to be able to do, when I really needed to), I’d thought of calling Forrest and telling him I was ill. But as bad as I felt I still wanted to see her, even if it was only across the table at dinner with people I didn’t like. Hence—to force myself out of bed, uptown, and through the most deathly part of the evening—I’d swallowed what had been, for me, in the old days, a mild dose of opiates. But though it hadn’t knocked my headache out it had put me in a surprisingly good mood. I hadn’t felt so well in months.

“You and Kitsey are dining out tonight?” said Mrs. Barbour, who was still happily leafing through the catalogue I’d brought. “Forrest Longstreet?”

“That’s right.”

“He was in your class with Andy, wasn’t he?”

“Yes he was.”

“He wasn’t one of those boys who was so awful?”

“Well—” Euphoria had made me generous. “Not really.” Forrest, oafish and slow on the draw (“Sir, are trees considered plants?”) had never been intelligent enough to persecute Andy and me in any kind of focused or resourceful way. “But, yes, you’re right, he was part of that whole group, you know, Temple and Tharp and Cavanaugh and Scheffernan.”

“Yes. Temple. I certainly remember him. And the Cable boy.”

“What?” I said, mildly surprised.

He’s certainly turned out badly,” she said without looking up from the catalogue. “Living on credit… can’t hold a job and also some trouble with the law, I hear. Wrote some bad checks, apparently his mother had a hard time keeping the people from pressing charges. And Win Temple,” she said, looking up, before I could explain that Cable hadn’t really been a part of that aggressive-jock crowd. “He was the one who knocked Andy’s head against the wall in the showers.”

“Yes, that was him.” What I mainly remembered about the showers was not so much Andy getting concussed on the tile as Scheffernan and Cavanaugh wrestling me down and trying to shove a stick of deodorant up my ass.

Mrs. Barbour—wrapped delicately in her coat, shawl over her lap as if riding in a sleigh to a Christmas party—was still leafing through her book. “Do you know what that Temple boy said?”

“Sorry?”

“The Temple boy.” Her eyes were on the book; her voice was bright, as if she were speaking to a stranger at a cocktail party. “What his excuse was. When they asked why he knocked Andy unconscious.”

“No, I don’t know.”

“He said, ‘Because that kid gets on my nerves.’ He’s an attorney now, they tell me, I certainly hope he holds his temper a bit better in the courtroom.”

“Win wasn’t the worst of them,” I said, after a languid pause. “Not by a long shot. Now Cavanaugh and Scheffernan—”

“The mother wasn’t even listening. Texting away on her cell phone. Some terribly urgent matter with a client.”

I looked at the cuff of my shirt. I’d taken care to change into a fresh one after work—if there was one thing my opiated years had taught me (not to mention my years of antiques fraud), it was that starched shirts and suits fresh from the cleaners’ went a long, long way toward hiding a multitude of sins—but I’d been loopy and careless from the morphine tabs, drifting around my bedroom and humming to Elliott Smith as I dressed, sunshine… been keeping me up for days … and (I noticed) one of my cuffs wasn’t done up properly. Moreover the knots I’d chosen weren’t even a matched pair: one purple, the other blue.

“We could have sued,” said Mrs. Barbour absent-mindedly. “I don’t know why we didn’t. Chance said he thought it would make things harder for Andy at school.”

“Well—” There was no way I could inconspicuously do up my cuff again. It would have to wait for the cab. “That thing in the shower was really Scheffernan’s fault.”

“Yes, that’s what Andy said, and the Temple boy too, but as for the actual blow, the concussion, there was no question —”

“Scheffernan was a sneaky guy. He pushed Andy into Temple—Scheffernan was across the locker room and laughing his head off with Cavanaugh and those guys by the time the fight started.”

“Well, I don’t know about that, but David—” David was Scheffernan’s first name—“he wasn’t a bit like the others, always perfectly nice, so polite, we had him over here a good deal, and always so good about including Andy. You know how a lot of the children were, with birthday parties—”

“Yes, but Scheffernan had it in for Andy, always. Because Scheffernan’s mother was always forcing Andy down his throat. Making him ask Andy, making him come over here.”

Mrs. Barbour sighed and set down her cup. The tea was jasmine; I could smell it where I sat.

“Well, goodness knows, you knew Andy better than I did,” she said unexpectedly, drawing the embroidered collar of her wrap closer. “I never saw him for who he was and in some ways he was my favorite child. I wish I hadn’t been always trying to make him into someone else. Certainly you were able to accept him on his own terms, more than his father and I or God knows his brother. Look,” she said, in much the same tone, in the rather chilling silence that followed this. She was still leafing through the book. “Here’s St. Peter. Turning the little children away from Christ.”

Obediently I got up and circled behind. I knew the work, one of the great, stormy drypoints at the Morgan, the Hundred Guilder Print as it was called: the price that Rembrandt himself, according to legend, had been forced to pay to buy it back.

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